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Author: David Nicholls
Publisher: Cambridge University Press
ISBN: 9780521454292
Category : Music
Languages : en
Pages : 668
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Book Description
The Cambridge History of American Music, first published in 1998, celebrates the richness of America's musical life. It was the first study of music in the United States to be written by a team of scholars. American music is an intricate tapestry of many cultures, and the History reveals this wide array of influences from Native, European, African, Asian, and other sources. The History begins with a survey of the music of Native Americans and then explores the social, historical, and cultural events of musical life in the period until 1900. Other contributors examine the growth and influence of popular musics, including film and stage music, jazz, rock, and immigrant, folk, and regional musics. The volume also includes valuable chapters on twentieth-century art music, including the experimental, serial, and tonal traditions.
Author: David Nicholls
Publisher: Cambridge University Press
ISBN: 9780521454292
Category : Music
Languages : en
Pages : 668
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Book Description
The Cambridge History of American Music, first published in 1998, celebrates the richness of America's musical life. It was the first study of music in the United States to be written by a team of scholars. American music is an intricate tapestry of many cultures, and the History reveals this wide array of influences from Native, European, African, Asian, and other sources. The History begins with a survey of the music of Native Americans and then explores the social, historical, and cultural events of musical life in the period until 1900. Other contributors examine the growth and influence of popular musics, including film and stage music, jazz, rock, and immigrant, folk, and regional musics. The volume also includes valuable chapters on twentieth-century art music, including the experimental, serial, and tonal traditions.
Author: Jude Warne
Publisher: Rowman & Littlefield
ISBN: 1538120968
Category : Biography & Autobiography
Languages : en
Pages : 284
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Book Description
As if recovering from a raucous dream of the 1960s, Gerry Beckley, Dewey Bunnell, and Dan Peek arrived on 1970s American radio with a sound that echoed disenchanted hearts of young people everywhere. The three American boys had named their band after a country they’d watched and dreamt of from their London childhood Air Force base homes. What was this country? This new band? Classic and timeless, America embodied the dreams of a nation desperate to emerge from the desert and finally give their horse a name. Celebrating the band’s fiftieth anniversary, Gerry Beckley and Dewey Bunnell share stories of growing up, growing together, and growing older. Journalist Jude Warne weaves original interviews with Beckley, Bunnell, and many others into a dynamic cultural history of America, the band, and America, the nation. Reliving hits like “Ventura Highway,” “Tin Man,” and of course, “A Horse with No Name” from their 19 studio albums and incomparable live recordings, this book offers readers a new appreciation of what makes some music unforgettable and timeless. As America’s music stays in rhythm with the heartbeats of its millions of fans, new fans feel the draw of a familiar emotion. They’ve felt it before in their hearts and thanks to America, they can now hear it, share it, and sing along.
Author: Kristen Laine
Publisher: Penguin
ISBN: 1101216972
Category : Biography & Autobiography
Languages : en
Pages : 320
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Book Description
In the spirit of Friday Night Lights comes the stirring story of a marching band from small-town middle America. Every fall, marching bands take to the field in a uniquely American ritual. For millions of kids, band is a rite of passage—a first foray into leadership and adult responsibility, and a chance to learn what it means to be a part of a community. Nowhere is band more serious than at Concord High School in Elkhart, Indiana, where the entire town is involved with the success of its defending state champion band, the Marching Minutemen. In the place where this tradition may have originated, in the city that became the band instrument capital of the world, band is a religion. But it’s not the only religion—as legendary director Max Jones discovers when conflicting notions of faith and purpose collide during his final year as director. In this intimate chronicle, the band marches through a season that starts in hope and promise, progresses through uncertainty and disappointment, and ends, ultimately, in redemption.
Author: Bryan Proksch
Publisher:
ISBN: 9781805432395
Category : Band music
Languages : en
Pages : 0
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Book Description
"Essays on the history of bands in America from ca. 1820 to 1930, offering new insights on a major sphere of music making that brought diverse repertories to wide audiences. The essays in this volume, written by leading scholars in the field of American-band history, examine a broad spectrum of issues, including biography, performance, repertoire, and marketing. Detailed studies of key turning points in the evolution of bands include P. S. Gilmore's 1864 New Orleans concerts, the Kaiser-Cornet-Quartett's 1872 tour, the 1892 transition from Gilmore's Band to Sousa's Band, C. G. Conn's lavish artist-endorsement posters, and the demise of the Sousa Band in the late 1920s. Additional essays seek to rectify oversights and add insights to the lives of key figures in band history. African American keyed bugler Frank Johnson's earliest works receive close scrutiny, as does the life of neglected cornet superstar Alice Raymond. A complete reevaluation of Francesco Fanciulli, the U. S. Marine Band leader whose reputation suffered greatly from an 1897 scandal, shows his importance in the realm of conducting and composition. The repertoire of a town band in antebellum New Hampshire and a documentary study of Civil War bandsmen seek to better understand social aspects of bands in the 1850s and 1860s. Edited by Bryan Proksch and George Foreman. Contributors: Patricia Backhaus, Margaret Downie Banks, Steve Bornemann, Jim Davis, Dave Detwiler, Michael O'Connor, Eric Roefs, and Colin Roust"--
Author: Richard Crawford
Publisher: W. W. Norton & Company
ISBN: 9780393048100
Category : History
Languages : en
Pages : 1000
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Book Description
An illustrated history of America's musical heritage ranges from the earliest examples of Native American traditional song to the innovative sound of contemporary rock and jazz.
Author: Margaret Hindle Hazen
Publisher: Smithsonian Books (DC)
ISBN: 9780874745467
Category : Brass bands
Languages : en
Pages : 225
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Book Description
The authors have traced the evolution of the American band from its inception to the end of World War I, focusing on its sociological, rather than purely musical aspects. The relationship of band and band leader to community is clarified by the Hazens' basically democratic approach; even a miniscule ten-piece band from Oswayo, Pennsylvania is treated with affectionate respect. The book is lavishly illustrated with archival photographs, programs and other documents. ISBN 0-87474-547-0 (pbk) : $19.95.
Author: Patricia Backhaus
Publisher: Boydell & Brewer
ISBN: 1648250823
Category : History
Languages : en
Pages : 379
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Book Description
Essays on the history of bands in America from ca. 1820 to 1930, offering new insights on a major sphere of music making that brought diverse repertories to wide audiences.The essays in this volume, written by leading scholars in the field of American-band history, examine a broad spectrum of issues, including biography, performance, repertoire, and marketing. Detailed studies of key turning points in the evolution of bands include P. S. Gilmore's 1864 New Orleans concerts, the Kaiser-Cornet-Quartett's 1872 tour, the 1892 transition from Gilmore's Band to Sousa's Band, C. G. Conn's lavish artist-endorsement posters, and the demise of the Sousa Band in the late 1920s. Additional essays seek to rectify oversights and add insights to the lives of key figures in band history. African American keyed bugler Frank Johnson's earliest works receive close scrutiny, as does the life of neglected cornet superstar Alice Raymond. A complete re-evaluation of Francesco Fanciulli, the U. S. Marine Band leader whose reputation suffered greatly from an 1897 scandal, shows his importance in the realm of conducting and composition. The repertoire of a town band in antebellum New Hampshire and a documentary study of Civil War bandsmen seek to better understand social aspects of bands in the 1850s and 1860s.Edited by Bryan Proksch and George Foreman. Contributors: Patricia Backhaus, Margaret Downie Banks, Steve Bornemann, Jim Davis, Dave Detwiler, Michael O'Connor, Eric Roefs, and Colin Roust. suffered greatly from an 1897 scandal, shows his importance in the realm of conducting and composition. The repertoire of a town band in antebellum New Hampshire and a documentary study of Civil War bandsmen seek to better understand social aspects of bands in the 1850s and 1860s.Edited by Bryan Proksch and George Foreman. Contributors: Patricia Backhaus, Margaret Downie Banks, Steve Bornemann, Jim Davis, Dave Detwiler, Michael O'Connor, Eric Roefs, and Colin Roust. suffered greatly from an 1897 scandal, shows his importance in the realm of conducting and composition. The repertoire of a town band in antebellum New Hampshire and a documentary study of Civil War bandsmen seek to better understand social aspects of bands in the 1850s and 1860s.Edited by Bryan Proksch and George Foreman. Contributors: Patricia Backhaus, Margaret Downie Banks, Steve Bornemann, Jim Davis, Dave Detwiler, Michael O'Connor, Eric Roefs, and Colin Roust. suffered greatly from an 1897 scandal, shows his importance in the realm of conducting and composition. The repertoire of a town band in antebellum New Hampshire and a documentary study of Civil War bandsmen seek to better understand social aspects of bands in the 1850s and 1860s.Edited by Bryan Proksch and George Foreman. Contributors: Patricia Backhaus, Margaret Downie Banks, Steve Bornemann, Jim Davis, Dave Detwiler, Michael O'Connor, Eric Roefs, and Colin Roust.
Author: Jill M. Sullivan
Publisher: Rowman & Littlefield
ISBN: 1442254416
Category : Music
Languages : en
Pages : 386
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Book Description
In the first comprehensive exploration of women’s bands in American history, contributors trace women's emerging roles in town, immigrant, family, school, suffrage, military, swing, and rock bands, as well as society at large. Contributors bring together a series of disciplines in this unique work, including musicology, American history, women's studies, and history of education.
Author: Helen Walker-Hill
Publisher: Center for Black Music Rsrch
ISBN: 9780929911045
Category : Music
Languages : en
Pages : 128
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Book Description
Author: Lenard C. Bowie
Publisher: Xlibris Corporation
ISBN: 9781465305756
Category : Music
Languages : en
Pages : 573
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Book Description
LENARD C. BOWIE, DMA ASSOCIATE PROFESSOR OF MUSIC, RETIRED THE UNIVERSITY OF NORTH FLORIDA JACKSONVILLE , FLORIDA Dr. Lenard C. Bowie has developed an enviable reputation as a consummate musician. He is a classical trumpet artist, accomplished band director, effective music administrator, skilled lecturer and publi shed author. As an author, Bowie's expertise in several fields of endeavor has been documented through the following subjects, as published in the professional music journals indicated: "Solving Problems of Young Trumpet Players, " published in the Music Educators National Journal (December, J979) , a critical review of "Black University Marching Bands in the 80's." published by The Marching Band (January, 198 1), and the Proceedings of an Informal Research Conference whose mission was to document the extent to which African American music courses were offered in Florida's Public Schools was published by the Florida Music Educator (June, 2002). As an undergraduate, Bowie was plagued bymany questions concerning the absence of formal instruction in the music of his people, especially when considering the fact that there were only two authentic types of American music -- that of the American Indians and that of African Americans, with African American Music being the most important of the two. Bowie's search for answers to his probing questions began when he enrolled in Professor Willie Ruffs course in Black Music as a graduate student at Yale University in 1974. This course opened Bowie's eyes, ears and mind to many of his here-to-fore unanswered questions; including the extent to which African music traditions are practiced in African American Music today, and the impact that African American Music has made on the social, political, economic, and religious climates of modern American Society. After graduating from Yale with a Master of Musical Arts Degree in 1976, Bowie struck out on a mission to enlarge on what he had learned about African American Music.This mission brought him in contact with a wealth of information through independent study of numerous publications and documentaries; lectures, festivals, concerts; and personal contacts with scholars who were, or have become, major players in the research, dissemination, performance and composition of African American Music. Some of these scholars include former colleagues Dr.Oily W. Wilson, composer and Chair of Composition at UCLA , Berkeley, Samuel Floyd, Founder and Director of the Center for Black Music Research, found at Fisk University, now housed at ColumbiaCollege,Chicago,Dr. AaronHorne,AfricanAmericanMusic Biographer and Dean of Fine Arts, Winston Salem Unive rsity, North Caro lina, Aramentha Adams - Hummings, Founder and Director ofthe Gateways Music Festival , initiated at the North Carolina School of the Arts, now housed at the East man School of Music in Rochester,New York, Operatic Tenor and Music Educator, the late Dr. William A, Brown. Others include Dr. Portia Maultsby, Professor of Music at Indiana University, Dr. Dena Epstein, Retired Music Librarian, Archival Researcher and Author, Chicago, Dr. Rene Boyer-White, Professor of Music Education, College-Conservatory of Music, The University of Cincinnati, and Dr. John Smith, Dean of Fine Arts, The Univers ity of South Florida at Tampa. During the first of Dr. Bowie's two terms as Music Department Chair at The University of North Florida, he was afforded an opportunity to apply and distribute his long sought know ledge. The opportunity came in the form ofa Mill ion Dollar Endowment from the Koger Company to develop programs of study in American Music. The response of the faculty to the endowmentwas to institute two programs: a Jazz Studies Program and a program in African American Music. The Jazz Studies Program has become nationally recognized for outstanding achievements in jazz theory, history and performance. The latter program , designed and developed by Bowie, was chall
