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Author: Thomas McEvilley
Publisher: Recovered Classics
ISBN:
Category : Art
Languages : en
Pages : 184
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Book Description
"Directly following the internationally acclaimed Art & Discontent, Thomas McEvilley argues in Art & Otherness for an advanced anthropological perspective that contravenes conventional thinking in the visual arts, and leads to a concept of artistic globalization. The description of Western culture as superior and in opposition to other cultures of the world preoccupied our aesthetic philosophy for at least 200 years, whether or not explicitly stated. That argument was undertaken in various guises, especially as the historical determinism of Hegel which proposed to quantify human "progress." Recently, however, the term "multiculturalism" has come to signify a post-Modern understanding of how visual arts transgress artificial boundaries, and of how there may now exist, perhaps for the first time in history, a post-colonial globalism in the arts freed of ethnocentric value judgements. In these ten crucial essays, McEvilley clarifies how the presentation of art can determine its reception, how "influence" can be bi-directional, how "otherness" serves to define "self," and how art need not necessarily lose its meaningfulness when stripped of badges of universality. Once again illustrating his argument by drawing upon an array of sources and cultures, Thomas McEvilley demonstrates that the post-Modern crisis in cultural identity demands an imaginative, integrating response."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Thomas McEvilley
Publisher: Recovered Classics
ISBN:
Category : Art
Languages : en
Pages : 184
Get Book
Book Description
"Directly following the internationally acclaimed Art & Discontent, Thomas McEvilley argues in Art & Otherness for an advanced anthropological perspective that contravenes conventional thinking in the visual arts, and leads to a concept of artistic globalization. The description of Western culture as superior and in opposition to other cultures of the world preoccupied our aesthetic philosophy for at least 200 years, whether or not explicitly stated. That argument was undertaken in various guises, especially as the historical determinism of Hegel which proposed to quantify human "progress." Recently, however, the term "multiculturalism" has come to signify a post-Modern understanding of how visual arts transgress artificial boundaries, and of how there may now exist, perhaps for the first time in history, a post-colonial globalism in the arts freed of ethnocentric value judgements. In these ten crucial essays, McEvilley clarifies how the presentation of art can determine its reception, how "influence" can be bi-directional, how "otherness" serves to define "self," and how art need not necessarily lose its meaningfulness when stripped of badges of universality. Once again illustrating his argument by drawing upon an array of sources and cultures, Thomas McEvilley demonstrates that the post-Modern crisis in cultural identity demands an imaginative, integrating response."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: William Desmond
Publisher: State University of New York Press
ISBN: 0791486680
Category : Philosophy
Languages : en
Pages : 319
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Book Description
Addresses the end of art and the task of metaphysics.
Author: Carlee A. Bradbury
Publisher: Springer
ISBN: 3319650491
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
This collection examines gender and Otherness as tools to understand medieval and early modern art as products of their social environments. The essays, uniting up-and-coming and established scholars, explore both iconographic and stylistic similarities deployed to construct gender identity. The text analyzes a vast array of medieval artworks, including Dieric Bouts’s Justice of Otto III, Albrecht Dürer’s Feast of the Rose Garland, Rembrandt van Rijn’s Naked Woman Seated on a Mound, and Renaissance-era transi tombs of French women to illuminate medieval and early modern ideas about gender identity, poverty, religion, honor, virtue, sexuality, and motherhood, among others.
Author: Victor I. Stoichita
Publisher: Reaktion Books
ISBN: 1789141052
Category : Art
Languages : en
Pages : 289
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Book Description
Difference exists; otherness is constructed. This book asks how important Western artists, from Giotto to Titian and Caravaggio, and from Bosch to Dürer and Rembrandt, shaped the imaging of non-Western individuals in early modern art. Victor I. Stoichita’s nuanced and detailed study examines images of racial otherness during a time of new encounters of the West with different cultures and peoples, such as those with dark skins: Muslims and Jews. Featuring a host of informative illustrations and crossing the disciplines of art history, anthropology, and postcolonial studies, Darker Shades also reconsiders the Western canon’s most essential facets: perspective, pictorial narrative, composition, bodily proportion, beauty, color, harmony, and lighting. What room was there for the “Other,” Stoichita would have us ask, in such a crystalline, unchanging paradigm?
Author: Thomas McEvilley
Publisher: Recovered Classics
ISBN:
Category : Art
Languages : en
Pages : 184
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Book Description
"Directly following the internationally acclaimed Art & Discontent, Thomas McEvilley argues in Art & Otherness for an advanced anthropological perspective that contravenes conventional thinking in the visual arts, and leads to a concept of artistic globalization. The description of Western culture as superior and in opposition to other cultures of the world preoccupied our aesthetic philosophy for at least 200 years, whether or not explicitly stated. That argument was undertaken in various guises, especially as the historical determinism of Hegel which proposed to quantify human "progress." Recently, however, the term "multiculturalism" has come to signify a post-Modern understanding of how visual arts transgress artificial boundaries, and of how there may now exist, perhaps for the first time in history, a post-colonial globalism in the arts freed of ethnocentric value judgements. In these ten crucial essays, McEvilley clarifies how the presentation of art can determine its reception, how "influence" can be bi-directional, how "otherness" serves to define "self," and how art need not necessarily lose its meaningfulness when stripped of badges of universality. Once again illustrating his argument by drawing upon an array of sources and cultures, Thomas McEvilley demonstrates that the post-Modern crisis in cultural identity demands an imaginative, integrating response."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: David Brin
Publisher: Createspace Independent Publishing Platform
ISBN: 9781502540423
Category :
Languages : en
Pages : 0
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Book Description
From Hugo and Nebula winning author David Brin comes this extraordinary collection of tales and essays about the near and distant future, as humans and other intelligences encounter the secrets of the cosmos - and of their own existence. In The Giving Plague, a virus, transmitted by blood donation, begins to change humanity. In Dr. Pak's Preschool, a woman discovers that her baby has been called to work while still in the womb. In Natulife, a married couple finds their relationship threatened by the wonders of virtual reality. In Sshhh... the arrival of benevolent aliens on Earth leads to frenzied madness as humans rush to conceal their secret 'talent.' In Bubbles, a sentient starcraft reaches the limits of the universe - and dares to go beyond. What happens when an urban archaeologist discovers a terrible secret under the landfills of Los Angeles? Will there still be a purpose for "biologicals" when cybernetic humans become mighty and smart? Come explore these and another dozen startling and provocative tomorrows with a modern master of science fiction. Table of Contents The Giving Plague Myth Number 21 Dr. Pak's Preschool Detritus Affected The Dogma of Otherness Piecework Natulife Science vs. Magic Sshhh... Those Eyes What to Say to a UFO Bonding to Genji The Warm Space Whose Millennium? Bubbles Ambiguity What Continues...And What Fails... The New Meme
Author: Jiang Jiehong
Publisher: Intellect (UK)
ISBN: 9781789384420
Category :
Languages : en
Pages : 198
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Book Description
Jiang Jiehong seeks to understand the Covid-19 pandemic through interviews with leading figures of the Chinese art world during the summer of 2020. In late 2019, as a deadly pandemic began to take hold, China's Wuhan province was the first to feel the effects. As the virus spread, the streets and squares of the world emptied, and the structures of our social world were redefined. In response to the pandemic, Jiang Jiehong convened in-conversation talks with twelve figures--such as Chen Danqing, Pi Li, Xiang Biao, and Zhang Peili, among others--from different disciplines in the Chinese-speaking world, including anthropology, architecture, art, curation, fashion, film, literature, media, museum, music, and photography. Presented here, the conversations foster new understandings of the ongoing crisis. The discussions explore the threat of the invisible; notions of distance and spatialization, separation and isolation, communication and mobility, discipline and surveillance, and community and collectiveness; and China's changing relationship with the rest of the world. These illuminating reflections on the global crisis allow us to re-examine past norms and begin to form visions of a post-Covid world.
Author: Barbara Maria Stafford
Publisher: MIT Press
ISBN: 9780262692670
Category : Design
Languages : en
Pages : 246
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Book Description
A groundbreaking book exploring the discovery of sameness in otherness. Recuperating a topic once central to philosophy, theology, rhetoric, and aesthetics, this groundbreaking book explores the discovery of sameness in otherness. Analogy poses an intriguingly ancient and modern conundrum. How, in the face of cultural diversity, can a unique someone or something be perceived as like what it is not? This book is for anyone puzzled by why today, as Barbara Maria Stafford claims, "we possess no language for talking about resemblance, only an exaggerated awareness of difference." Well-designed images, Stafford argues, reveal the mind's intuitive leaps to connect known with unknown experience. The first of four wide-ranging chapters paints a challenging overview of several pressing contemporary issues. Cloning, legal controversies about social inequity, identity politics, electronic copying, and the mimicry of virtual reality expose the need for a nuanced theory of similitude. The second examines the historical tug-of-war between analogy and allegory, or disanalogy. Stafford provocatively suggests that, since the Romantic Era, we have been living in polarizingly allegorical times. The third roots this divisiveness within the momentous shift from a magical universe, modeled on sexual bonds, to an engineered world built of discrete automated units. Finally, recent developments in computational brain research notwithstanding, major phenomenological questions about memory, emotion, intelligence, and awareness beckon. In the fourth chapter, Stafford intervenes in the consciousness debates to propose a humanistic cognitive science with bridging/analogy at its artful core.
Author: Anja Eisenbeiss
Publisher:
ISBN: 9783422070691
Category : Art, Medieval
Languages : en
Pages : 0
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Book Description
From French miniature paintings to the work of Pope Pius II, this collection of essays explores the philosophical history behind medieval European art. The essays reveal how a visual vocabulary was established among French miniature painters to express the concepts of personal identity and alterity in their work and how Pope Pius II helped spread these metaphysical ideologies across the eastern Christian world. An exhaustive and articulate guide to European art in the Middle Ages, this book is essential reading for art students and enthusiasts alike.
Author: Jenni Sorkin
Publisher: Thames & Hudson
ISBN: 050077613X
Category : Art
Languages : en
Pages : 475
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Book Description
An introduction to the rich and diverse art of California, this book highlights its distinctive role in the history of American art, from early-20th-century photography to Chicanx mural painting, the Fiber Art Movement and beyond. Shaped by a compelling network of geopolitical influences including waves of migration and exchange from the Pacific Rim and Mexico, the influx of African Americans immediately after World War II, and global immigration after quotas were lifted in the 1960s, California is a centre of artistic activity whose influence extends far beyond its physical boundaries. Furthermore, California was at the forefront of radical developments in artistic culture, most notably conceptual art and feminism, and its education system continues to nurture and encourage avant-garde creativity. Organized chronologically and thematically with illustrations throughout, this attractive study stands as an important reassessment of Californias contribution to modern and contemporary art in the United States and globally.
