Author: Jean-Marie Schaeffer
Publisher: Princeton University Press
ISBN: 0691259534
Category : Philosophy
Languages : en
Pages : 371
Book Description
This is a sweeping and provocative work of aesthetic theory: a trenchant critique of the philosophy of art as it developed from the eighteenth century to the early twentieth century, combined with a carefully reasoned plea for a new and more flexible approach to art. Jean-Marie Schaeffer, one of France's leading aestheticians, explores the writings of Kant, Schlegel, Novalis, Hegel, Schopenhauer, Nietzsche, and Heidegger to show that these diverse thinkers shared a common approach to art, which he calls the "speculative theory." According to this theory, art offers a special kind of intuitive, quasi-mystical knowledge, radically different from the rational knowledge acquired by science. This view encouraged theorists to consider artistic geniuses the high-priests of humanity, creators of works that reveal the invisible essence of the world. Philosophers came to regard inexpressibility as the aim of art, refused to consider second-tier creations genuine art, and helped to create conditions in which the genius was expected to shock, puzzle, and mystify the public. Schaeffer shows that this speculative theory helped give birth to romanticism, modernism, and the avant-garde, and paved the way for an unfortunate divorce between art and enjoyment, between "high art" and popular art, and between artists and their public. Rejecting the speculative approach, Schaeffer concludes by defending a more tolerant theory of art that gives pleasure its due, includes popular art, tolerates less successful works, and accounts for personal tastes. "[A] remarkable work.... [Schaeffer's] writing is governed by ... the ideals of clarity and consequence, the ideas of logic, truth, and evidence.... Schaeffer is so precise and unrelenting a philosophical critic that one wonders how some of the philosophies he anatomizes here can possibly survive the operation."--From the foreword by Arthur C. Danto
Art of the Modern Age
Author: Jean-Marie Schaeffer
Publisher: Princeton University Press
ISBN: 0691259534
Category : Philosophy
Languages : en
Pages : 371
Book Description
This is a sweeping and provocative work of aesthetic theory: a trenchant critique of the philosophy of art as it developed from the eighteenth century to the early twentieth century, combined with a carefully reasoned plea for a new and more flexible approach to art. Jean-Marie Schaeffer, one of France's leading aestheticians, explores the writings of Kant, Schlegel, Novalis, Hegel, Schopenhauer, Nietzsche, and Heidegger to show that these diverse thinkers shared a common approach to art, which he calls the "speculative theory." According to this theory, art offers a special kind of intuitive, quasi-mystical knowledge, radically different from the rational knowledge acquired by science. This view encouraged theorists to consider artistic geniuses the high-priests of humanity, creators of works that reveal the invisible essence of the world. Philosophers came to regard inexpressibility as the aim of art, refused to consider second-tier creations genuine art, and helped to create conditions in which the genius was expected to shock, puzzle, and mystify the public. Schaeffer shows that this speculative theory helped give birth to romanticism, modernism, and the avant-garde, and paved the way for an unfortunate divorce between art and enjoyment, between "high art" and popular art, and between artists and their public. Rejecting the speculative approach, Schaeffer concludes by defending a more tolerant theory of art that gives pleasure its due, includes popular art, tolerates less successful works, and accounts for personal tastes. "[A] remarkable work.... [Schaeffer's] writing is governed by ... the ideals of clarity and consequence, the ideas of logic, truth, and evidence.... Schaeffer is so precise and unrelenting a philosophical critic that one wonders how some of the philosophies he anatomizes here can possibly survive the operation."--From the foreword by Arthur C. Danto
Publisher: Princeton University Press
ISBN: 0691259534
Category : Philosophy
Languages : en
Pages : 371
Book Description
This is a sweeping and provocative work of aesthetic theory: a trenchant critique of the philosophy of art as it developed from the eighteenth century to the early twentieth century, combined with a carefully reasoned plea for a new and more flexible approach to art. Jean-Marie Schaeffer, one of France's leading aestheticians, explores the writings of Kant, Schlegel, Novalis, Hegel, Schopenhauer, Nietzsche, and Heidegger to show that these diverse thinkers shared a common approach to art, which he calls the "speculative theory." According to this theory, art offers a special kind of intuitive, quasi-mystical knowledge, radically different from the rational knowledge acquired by science. This view encouraged theorists to consider artistic geniuses the high-priests of humanity, creators of works that reveal the invisible essence of the world. Philosophers came to regard inexpressibility as the aim of art, refused to consider second-tier creations genuine art, and helped to create conditions in which the genius was expected to shock, puzzle, and mystify the public. Schaeffer shows that this speculative theory helped give birth to romanticism, modernism, and the avant-garde, and paved the way for an unfortunate divorce between art and enjoyment, between "high art" and popular art, and between artists and their public. Rejecting the speculative approach, Schaeffer concludes by defending a more tolerant theory of art that gives pleasure its due, includes popular art, tolerates less successful works, and accounts for personal tastes. "[A] remarkable work.... [Schaeffer's] writing is governed by ... the ideals of clarity and consequence, the ideas of logic, truth, and evidence.... Schaeffer is so precise and unrelenting a philosophical critic that one wonders how some of the philosophies he anatomizes here can possibly survive the operation."--From the foreword by Arthur C. Danto
The Art of Re-enchantment
Author: Nick Wilson
Publisher: Oxford University Press
ISBN: 0199939934
Category : Music
Languages : en
Pages : 314
Book Description
Historically informed performance (HIP) has provoked heated debate amongst musicologists, performers and cultural sociologists. In The Art of Re-enchantment: Making Early Music in the Modern Age, author Nick Wilson answers many salient questions surrounding HIP through an in-depth analysis of the early music movement in Britain from the 1960s to the present day.
Publisher: Oxford University Press
ISBN: 0199939934
Category : Music
Languages : en
Pages : 314
Book Description
Historically informed performance (HIP) has provoked heated debate amongst musicologists, performers and cultural sociologists. In The Art of Re-enchantment: Making Early Music in the Modern Age, author Nick Wilson answers many salient questions surrounding HIP through an in-depth analysis of the early music movement in Britain from the 1960s to the present day.
Ice Age Art
Author: Jill Cook
Publisher: British Museum Publications Limited
ISBN: 9780714123332
Category : Art
Languages : en
Pages : 288
Book Description
This unique and remarkable work explores the extraordinary creative explosion that happened during the last European Ice Age, between 40,000 and 10,000 years ago, when the very first figurative art was created.
Publisher: British Museum Publications Limited
ISBN: 9780714123332
Category : Art
Languages : en
Pages : 288
Book Description
This unique and remarkable work explores the extraordinary creative explosion that happened during the last European Ice Age, between 40,000 and 10,000 years ago, when the very first figurative art was created.
Art and Music in the Early Modern Period
Author: KatherineA. McIver
Publisher: Routledge
ISBN: 1351575686
Category : Music
Languages : en
Pages : 459
Book Description
The relationship between music and painting in the Early Modern period is the focus of this collection of essays by an international group of distinguished art historians and musicologists. Each writer takes a multidisciplinary approach as he or she explores the interface between music performance and painting, or between music and art theory. The essays reflect a variety and range of approaches and offer methodologies which might usefully be employed in future research in this field. The volume is dedicated to the memory of Franca Trinchieri Camiz, an art historian who worked extensively on topics related to art and music, and who participated in some of the conference panels from which many of these essays originate. Three of Professor Camiz's own essays are included in the final section of this volume, together with a bibliography of her writings in this field. They are preceded by two thematic groups of essays covering aspects of musical imagery in portraits, issues in iconography and theory, and the relationship between music and art in religious imagery.
Publisher: Routledge
ISBN: 1351575686
Category : Music
Languages : en
Pages : 459
Book Description
The relationship between music and painting in the Early Modern period is the focus of this collection of essays by an international group of distinguished art historians and musicologists. Each writer takes a multidisciplinary approach as he or she explores the interface between music performance and painting, or between music and art theory. The essays reflect a variety and range of approaches and offer methodologies which might usefully be employed in future research in this field. The volume is dedicated to the memory of Franca Trinchieri Camiz, an art historian who worked extensively on topics related to art and music, and who participated in some of the conference panels from which many of these essays originate. Three of Professor Camiz's own essays are included in the final section of this volume, together with a bibliography of her writings in this field. They are preceded by two thematic groups of essays covering aspects of musical imagery in portraits, issues in iconography and theory, and the relationship between music and art in religious imagery.
Industrial Design in the Modern Age
Author:
Publisher: Rizzoli Publications
ISBN: 0847862402
Category : Design
Languages : en
Pages : 386
Book Description
An ambitious new survey of industrial design from 1900 to the present day in the United States, Europe, and around the world, as told through selected objects from the George R. Kravis II Collection. Destined to become a new classic in the design genre, this major work summarizes an enormous topic—the creation of everyday objects for mass production and consumption from 1900 to the present—and shows how these products have become both symbols of the modern age and harbingers of our future. It covers the work of the heroes of modern and post-modern design, from the early pioneers—Dreyfuss, Bel Geddes, and Eames—to the leaders in the field today, including Starck, Newson, and Ive. More than 200 objects from the Kravis Design Center’s collection are highlighted as important exemplars of industrial design. A wide range of media is represented, including furniture, metalwork, ceramics, and plastics. New research by contributing scholars has uncovered illuminating details about each object that help tell a more complete story of design in the past 100 years. Among the more than 400 photographs, which include a wealth of historical images and ephemera, are those of the objects taken especially for this book and seen as never before, in vibrant color and precise detail. This concise new history introduces a whole new audience to the topic in a style that is at once educational and accessible.
Publisher: Rizzoli Publications
ISBN: 0847862402
Category : Design
Languages : en
Pages : 386
Book Description
An ambitious new survey of industrial design from 1900 to the present day in the United States, Europe, and around the world, as told through selected objects from the George R. Kravis II Collection. Destined to become a new classic in the design genre, this major work summarizes an enormous topic—the creation of everyday objects for mass production and consumption from 1900 to the present—and shows how these products have become both symbols of the modern age and harbingers of our future. It covers the work of the heroes of modern and post-modern design, from the early pioneers—Dreyfuss, Bel Geddes, and Eames—to the leaders in the field today, including Starck, Newson, and Ive. More than 200 objects from the Kravis Design Center’s collection are highlighted as important exemplars of industrial design. A wide range of media is represented, including furniture, metalwork, ceramics, and plastics. New research by contributing scholars has uncovered illuminating details about each object that help tell a more complete story of design in the past 100 years. Among the more than 400 photographs, which include a wealth of historical images and ephemera, are those of the objects taken especially for this book and seen as never before, in vibrant color and precise detail. This concise new history introduces a whole new audience to the topic in a style that is at once educational and accessible.
The Age of Collage
Author: Dennis Busch
Publisher: Die Gestalten Verlag-DGV
ISBN: 9783899555837
Category : Art, Modern
Languages : en
Pages : 320
Book Description
The Age of Collage Vol. 2 documents current developments in the world of collage and reveals why this technique is as fresh as ever.
Publisher: Die Gestalten Verlag-DGV
ISBN: 9783899555837
Category : Art, Modern
Languages : en
Pages : 320
Book Description
The Age of Collage Vol. 2 documents current developments in the world of collage and reveals why this technique is as fresh as ever.
The Idol in the Age of Art
Author: Michael Wayne Cole
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754652908
Category : History
Languages : en
Pages : 392
Book Description
Conflicting attitudes towards devotional art was a major factor in the confessional divisions that split Reformation Europe. By presenting essays concerned with both European subjects and European perceptions of other cultures, The Idol in the Age of Art contributes to ongoing attempts to globalize the study of European art. Approaching the Reformation idol as an essentially international problem, and placing particular emphasis on cultural encounters, it provides fresh perspectives on the very nature of Renaissance art, and underscores how colonial issues came to be often framed in terms of European religious conflicts.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754652908
Category : History
Languages : en
Pages : 392
Book Description
Conflicting attitudes towards devotional art was a major factor in the confessional divisions that split Reformation Europe. By presenting essays concerned with both European subjects and European perceptions of other cultures, The Idol in the Age of Art contributes to ongoing attempts to globalize the study of European art. Approaching the Reformation idol as an essentially international problem, and placing particular emphasis on cultural encounters, it provides fresh perspectives on the very nature of Renaissance art, and underscores how colonial issues came to be often framed in terms of European religious conflicts.
Italian Modern Art in the Age of Fascism
Author: Anthony White
Publisher: Routledge
ISBN: 0429515448
Category : Art
Languages : en
Pages : 263
Book Description
This book examines the work of several modern artists, including Fortunato Depero, Scipione, and Mario Radice, who were working in Italy during the time of Benito Mussolini’s rise and fall. It provides a new history of the relationship between modern art and fascism. The study begins from the premise that Italian artists belonging to avant-garde art movements, such as futurism, expressionism, and abstraction, could produce works that were perfectly amenable to the ideologies of Mussolini’s regime. A particular focus of the book is the precise relationship between ideas of history and modernity encountered in the art and politics of the time and how compatible these truly were.
Publisher: Routledge
ISBN: 0429515448
Category : Art
Languages : en
Pages : 263
Book Description
This book examines the work of several modern artists, including Fortunato Depero, Scipione, and Mario Radice, who were working in Italy during the time of Benito Mussolini’s rise and fall. It provides a new history of the relationship between modern art and fascism. The study begins from the premise that Italian artists belonging to avant-garde art movements, such as futurism, expressionism, and abstraction, could produce works that were perfectly amenable to the ideologies of Mussolini’s regime. A particular focus of the book is the precise relationship between ideas of history and modernity encountered in the art and politics of the time and how compatible these truly were.
The Art of Rest
Author: Claudia Hammond
Publisher: Canongate Books
ISBN: 1786892812
Category : History
Languages : en
Pages : 255
Book Description
Shortlisted for the British Psychological Society Book Award for Popular Science Much of value has been written about sleep, but rest is different; it is how we unwind, calm our minds and recharge our bodies. The Art of Rest draws on ground-breaking research Claudia Hammond collaborated on: ‘The Rest Test’, the largest global survey into rest ever undertaken, completed by 18,000 people across 135 different countries. The survey revealed how people get rest and how it is directly linked to your sense of wellbeing. Counting down through the top ten activities which people find most restful, Hammond explains why rest matters, examines the science behind the results to establish what really works and offers a roadmap for a new, more restful and balanced life.
Publisher: Canongate Books
ISBN: 1786892812
Category : History
Languages : en
Pages : 255
Book Description
Shortlisted for the British Psychological Society Book Award for Popular Science Much of value has been written about sleep, but rest is different; it is how we unwind, calm our minds and recharge our bodies. The Art of Rest draws on ground-breaking research Claudia Hammond collaborated on: ‘The Rest Test’, the largest global survey into rest ever undertaken, completed by 18,000 people across 135 different countries. The survey revealed how people get rest and how it is directly linked to your sense of wellbeing. Counting down through the top ten activities which people find most restful, Hammond explains why rest matters, examines the science behind the results to establish what really works and offers a roadmap for a new, more restful and balanced life.
Inventing the Modern Artist
Author: Sarah Burns
Publisher: Yale University Press
ISBN: 9780300078596
Category : Art
Languages : en
Pages : 396
Book Description
Sarah Burns tells the story of artists in American society during a period of critical transition from Victorian to modern values, examining how culture shaped the artists and how artists shaped their culture. Focusing on such important painters as James McNeill Whistler, William Merritt Chase, Cecilia Beaux, Winslow Homer, and Albert Pinkham Ryder, she investigates how artists reacted to the growing power of the media, to an expanding consumer society, to the need for a specifically American artist type, and to the problem of gender.
Publisher: Yale University Press
ISBN: 9780300078596
Category : Art
Languages : en
Pages : 396
Book Description
Sarah Burns tells the story of artists in American society during a period of critical transition from Victorian to modern values, examining how culture shaped the artists and how artists shaped their culture. Focusing on such important painters as James McNeill Whistler, William Merritt Chase, Cecilia Beaux, Winslow Homer, and Albert Pinkham Ryder, she investigates how artists reacted to the growing power of the media, to an expanding consumer society, to the need for a specifically American artist type, and to the problem of gender.