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Author: Roman Rosenbaum
Publisher: Taylor & Francis
ISBN: 1000878813
Category : History
Languages : en
Pages : 287
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Book Description
This book explores the contemporary legacy of Hiroshima and Nagasaki following the passage of three quarters of a century, and the role of art and activism in maintaining a critical perspective on the dangers of the nuclear age. It closely interrogates the political and cultural shifts that have accompanied the transition to a nuclearised world. Beginning with the contemporary socio-political and cultural interpretations of the impact and legacy of the destruction of Hiroshima and Nagasaki, the chapters examine the challenges posed by committed opponents in the cultural and activist fields to the ongoing development of nuclear weapons and the expanding industrial uses of nuclear power. It explores how the aphorism that "all art is political" is borne out in the close relation between art and activism. This multi-disciplinary approach to the socio-political and cultural exploration of nuclear energy in relation to Hiroshima/Nagasaki via the arts will be of interest to students and scholars of peace and conflict studies, social political and cultural studies, fine arts, and art and aesthetic studies.
Author: Roman Rosenbaum
Publisher: Taylor & Francis
ISBN: 1000878813
Category : History
Languages : en
Pages : 287
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Book Description
This book explores the contemporary legacy of Hiroshima and Nagasaki following the passage of three quarters of a century, and the role of art and activism in maintaining a critical perspective on the dangers of the nuclear age. It closely interrogates the political and cultural shifts that have accompanied the transition to a nuclearised world. Beginning with the contemporary socio-political and cultural interpretations of the impact and legacy of the destruction of Hiroshima and Nagasaki, the chapters examine the challenges posed by committed opponents in the cultural and activist fields to the ongoing development of nuclear weapons and the expanding industrial uses of nuclear power. It explores how the aphorism that "all art is political" is borne out in the close relation between art and activism. This multi-disciplinary approach to the socio-political and cultural exploration of nuclear energy in relation to Hiroshima/Nagasaki via the arts will be of interest to students and scholars of peace and conflict studies, social political and cultural studies, fine arts, and art and aesthetic studies.
Author: Roman Rosenbaum
Publisher: Taylor & Francis
ISBN: 1000878821
Category : History
Languages : en
Pages : 275
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Book Description
This book explores the contemporary legacy of Hiroshima and Nagasaki following the passage of three quarters of a century, and the role of art and activism in maintaining a critical perspective on the dangers of the nuclear age. It closely interrogates the political and cultural shifts that have accompanied the transition to a nuclearised world. Beginning with the contemporary socio-political and cultural interpretations of the impact and legacy of the destruction of Hiroshima and Nagasaki, the chapters examine the challenges posed by committed opponents in the cultural and activist fields to the ongoing development of nuclear weapons and the expanding industrial uses of nuclear power. It explores how the aphorism that "all art is political" is borne out in the close relation between art and activism. This multi-disciplinary approach to the socio-political and cultural exploration of nuclear energy in relation to Hiroshima/Nagasaki via the arts will be of interest to students and scholars of peace and conflict studies, social political and cultural studies, fine arts, and art and aesthetic studies.
Author: Dr Catherine Jolivette
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472412761
Category : Art
Languages : en
Pages : 313
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Book Description
Rooted in the study of objects, this book addresses the role of art and visual culture in discourses surrounding nuclear science and technology, atomic power, and nuclear warfare in Cold War Britain. Far from insular in its concerns, this volume draws upon cross-cultural dialogues between British and European artists and the relationship between Britain and America to engage with an interdisciplinary art history that will also prove useful to researchers in a variety of fields including European history, politics, design history, anthropology, and media.
Author: Elyssa Faison
Publisher: Critical Ethnic Studies and Vi
ISBN: 9780295752341
Category : Art
Languages : en
Pages : 0
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Book Description
From uranium mines on the Navajo Nation to craters caused by nuclear testing on the Bikini and Enewetak Atolls, the production and deployment of nuclear weapon technologies have disproportionately harmed Indigenous lands. Sustained exposure to radiation from nuclear weapons and waste affects many communities from Japan to Oceania to the US West. While antinuclear activism often takes political and legal forms, artistic responses to nuclear regimes also prompt social action and resistance. Resisting the Nuclear is an interdisciplinary edited collection featuring historians, anthropologists, artists, and activists who explore the multifaceted forms of resistance to nuclear regimes. Through a combination of interviews, scholarly essays, and discussions of contemporary art, Resisting the Nuclear provides layered insights into histories of activism and the arts, underscoring different ways in which political and artistic expression can respond to nuclear threats and effect changes. Contributors demonstrate how visual artists have recentered the victims of nuclear technologies, insisting that they be seen and heard. This volume offers new approaches for responding to the problems of nuclear harm that will appeal to those interested in global history, the atomic bomb, photography, art, and activism.
Author: Gabrielle Decamous
Publisher: National Geographic Books
ISBN: 0262038544
Category : Art
Languages : en
Pages : 0
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Book Description
How art makes visible what had been invisible—the effects of radiation, the lives of atomic bomb survivors, and the politics of the atomic age. The effects of radiation are invisible, but art can make it and its effects visible. Artwork created in response to the events of the nuclear era allow us to see them in a different way. In Invisible Colors, Gabrielle Decamous explores the atomic age from the perspective of the arts, investigating atomic-related art inspired by the work of Marie Curie, the bombings of Hiroshima and Nagasaki, the disaster at Fukushima, and other episodes in nuclear history. Decamous looks at the “Radium Literature” based on the work and life of Marie Curie; “A-Bomb literature” by Hibakusha (bomb survivor) artists from Nagasaki and Hiroshima; responses to the bombings by Western artists and writers; art from the irradiated landscapes of the Cold War—nuclear test sites and uranium mines, mainly in the Pacific and some African nations; and nuclear accidents in Fukushima, Chernobyl, and Three Mile Island. She finds that the artistic voices of the East are often drowned out by those of the West. Hibakusha art and Japanese photographs of the bombing are little known in the West and were censored; poetry from the Marshall Islands and Moruroa is also largely unknown; Western theatrical and cinematic works focus on heroic scientists, military men, and the atomic mushroom cloud rather than the aftermath of the bombings. Emphasizing art by artists who were present at these nuclear events—the “global Hibakusha”—rather than those reacting at a distance, Decamous puts Eastern and Western art in dialogue, analyzing the aesthetics and the ethics of nuclear representation.
Author: Dick van Lente
Publisher: Springer
ISBN: 1137086181
Category : History
Languages : en
Pages : 280
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Book Description
The atomic age was described as one that might soon end in the destruction of human civilization, but from the beginning, utopian images were attached to it as well. This book compares representations of nuclear power in popular media from around the world to to trace divergences, convergences, and exchanges.
Author: Robert Jacobs
Publisher: Lexington Books
ISBN: 0739135589
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
From the dawn of the atomic age, art and popular culture have played an essential role interpreting nuclear issues to the public and investigating the implications of nuclear weapons to the future of human civilization. Political and social forces often seemed paralyzed in thinking beyond the advent of nuclear weapons and articulating a creative response to the dilemma posed by this apocalyptic technology. Art and popular culture are uniquely suited to grapple with the implications of the bomb and the disruptions in the continuity of traditional narratives about the human future endemic to the atomic age. Filling the Hole in the Nuclear Future explores the diversity of visions evoked in American and Japanese society by the mushroom cloud hanging over the future of humanity during the last half of the twentieth century. It presents historical scholarship on art and popular culture alongside the work of artists responding to the bomb, as well as artists discussing their own work. From the effect of nuclear testing on sci-fi movies during the mid-fifties in both the U.S. and Japan, to the socially engaged visual discussion about power embodied in Japanese manga, Filling the Hole in the Nuclear Future takes readers into unexpected territory
Author: Simon Martin
Publisher: AVA Publishing
ISBN: 9782940411023
Category :
Languages : en
Pages : 128
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Book Description
This book provides a fascinating introduction to the work of the British Pop artist Colin Self, a contemporary of David Hockney and Peter Blake. It traces the development of Selfs art from the 1960s to the present day, charting his engagement with modern culture in the Cold War era. Self is a witty and original painter and draughtsman, an innovative printmaker and sculptor. The book explores Selfs artistic subjects including cartoons, cinemas, hot dogs, nuclear weapons, the Cuban Missile Crisis, Vogue models, consumerism, and the landscape. Beautifully presented with full colour images it will be an invaluable resource for anyone interested in modern and contemporary British art.
Author: Yasuko Claremont
Publisher: Taylor & Francis
ISBN: 1315408007
Category : History
Languages : en
Pages : 277
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Book Description
This book examines key aspects of the Asia Pacific War (1931–1945), that was initially waged between Japan and China, before Japan’s attack on Pearl Harbor drew in the U.S.-led allied forces from 1941 to 1945. Part I of the book examines three interlocking components, the origins of the war; its impact on combatants and civilians; and its short-term legacy, including the huge changes that took place in the postwar governance of Japan. Part II explores the ongoing impact and legacy of the war for those in postwar Japan, and later generations, particularly through the examination of the ambiguity of state-led reconciliation with Japan’s neighbors, the growth of dynamic civil reconciliation efforts, and the prominent role of the arts in peace movements. Through a people-centered approach it filters historical events through the lens of the war’s impact on individuals, who found themselves players within a larger frame of the social history of Japan and caught up in the international power dynamics of the nuclear age. Featuring studies of contemporary peace activism, this will be a valuable resource to students and scholars of Modern Asian and U.S. History, as well as those interested in postwar memory and reconciliation.
Author: Ofer Feldman
Publisher: Springer Nature
ISBN: 9819707269
Category :
Languages : en
Pages : 308
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Book Description
