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Author: Simone Brott
Publisher: Routledge
ISBN: 1351957341
Category : Architecture
Languages : en
Pages : 211
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Book Description
Architecture for a Free Subjectivity reformulates the French philosopher Gilles Deleuze's model of subjectivity for architecture, by surveying the prolific effects of architectural encounter, and the spaces that figure in them. For Deleuze and his Lacanian collaborator Félix Guattari, subjectivity does not refer to a person, but to the potential for and event of matter becoming subject, and the myriad ways for this to take place. By extension, this book theorizes architecture as a self-actuating or creative agency for the liberation of purely "impersonal effects." Imagine a chemical reaction, a riot in the banlieues, indeed a walk through a city. Simone Brott declares that the architectural object does not merely take part in the production of subjectivity, but that it constitutes its own. This book is to date the only attempt to develop Deleuze's philosophy of subjectivity in singularly architectural terms. Through a screening of modern and postmodern, American and European works, this provocative volume draws the reader into a close encounter with architectural interiors, film scenes, and other arrangements, while interrogating the discourses of subjectivity surrounding them, and the evacuation of the subject in the contemporary discussion. The impersonal effects of architecture radically changes the methodology, just as it reimagines architectural subjectivity for the twenty-first century.
Author: Simone Brott
Publisher: Routledge
ISBN: 1351957341
Category : Architecture
Languages : en
Pages : 211
Get Book
Book Description
Architecture for a Free Subjectivity reformulates the French philosopher Gilles Deleuze's model of subjectivity for architecture, by surveying the prolific effects of architectural encounter, and the spaces that figure in them. For Deleuze and his Lacanian collaborator Félix Guattari, subjectivity does not refer to a person, but to the potential for and event of matter becoming subject, and the myriad ways for this to take place. By extension, this book theorizes architecture as a self-actuating or creative agency for the liberation of purely "impersonal effects." Imagine a chemical reaction, a riot in the banlieues, indeed a walk through a city. Simone Brott declares that the architectural object does not merely take part in the production of subjectivity, but that it constitutes its own. This book is to date the only attempt to develop Deleuze's philosophy of subjectivity in singularly architectural terms. Through a screening of modern and postmodern, American and European works, this provocative volume draws the reader into a close encounter with architectural interiors, film scenes, and other arrangements, while interrogating the discourses of subjectivity surrounding them, and the evacuation of the subject in the contemporary discussion. The impersonal effects of architecture radically changes the methodology, just as it reimagines architectural subjectivity for the twenty-first century.
Author: Dr Simone Brott
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409482456
Category : Architecture
Languages : en
Pages : 160
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Book Description
Architecture for a Free Subjectivity reformulates the French philosopher Gilles Deleuze's model of subjectivity for architecture, by surveying the prolific effects of architectural encounter, and the spaces that figure in them. For Deleuze and his Lacanian collaborator Félix Guattari, subjectivity does not refer to a person, but to the potential for and event of matter becoming subject, and the myriad ways for this to take place. By extension, this book theorizes architecture as a self-actuating or creative agency for the liberation of purely "impersonal effects." Imagine a chemical reaction, a riot in the banlieues, indeed a walk through a city. Simone Brott declares that the architectural object does not merely take part in the production of subjectivity, but that it constitutes its own. This book is to date the only attempt to develop Deleuze's philosophy of subjectivity in singularly architectural terms. Through a screening of modern and postmodern, American and European works, this provocative volume draws the reader into a close encounter with architectural interiors, film scenes, and other arrangements, while interrogating the discourses of subjectivity surrounding them, and the evacuation of the subject in the contemporary discussion. The impersonal effects of architecture radically changes the methodology, just as it reimagines architectural subjectivity for the twenty-first century.
Author: Antoine Picon
Publisher: John Wiley & Sons
ISBN: 111858824X
Category : Architecture
Languages : en
Pages : 168
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Book Description
Once condemned by Modernism and compared to a‘crime’ by Adolf Loos, ornament has made a spectacularreturn in contemporary architecture. This is typified by the worksof well-known architects such as Herzog & de Meuron, SauerbruchHutton, Farshid Moussavi Architecture and OMA. There is no doubtthat these new ornamental tendencies are inseparable frominnovations in computer technology. The proliferation ofdevelopments in design software has enabled architects toexperiment afresh with texture, colour, pattern and topology. Though inextricably linked with digital tools and culture, AntoinePicon argues that some significant traits in ornament persist fromearlier Western architectural traditions. These he defines as the‘subjective’ – the human interaction thatornament requires in both its production and its reception –and the political. Contrary to the message conveyed by the foundingfathers of modern architecture, traditional ornament was not meantonly for pleasure. It conveyed vital information about thedesignation of buildings as well as about the rank of their owners.As such, it participated in the expression of social values,hierarchies and order. By bringing previous traditions in ornamentunder scrutiny, Picon makes us question the political issues atstake in today’s ornamental revival. What does it tell usabout present-day culture? Why are we presently so fearful ofmeaning in architecture? Could it be that by steering so vehementlyaway from symbolism, contemporary architecture is evading anyexplicit contribution to collective values?
Author: Hassanaly Ladha
Publisher: Bloomsbury Publishing
ISBN: 1350105783
Category : Philosophy
Languages : en
Pages : 320
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Book Description
Through a radical reading of Hegel's oeuvre, The Architecture of Freedom sets forth a theory of open borders centered on a new interpretation of the German philosopher's related conceptions of language and the aesthetic, mastery and servitude, and subjectivity and the state. The book's argument turns on Hegel's identification of “Africa” as a fluid, utopic space enabling the traversal of the East-West binary. As Hegel's figure for the non-historical, Africa emerges as the negativity that propels the movement of the dialectic in time. Mirroring the “shrouded” continent's relation to history, Kantian “architectonics” step out of the realm of logic in Hegelian thought and drive the historical unfolding of the aesthetic. In a foundational move, Hegel hypostatizes the aesthetic entanglement of built and linguistic form as the colossus of Memnon, an African warrior memorialized in ancient architecture, myth, and art. Reaching for freedom, the Memnon marks the architectonic modality through which the African slave, at the telos of history, will fulfill the spiritual promise of the human and bring about the politically mature state. The book examines the syncretic figure of the Memnon and slave across Hegel's lecture courses, the Phenomenology of Spirit, the Encyclopedia, and the Philosophy of Right. Ultimately the book calls for a reassessment of a range of Hegelian philosophemes across disciplines in the humanities. This book will be of particular interest to scholars in philosophy, postcolonial and African studies, political theory, architecture, and historiography.
Author: Lorens Holm
Publisher: Routledge
ISBN: 1000158411
Category : Architecture
Languages : en
Pages : 306
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Book Description
This well-argued, analytic text provides a greater understanding of spatial issues in the field of architecture. Re-interpreting the fifteenth century demonstration of perspective, Lorens Holm puts it in relation to today’s theories of subjectivity and elaborates for the first time the theoretical link between architecture and psychoanalysis. Divided into three sections, Brunelleschi, Lacan, Le Corbusier argues that perspective remains the primary and most satisfying way of representing form, because it is the paradigmatic form of spatial consciousness. Well-illustrated with over 100 images, this compelling book is a valuable study of this key aspect of architectural study and practice, making it an essential read for architects in their first year or their fiftieth.
Author: Peg Rawes
Publisher: Routledge
ISBN: 1135037213
Category : Architecture
Languages : en
Pages : 321
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Book Description
Examining the complex social and material relationships between architecture and ecology which constitute modern cultures, this collection responds to the need to extend architectural thinking about ecology beyond current design literatures. This book shows how the ‘habitats’, ‘natural milieus’, ‘places’ or ‘shelters’ that construct architectural ecologies are composed of complex and dynamic material, spatial, social, political, economic and ecological concerns. With contributions from a range of leading international experts and academics in architecture, art, anthropology, philosophy, feminist theory, law, medicine and political science, this volume offers professionals and researchers engaged in the social and cultural biodiversity of built environments, new interdisciplinary perspectives on the relational and architectural ecologies which are required for dealing with the complex issues of sustainable human habitation and environmental action. The book provides: 16 essays, including two visual essays, by leading international experts and academics from the UK, US, Australia, New Zealand and Europe; including Rosi Braidotti, Lorraine Code, Verena Andermatt Conley and Elizabeth Grosz A clear structure: divided into 5 parts addressing bio-political ecologies and architectures; uncertain, anxious and damaged ecologies; economics, land and consumption; biological and medical architectural ecologies; relational ecological practices and architectures An exploration of the relations between human and political life An examination of issues such as climate change, social and environmental well-being, land and consumption, economically damaging global approaches to design, community ecologies and future architectural practice.
Author: Helene Frichot
Publisher: Edinburgh University Press
ISBN: 0748674667
Category : Architecture
Languages : en
Pages : 304
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Book Description
Critiques the legacy and ongoing influence of Deleuze on the discipline and practice of architecture. This collection looks critically at how Deleuze challenges architecture as a discipline, how architecture contributes to philosophy and how we can come to understand the complex politics of space of our increasingly networked world. Since the 1980s, Deleuze's philosophy has fuelled a generation of architectural thinking, and can be seen in the design of a global range of contemporary built environments. His work has also alerted architecture to crucial ecological, political and social problems that the discipline needs to reconcile.
Author: Simone Brott
Publisher: Routledge
ISBN: 0429535295
Category : Architecture
Languages : en
Pages : 221
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Book Description
Digital Monuments radically explodes "iconic architecture" of the new millennium and its hijacking of the public imagination via the digital image. Hallucinatory constructions such as Rem Koolhaas’s CCTV headquarters in Beijing, Frank Gehry’s Guggenheim Museum in Bilbao and Zaha Hadid’s Performing Arts Centre in Abu Dhabi are all introduced to the world by immortal digital imagery that floods the internet—yet comes to haunt the actualised buildings. Like holograms, these "digital monuments," which violently push physics and engineering to their limits, flicker eerily between the real and the unreal—invoking fantasies of omnipotence, immortality and utopian cities. But this experience of iconic architecture as a digital dream on the ground conceals from the urban spectator the social reality of the buildings and the rigidity of their ideology. In 18 micro-essays, Digital Monuments exposes the stereotypes of iconic architecture while depicting the savagery of the industry, from the Greek and Spanish crises triggered by financialised iconic development to mass labour-deaths on construction sites in the UAE.
Author: Bernard Cache
Publisher: MIT Press
ISBN: 0262531305
Category : Architecture
Languages : en
Pages : 177
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Book Description
Earth Moves, Bernard Cache's first major work, conceptualizes a series of architectural images as vehicles for two important developments. First, he offers a new understanding of the architectural image itself. Following Gilles Deleuze and Henri Bergson, he develops an account of the image that is nonrepresentational and constructive—images as constituents of a primary, image world, of which subjectivity itself is a special kind of image. Second, Cache redefines architecture beyond building proper to include cinematic, pictoral, and other framings.Complementary to this classification, Cache offers what is to date the only Deleuzean architectural development of the "fold," a form and concept that has become important over the last few years. For Cache, as for Deleuze, what is significant about the fold is that it provides a way to rethink the relationship between interior and exterior, between past and present, and between architecture and the urban.
Author: Ignasi De Sola-Morales
Publisher: MIT Press
ISBN: 9780262540858
Category : Architecture
Languages : en
Pages : 178
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Book Description
Differences brings together ten essays written over the past decade by the distinguished Spanish architect and theorist Ignasi de Solà-Morales. Differences brings together ten essays written over the past decade by the distinguished Spanish architect and theorist Ignasi de Sola-Morales. Many of the essays have never previously been translated, and the author has provided a new introduction especially for this English edition. Contemplating the panorama of contemporary art and architecture, de Sola-Morales posits that there is no one way to describe today's practice; instead he concentrates on elucidating the present dynamic of contrast, diversity, and tension. In an unorthodox pairing, de Sola-Morales derives his inspiration from both phenomenology and Deleuzean poststructuralism. Combining these philosophical inheritances allows him to reinvoke the human subject without referring to classical humanism or announcing the death of the object. His retrospective review of the disciplines of art and architecture, particularly as they have developed since World War II, provokes him to design, draft, and ultimately build a description of Modernism¹s lineage of subjectivity. The result is a provocative construction of fluid "topographies" that articulate, rather than depict, the shaky ground on which our current artistic and architectural production rests. The essays: Sado-masochism: Criticism and Architectural Practice. Topographies of Contemporary Architecture. Mies van der Rohe and Minimalism. Architecture and Existentialism. Weak Architecture. From Autonomy to Untimeliness. Place: Permanence or Production. Difference and Limit: Individualism in Contemporary Architecture. High-Tech: Functionalism or Rhetoric. The Work of Architecture in the Age of Mechanical Reproduction.
