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Author: BETH. WEINSTEIN
Publisher: Routledge
ISBN: 9780367418533
Category :
Languages : en
Pages : 0
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Book Description
Architecture and Choreography: Collaborations in Dance, Space, and Time examines the field of archi-choreographic experiments--unique interdisciplinary encounters and performed events generated through collaborations between architects and choreographers. Forty case studies spanning four decades give evidence of the range of motivations for embarking on these creative endeavors and diverse conceptual underpinnings, generative methods, objects of inquiry and outcomes. Architecture and Choreography builds histories and theories through which to examine these works, the contexts within and processes through which the works emerged, and the critical questions they raise about ways to work together, sites and citations, ethics and equity, control and agency. Three themes frame pairs of chapters. The first addresses disciplinarity through works that critically reflect upon their discipline's tools, techniques, and conventions juxtaposed against projects that cite or use other art forms and cultural phenomena as source material. The second interrogates space and the role of spatial dispositifs, institutions, and sites, and their hidden and not-so-hidden conditions, as conceptual drivers and structures to subvert, trouble, unsettle, remember. The third asks who and what dances, finding a spectrum from mobilized architectural bodies to more-than-human cybarcorps. Modes of collaboration and the temporalities and life cycles of projects inform bookending chapters. Architecture and Choreography offers vital lessons not only for architects and choreographers but also for students and practitioners across design and performance fields.
Author: BETH. WEINSTEIN
Publisher: Routledge
ISBN: 9780367418533
Category :
Languages : en
Pages : 0
Get Book
Book Description
Architecture and Choreography: Collaborations in Dance, Space, and Time examines the field of archi-choreographic experiments--unique interdisciplinary encounters and performed events generated through collaborations between architects and choreographers. Forty case studies spanning four decades give evidence of the range of motivations for embarking on these creative endeavors and diverse conceptual underpinnings, generative methods, objects of inquiry and outcomes. Architecture and Choreography builds histories and theories through which to examine these works, the contexts within and processes through which the works emerged, and the critical questions they raise about ways to work together, sites and citations, ethics and equity, control and agency. Three themes frame pairs of chapters. The first addresses disciplinarity through works that critically reflect upon their discipline's tools, techniques, and conventions juxtaposed against projects that cite or use other art forms and cultural phenomena as source material. The second interrogates space and the role of spatial dispositifs, institutions, and sites, and their hidden and not-so-hidden conditions, as conceptual drivers and structures to subvert, trouble, unsettle, remember. The third asks who and what dances, finding a spectrum from mobilized architectural bodies to more-than-human cybarcorps. Modes of collaboration and the temporalities and life cycles of projects inform bookending chapters. Architecture and Choreography offers vital lessons not only for architects and choreographers but also for students and practitioners across design and performance fields.
Author: Kent C. Bloomer
Publisher: Yale University Press
ISBN: 0300021429
Category : Photography
Languages : en
Pages : 162
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Book Description
Traces the significance of the human body in architecture from its early place as the divine organizing principle to its present near elimination
Author: Adesola Akinleye
Publisher: Bloomsbury Publishing
ISBN: 1350185205
Category : Performing Arts
Languages : en
Pages : 177
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Book Description
This book was born from a year of exchanges of movement ideas generated in cross-practice conversations and workshops with dancers, musicians, architects and engineers. Events took place at key cultural institutions such as the Royal Academy of Arts, London; and The Lowry, Salford, as well as on-site at architectural firms and on the streets of London. The author engages with dance's offer of perspectives on being in place: how the 'ordinary person' is facilitated in experiencing the dance of the city, while also looking at shared cross-practice understandings in and about the body, weight and rhythm. There is a prioritizing of how embodied knowledges across dance, architecture and engineering can contribute to decolonizing the production of place – in particular, how dance and city-making cultures engage with female bodies and non-white bodies in today's era of #MeToo and #BlackLivesMatter. Akinleye concludes in response conversations about ideas raised in the book with John Bingham-Hall, Liz Lerman, Dianne McIntyer and Richard Sennett. The book is a fascinating resource for those drawn to spatial practices from dance to design to construction.
Author: Beth Weinstein
Publisher: Taylor & Francis
ISBN: 1040002323
Category : Architecture
Languages : en
Pages : 548
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Book Description
Architecture and Choreography: Collaborations in Dance, Space and Time examines the field of archi-choreographic experiments—unique interdisciplinary encounters and performed events generated through collaborations between architects and choreographers. Forty case studies spanning four decades give evidence of the range of motivations for embarking on these creative endeavors and diverse conceptual underpinnings, generative methods, objects of inquiry, and outcomes. Architecture and Choreography builds histories and theories through which to examine these works, the contexts within, and processes through which the works emerged, and the critical questions they raise about ways to work together, sites and citations, ethics and equity, control and agency. Three themes frame pairs of chapters. The first addresses disciplinarity through works that critically reflect upon their discipline’s tools, techniques, and conventions juxtaposed against projects that cite or use other art forms and cultural phenomena as source material. The second interrogates space and the role of spatial dispositifs, institutions, and sites, and their hidden and not-so-hidden conditions, as conceptual drivers and structures to subvert, trouble, unsettle, remember. The third asks who and what dances, finding a spectrum from mobilized architectural bodies to more-than-human cybarcorps. Modes of collaboration and the temporalities and life cycles of projects inform bookending chapters. Architecture and Choreography offers vital lessons not only for architects and choreographers but also for students and practitioners across design and performance fields.
Author: Alison Bick Hirsch
Publisher: U of Minnesota Press
ISBN: 1452940975
Category : Architecture
Languages : en
Pages : 670
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Book Description
One of the most prolific and influential landscape architects of the twentieth century, Lawrence Halprin (1916–2009) was best known for the FDR Memorial in Washington, D.C., and Sea Ranch, the iconic planned community in California. These projects, as well as vibrant public spaces throughout the country—from Ghirardelli Square and Market Street in San Francisco to Lovejoy Fountain Park in Portland and Nicollet Mall in Minneapolis—grew out of a participatory design process that was central to Halprin’s work and is proving ever more relevant to urban design today. In City Choreographer, urban designer and historian Alison Bick Hirsch explains and interprets this creative process, called the RSVP Cycles, referring to the four components: resources, score, valuation, and performance. With access to a vast archive of drawings and documents, Hirsch provides the first close-up look at how Halprin changed our ideas about urban landscapes. As an urban pioneer, he found his frontier in the nation’s densely settled metropolitan areas during the 1960s. Blurring the line between observer and participant, he sought a way to bring openness to the rigidly controlled worlds of architectural modernism and urban renewal. With his wife, Anna, a renowned avant-garde dancer and choreographer, Halprin organized workshops involving artists, dancers, and interested citizens that produced “scores,” which then informed his designs. City Choreographer situates Halprin within the larger social, artistic, and environmental ferment of the 1960s and 1970s. In doing so, it demonstrates his profound impact on the shape of landscape architecture and his work’s widening reach into urban and regional development and contemporary concerns of sustainability.
Author: Leila Naghdian
Publisher:
ISBN:
Category : Architecture and recreation
Languages : en
Pages : 0
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Book Description
Space and time are two inseparable parts of architecture. The human body experiences space through movement in different ways than dancing. A dancer carves the space through dancing. Sensorial experiences have an impact on architectural design. If sequencing and relating experiences with the human body and senses can be related through architecture, how can art and architecture be experienced through space with dancing and time? Time is the tool and opportunity to measure and experience every moment we have, as our body moves through space. Capturing every sequence that we experience in a space is the exact and the honesty of the space, the honesty of human nature. How all the experiences, choreography, and time can help in designing a larger scale of a city but not just a single building? Buildings, streets, sidewalks, spaces between them, and every single element in a city and our everyday life creates new experiences for us, as designers how can we design according to choreography to provide these experiences? Through a series of observations of dance rehearsal, interviews with architects and dancers, and readings of philosophers, such as Juhani Pallasmaa, Maurice Merleau-Ponty, John Berger, Sigfried Giedion, and Susan Sontag concerned with the relationship of time to our experiences through space, and specific dance theoreticians, a discussion unfolds to consider the essential relationship between architecture, time, and dance.
Author: Adesola Akinleye
Publisher:
ISBN: 9781350185227
Category : Architecture and race
Languages : en
Pages : 160
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Book Description
"This book was born from a year of exchanges of movement ideas generated in cross-practice conversations and workshops with dancers, musicians, architects and engineers. Events took place at key cultural institutions such as the Royal Academy of Arts, London; and The Lowry, Salford, as well as on-site at architectural firms and on the streets of London. The author engages with dance's offer of perspectives on being in place: how the 'ordinary person' is facilitated in experiencing the dance of the city, while also looking at shared cross-practice understandings in and about the body, weight and rhythm. There is a prioritizing of how embodied knowledges across dance, architecture and engineering can contribute to decolonizing the production of place - in particular, how dance and city-making cultures engage with female bodies and non-white bodies in today's era of #MeToo and #BlackLivesMatter. Akinleye concludes in response conversations about ideas raised in the book with John Bingham-Hall, Liz Lerman, Dianne McIntyer and Richard Sennett. The book is a fascinating resource for those drawn to spatial practices from dance to design to construction. "--
Author: Elizabeth Waterhouse
Publisher: transcript Verlag
ISBN: 383945588X
Category : Performing Arts
Languages : en
Pages : 343
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Book Description
Told from the perspective of the dancers, »Processing Choreography: Thinking with William Forsythe's Duo« is an ethnography that reconstructs the dancers' activity within William Forsythe's Duo project. The book is written legibly for readers in dance studies, the social sciences, and dance practice. Considering how the choreography of Duo emerged through practice and changed over two decades of history (1996-2018), Elizabeth Waterhouse offers a nuanced picture of creative cooperation and institutionalized process. She presents a compelling vision of choreography as a nexus of people, im/material practices, contexts, and relations. As a former Forsythe dancer herself, the author provides novel insights into this choreographic community.
Author: Pantelis Michelakis
Publisher: Cambridge University Press
ISBN: 110701610X
Category : History
Languages : en
Pages : 403
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Book Description
The first systematic attempt to focus on the instrumental role of silent cinema in early twentieth-century conceptualizations of the ancient Mediterranean and Middle East. It is located at the intersection of film studies, classics, Bible studies and cultural studies.
Author: Leslie Armstrong
Publisher: New York : Pub. Center for Cultural Resources
ISBN:
Category : Architecture
Languages : en
Pages : 202
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Book Description
