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Author: John Heil
Publisher: Oxford University Press
ISBN: 0198865457
Category : Philosophy
Languages : en
Pages : 277
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Book Description
In Appearance in Reality, John Heil addresses a question at the heart of metaphysics: how are the appearances related to reality, how does what we find in the sciences comport with what we encounter in everyday experience and in the laboratory? Objects, for instance, appear to be colourful, noisy, self-contained, and massively interactive. Physics tells us they are dynamic swarms of colourless particles, or disturbances in fields, or something equally strange. Is what we experience illusory, present only in our minds? But then what are minds? Do minds elude physics? Or are the physicist's depictions mere constructs with no claim to reality? Perhaps reality is hierarchical: physics encompasses the fundamental things, the less than fundamental things are dependent on, but distinct from these. Heil's investigation advances a fourth possibility: the scientific image (what we have in physics) affords our best guide to the nature of what the appearances are appearances of.
Author: John Heil
Publisher: Oxford University Press
ISBN: 0198865457
Category : Philosophy
Languages : en
Pages : 277
Get Book
Book Description
In Appearance in Reality, John Heil addresses a question at the heart of metaphysics: how are the appearances related to reality, how does what we find in the sciences comport with what we encounter in everyday experience and in the laboratory? Objects, for instance, appear to be colourful, noisy, self-contained, and massively interactive. Physics tells us they are dynamic swarms of colourless particles, or disturbances in fields, or something equally strange. Is what we experience illusory, present only in our minds? But then what are minds? Do minds elude physics? Or are the physicist's depictions mere constructs with no claim to reality? Perhaps reality is hierarchical: physics encompasses the fundamental things, the less than fundamental things are dependent on, but distinct from these. Heil's investigation advances a fourth possibility: the scientific image (what we have in physics) affords our best guide to the nature of what the appearances are appearances of.
Author: Francis Herbert Bradley
Publisher:
ISBN:
Category : First philosophy
Languages : en
Pages : 664
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Book Description
Author: Peter Kosso
Publisher: Oxford University Press, USA
ISBN: 9780195115147
Category : Science
Languages : en
Pages : 196
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Book Description
Appearance and Reality: An Introduction to the Philosophy of Physics addresses quantum mechanics and relativity and their philosophical implications, focusing on whether these theories of modern physics can help us know nature as it really is, or only as it appears to us. The author clearly explains the foundational concepts and principles of both quantum mechanics and relativity and then uses them to argue that we can know more than mere appearances, and that we can know to some extent the way things really are. He argues that modern physics gives us reason to believe that we can know some things about the objective, real world, but he also acknowledges that we cannot know everything, which results in a position he calls "realistic realism." This book is not a survey of possible philosophical interpretations of modern physics, nor does it leap from a caricature of the physics to some wildly alarming metaphysics. Instead, it is careful with the physics and true to the evidence in arriving at its own realistic conclusions. It presents the physics without mathematics, and makes extensive use of diagrams and analogies to explain important ideas. Engaging and accessible, Appearance and Reality serves as an ideal introduction for anyone interested in the intersection of philosophy and physics, including students in philosophy of physics and philosophy of science courses.
Author: Francis Herbert Bradley
Publisher: Legare Street Press
ISBN: 9781015472525
Category : History
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Alexandra Heller-Nicholas
Publisher: McFarland
ISBN: 1476613214
Category : Performing Arts
Languages : en
Pages : 244
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Book Description
As the horror subgenre du jour, found footage horror’s amateur filmmaking look has made it available to a range of budgets. Surviving by adapting to technological and cultural shifts and popular trends, found footage horror is a successful and surprisingly complex experiment in blurring the lines between quotidian reality and horror’s dark and tantalizing fantasies. Found Footage Horror Films explores the subgenre’s stylistic, historical and thematic development. It examines the diverse prehistory beyond Man Bites Dog (1992) and Cannibal Holocaust (1980), paying attention to the safety films of the 1960s, the snuff-fictions of the 1970s, and to television reality horror hoaxes and mockumentaries during the 1980s and 1990s in particular. It underscores the importance of The Blair Witch Project (1999) and Paranormal Activity (2007), and considers YouTube’s popular rise in sparking the subgenre’s recent renaissance.
Author: R. Scapp
Publisher: Springer
ISBN: 0230115403
Category : Social Science
Languages : en
Pages : 345
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Book Description
While there have been scholarly commentaries on the philosophy of fashion, none yet have attempted to engage fashion on its own hybrid, inflected, and heterogeneous terms. Celebrating the plurality and audacity inherent in its subject, Fashion Statements presents insightful, playful, and accessible essays on the philosophy of fashion.
Author: University of California, Berkeley. University Art Museum
Publisher: Grand Central Publishing
ISBN:
Category : Art
Languages : en
Pages : 164
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Book Description
Author: John Heil
Publisher:
ISBN: 9780191897818
Category : Appearance (Philosophy)
Languages : en
Pages : 288
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Book Description
How does the way things appear to us relate to the way things really are? Science tells us that the world is very different from the way we experience it. John Heil offers an explanation of why the scientific image of the world that we get from physics is our best guide to the nature of reality - to what the appearances are appearances of.
Author: Guy Stock
Publisher:
ISBN: 9781383012293
Category :
Languages : en
Pages : 0
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Book Description
Well-known contributors from English speaking countries focus on Bradley's views on truth, knowledge and reality. These essays contribute to the current revaluation of Bradley showing how crucial his work was in developing 20th century philosophy.
Author: Barbara Carnevali
Publisher: Columbia University Press
ISBN: 023154698X
Category : Philosophy
Languages : en
Pages : 197
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Book Description
Philosophers have long distinguished between appearance and reality, and the opposition between a supposedly deceptive surface and a more profound truth is deeply rooted in Western culture. At a time of obsession with self-representation, when politics is enmeshed with spectacle and social and economic forces are intensely aestheticized, philosophy remains moored in traditional dichotomies: being versus appearing, interiority versus exteriority, authenticity versus alienation. Might there be more to appearance than meets the eye? In this strikingly original book, Barbara Carnevali offers a philosophical examination of the roles that appearances play in social life. While Western metaphysics and morals have predominantly disdained appearances and expelled them from their domain, Carnevali invites us to look at society, ancient to contemporary, as an aesthetic phenomenon. The ways in which we appear in public and the impressions we make in terms of images, sounds, smells, and sensations are discerned by other people’s senses and assessed according to their taste; this helps shape our ways of being and the world around us. Carnevali shows that an understanding of appearances is necessary to grasp the dynamics of interaction, recognition, and power in which we live—and to avoid being dominated by them. Anchored in philosophy and traversing sociology, art history, literature, and popular culture, Social Appearances develops new theoretical and conceptual tools for today’s most urgent critical tasks.
