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Author: Susanneh Bieber
Publisher: Taylor & Francis
ISBN: 1000894800
Category : Art
Languages : en
Pages : 346
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Book Description
This volume reframes the development of US-American avant-garde art of the long 1960s—from minimal and pop art to land art, conceptual art, site-specific practices, and feminist art—in the context of contemporary architectural discourses. Susanneh Bieber analyzes the work of seven major artists, Donald Judd, Robert Grosvenor, Claes Oldenburg, Robert Smithson, Lawrence Weiner, Gordon Matta-Clark, and Mary Miss, who were closely associated with the formal-aesthetic innovations of the period. While these individual artists came to represent diverse movements, Bieber argues that all of them were attracted to the field of architecture—the work of architects, engineers, preservationists, landscape designers, and urban planners—because they believed these practices more directly shaped the social and material spaces of everyday life. This book’s contribution to the field of art history is thus twofold. First, it shows that the avant-garde of the long 1960s did not simply develop according to an internal logic of art but also as part of broader sociocultural discourses about buildings and cities. Second, it exemplifies a methodological synthesis between social art history and poststructural formalism that is foundational to understanding the role of art in the construction of a more just and egalitarian society. The book will be of interest to scholars working in art history, architecture, urbanism, and environmental humanism.
Author: Susanneh Bieber
Publisher: Taylor & Francis
ISBN: 1000894800
Category : Art
Languages : en
Pages : 346
Get Book
Book Description
This volume reframes the development of US-American avant-garde art of the long 1960s—from minimal and pop art to land art, conceptual art, site-specific practices, and feminist art—in the context of contemporary architectural discourses. Susanneh Bieber analyzes the work of seven major artists, Donald Judd, Robert Grosvenor, Claes Oldenburg, Robert Smithson, Lawrence Weiner, Gordon Matta-Clark, and Mary Miss, who were closely associated with the formal-aesthetic innovations of the period. While these individual artists came to represent diverse movements, Bieber argues that all of them were attracted to the field of architecture—the work of architects, engineers, preservationists, landscape designers, and urban planners—because they believed these practices more directly shaped the social and material spaces of everyday life. This book’s contribution to the field of art history is thus twofold. First, it shows that the avant-garde of the long 1960s did not simply develop according to an internal logic of art but also as part of broader sociocultural discourses about buildings and cities. Second, it exemplifies a methodological synthesis between social art history and poststructural formalism that is foundational to understanding the role of art in the construction of a more just and egalitarian society. The book will be of interest to scholars working in art history, architecture, urbanism, and environmental humanism.
Author: Susanneh Bieber
Publisher:
ISBN: 9781003295105
Category : Architecture and society
Languages : en
Pages : 0
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Book Description
"This volume reframes the development of US-American avant-garde art of the long 1960s-from minimal and pop art to land art, conceptual art, site-specific practices, and feminist art-in the context of contemporary architectural discourses. Susanneh Bieber analyzes the work of seven major artists, namely Donald Judd, Robert Grosvenor, Claes Oldenburg, Robert Smithson, Lawrence Weiner, Gordon Matta-Clark, and Mary Miss, who were closely associated with the formal-aesthetic innovations of the period. While these individual artists came to represent diverse movements, Bieber argues that all of them were attracted to the field of architecture-the work of architects, engineers, preservationists, landscape designers, and urban planners-because they believed these practices more directly shaped the social and material spaces of everyday life. This book's contribution to the field of art history is thus twofold. First, it shows that the avant-garde of the long 1960s did not simply develop according to an internal logic of art, but also as part of broader sociocultural discourses about buildings and cities. Second, it exemplifies a methodological synthesis between social art history and poststructural formalism that is foundational to understanding and taking seriously the role of art in the construction of a more just and egalitarian society. The book will be of interest to scholars working in art history, architecture, urbanism, and environmental humanism"--
Author: Irina D. Costache
Publisher: Taylor & Francis
ISBN: 1000898032
Category : Art
Languages : en
Pages : 244
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Book Description
Diversifying the current art historical scholarship, this edited volume presents the untold story of modern art by exposing global voices and perspectives excluded from the privileged and uncontested narrative of “isms.” This volume tells a worldwide story of art with expanded historical narratives of modernism. The chapters reflect on a wide range of issues, topics, and themes that have been marginalized or outright excluded from the canon of modern art. The goal of this book is to be a starting point for understanding modern art as a broad and inclusive field of study. The topics examine diverse formal expressions, innovative conceptual approaches, and various media used by artists around the world and forcefully acknowledge the connections between art, historical circumstances, political environments, and social issues such as gender, race, and social justice. The book will be of interest to scholars working in art history, imperial and colonial history, modernism, and globalization.
Author: Donald Stoltenberg
Publisher: Sterling Publishing Company Incorporated
ISBN: 9780871921185
Category : Art
Languages : en
Pages : 150
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Book Description
This book is concerned with the built environment -- the buildings, transportation, and engineering works around us. Conversion of old structures to contemporary uses, preservation, and ind'l. archaeology indicate an awareness of the urban landscape and the effect it has upon us. The artist's function is to examine, digest, and interpret our surroundings. This book includes artists who have responded to this theme, such as Canaletto, Sheeler, Demuth, Burchfield, Turner and Soutine. Examples have been chosen to show how artists of different periods, temperaments, and backgrounds have approached similar subjects or even the same motif. Profusely illustrated.
Author:
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 360
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Book Description
Author: Suzaan Boettger
Publisher: Univ of California Press
ISBN: 9780520241169
Category : Architecture
Languages : en
Pages : 340
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Book Description
Her examination of Earthworks relationship to the ecology movement perceptively corrects a popular misconception about the artists goals while acknowledging the social and cultural complexities of the period."
Author: Amos Rapoport
Publisher: University of Arizona Press
ISBN: 9780816511761
Category : Psychology
Languages : en
Pages : 262
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Book Description
The Meaning of the Built Environment is a lively illustrated study of the meanings of everyday buildings for their users. Professor Rapoport uses examples and vignettes, drawn from many cultures and historical eras as well as contemporary America, to explicate a new framework for understanding how the built environment comes to have meaning, both for individual people and whole societies.
Author: Riva Castleman
Publisher: ABRAMS
ISBN: 9780810961814
Category :
Languages : en
Pages : 0
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Book Description
Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.
Author: Nato Thompson
Publisher: MIT Press
ISBN: 0262017342
Category : Art
Languages : en
Pages : 265
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Book Description
'Living as Form' grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a landmark survey of more than 100 projects selected by a 30-person curatorial advisory team; each project is documented by a selection of colour images.
Author: Kellie Jones
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 362
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Book Description
This comprehensive, lavishly illustrated catalogue offers an in-depth survey of the incredibly vital but often overlooked legacy of Los Angeles's African American artists, featuring many never-before-seen works.
