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Author: Elizabeth Burns Coleman
Publisher: Routledge
ISBN: 1351961306
Category : Social Science
Languages : en
Pages : 225
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Book Description
The belief held by Aboriginal people that their art is ultimately related to their identity, and to the continued existence of their culture, has made the protection of indigenous peoples' art a pressing matter in many postcolonial countries. The issue has prompted calls for stronger copyright legislation to protect Aboriginal art. Although this claim is not particular to Australian Aboriginal people, the Australian experience clearly illustrates this debate. In this work, Elizabeth Burns Coleman analyses art from an Australian Aboriginal community to interpret Aboriginal claims about the relationship between their art, identity and culture, and how the art should be protected in law. Through her study of Yolngu art, Coleman finds Aboriginal claims to be substantially true. This is an issue equally relevant to North American debates about the appropriation of indigenous art, and the book additionally engages with this literature.
Author: Elizabeth Burns Coleman
Publisher: Routledge
ISBN: 1351961306
Category : Social Science
Languages : en
Pages : 225
Get Book
Book Description
The belief held by Aboriginal people that their art is ultimately related to their identity, and to the continued existence of their culture, has made the protection of indigenous peoples' art a pressing matter in many postcolonial countries. The issue has prompted calls for stronger copyright legislation to protect Aboriginal art. Although this claim is not particular to Australian Aboriginal people, the Australian experience clearly illustrates this debate. In this work, Elizabeth Burns Coleman analyses art from an Australian Aboriginal community to interpret Aboriginal claims about the relationship between their art, identity and culture, and how the art should be protected in law. Through her study of Yolngu art, Coleman finds Aboriginal claims to be substantially true. This is an issue equally relevant to North American debates about the appropriation of indigenous art, and the book additionally engages with this literature.
Author: James O. Young
Publisher: John Wiley & Sons
ISBN: 1444332716
Category : Philosophy
Languages : en
Pages : 196
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Book Description
Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise. Cultural appropriation is a pervasive feature of the contemporary world (the Parthenon Marbles remain in London; white musicians from Bix Beiderbeck to Eric Clapton have appropriated musical styles from African-American culture) Young offers the first systematic philosophical investigation of the moral and aesthetic issues to which cultural appropriation gives rise Tackles head on the thorny issues arising from the clash and integration of cultures and their artifacts Questions considered include: “Can cultural appropriation result in the production of aesthetically successful works of art?” and “Is cultural appropriation in the arts morally objectionable?” Part of the highly regarded New Directions in Aesthetics series
Author: Ian McLean
Publisher: Cambridge University Press
ISBN: 9780521120678
Category : Art
Languages : en
Pages : 0
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Book Description
This highly original book shows that Australian art, and the writing of its history, has since settlement been in a dialog (although often submerged) with Aboriginal art and culture; and that this dialog is inextricably interwoven with the struggle to find an identity in the antipodes. McLean argues that the colonizing culture invested far more in indigenous aspects of the country and its inhabitants than it has been willing to admit. He considers artists and their work within their cultural context, and in light of contemporary theory.
Author: Laura Fisher
Publisher: Anthem Press
ISBN: 1783085320
Category : Art
Languages : en
Pages : 259
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Book Description
This book is an investigation of the way the Aboriginal art phenomenon has been entangled with Australian society’s negotiation of Indigenous people’s status within the nation. Through critical reflection on Aboriginal art’s idiosyncrasies as a fine arts movement, its vexed relationship with money, and its mediation of the politics of identity and recognition, this study illuminates the mutability of Aboriginal art’s meanings in different settings. It reveals that this mutability is a consequence of the fact that a range of governmental, activist and civil society projects have appropriated the art’s vitality and metonymic power in national public culture, and that Aboriginal art is as much a phenomenon of visual and commercial culture as it is an art movement. Throughout these examinations, Fisher traces the utopian and dystopian currents of thought that have crystallised around the Aboriginal art movement and which manifest the ethical conundrums that underpin the settler state condition.
Author: Gretchen M. Stolte
Publisher: Routledge
ISBN: 1000185559
Category : Social Science
Languages : en
Pages : 230
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Book Description
Aboriginal and Torres Strait Islander Art explores the effects of Queensland government policies on urban First Nation artists. While such art has often been misinterpreted as derivative lesser copies of ‘true’ Indigenous works, this book unveils new histories and understandings about the mixed legacy left for Queensland Indigenous artists. Gretchen Stolte uses rich ethnographic detail to illuminate how both Aboriginal and Torres Strait Islander artists understand and express their heritage. She specifically focuses on artwork at the Aboriginal and Torres Strait Islander art studio in the Tropical North Queensland College of Technical and Further Education (TNQT TAFE), Cairns. Stolte's ethnography further develops methodologies in art history and anthropology by identifying additional methods for understanding how art is produced and meaning is created.
Author: Daniela Gisela Limpert
Publisher: GRIN Verlag
ISBN: 3656018197
Category : Language Arts & Disciplines
Languages : en
Pages : 70
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Book Description
Master's Thesis from the year 2011 in the subject Communications - Intercultural Communication, grade: 1.2, University of Kaiserslautern, language: English, abstract: Politics of Space ́s idea is to present a body of work that address some of the key questions that have held my attention over several years in relation to the nature and peculiar concerns of contemporary non-Western art, especially on how Contemporary Australian Aboriginal Art is perceived, received and read in significant parts of the public where cross-cultural exchange occurs. Significant areas of research in relation to Contemporary Indigenous Art are not only certain institutions within the art world such as art centres, art galleries and museums but also public areas like universities, government bureaus and particularly touristic institutions, as a vast majority of non-indigenous people experience non-Western art in this context only.
Author: Andrzej Rozwadowski
Publisher: Archaeopress Publishing Ltd
ISBN: 1789698472
Category : Art
Languages : en
Pages : 150
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Book Description
This book presents a fresh perspective on rock art by considering how ancient images function in the present. It focuses on how ancient heritage is recognized and reified in the modern world, and how rock art stimulates contemporary processes of cultural identity-making.
Author: Michel Draguet
Publisher:
ISBN: 9789077013311
Category : Art, Aboriginal Australian
Languages : en
Pages : 0
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Book Description
Aboriginalities" immerses you into the fascinating universe of Aboriginal painting - an art form that is both ancestral and contemporary, always rooted in spirituality. Far more than a simple physical and sensory experience, Aboriginal art invites us to rethink our connection to the earth and the universe. As a window on the spiritual, Aboriginal art tells the story of the creation of the world - called "Dreamtime"* - and the original link between humans and the earth. The numerous motifs (dotted lines, spirals, zigzags, crosshatching ...) are passed down from generation to generation by members of the same community, concealing centuries-old secrets as well as a map of their territory. This ancestral and highly symbolic art form was originally concealed: drawn in the sand or applied on rocks on territories forbidden to laypersons. But in the early 1970s, amidst struggles for the recognition of an Aboriginal identity, the Papunya Tula community translated their cultural practices and symbolic knowledge through paint. Using non-traditional methods borrowed from Western culture (acrylics, brushes, cardboard and later canvas), the indigenous people of Australia found a modern way to express their cultural, political, social and economic struggles. Vibrant and colourful, the exhibition "Aboriginalities" is built around part of the private collection of Marie Philippson, who has been passionate about modern culture and Aboriginal art for over 20 years. The exhibition shows over 120 paintings and objects, reflecting the extraordinary formal inventiveness of Aboriginal artists. At several intersections throughout the exhibition, a dozen works from the RMFAB's modern art collection echo the subjects addressed by these "Dreamtime" artists, questioning our relationship to the visible and the invisible. Exhibition: Koninklijke Musea voor Schone Kunsten, Brussels, Belgium (01.04. - 01.08.2021)
Author: George Nash
Publisher: Archaeopress Publishing Ltd
ISBN: 1784915610
Category : Social Science
Languages : en
Pages : 702
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Book Description
Why publish a Reader? Today, it is relatively easy and convenient to switch on your computer and download an academic paper. However, as many scholars have experienced, historic references are difficult to access. Moreover, some are now lost and are merely references in later papers. This can be frustrating.
Author: Jane E. Anderson
Publisher: Edward Elgar Publishing
ISBN: 1848447191
Category : Law
Languages : en
Pages : 269
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Book Description
Combining unique practical experience with a sophisticated historical and theoretical framework, this impressive work offers a new basis to explore indigenous intellectual property. In this wide-ranging and imaginative study, Anderson has laid the groundwork for future scholarship in the field. Hopefully this work will set a new trajectory for how this important topic is approached and advanced with indigenous people. Brad Sherman, University of Queensland, Australia This informative book investigates how indigenous and traditional knowledge has been produced and positioned within intellectual property law and the effects of this position in both national and international jurisdictions. Drawing upon critical cultural and legal theory, Jane Anderson illustrates how the problems facing the inclusion of indigenous knowledge resonate with tensions that characterise intellectual property as a whole. She explores the extent that the emergence of indigenous interests in intellectual property law is a product of shifting politics within law, changing political environments, governmental intervention through strategic reports and innovative instances of individual agency. The author draws on long-term practical experience of working with indigenous people and communities whilst engaging with ongoing debates in the realm of legal theory. Detailing a comprehensive view on how indigenous knowledge has emerged as a discrete category within intellectual property law, this book will benefit researchers, academics and students dealing with law in the fields of IP, human rights, property and environmental law. It will also appeal to anthropologists, sociologists, philosophers and cultural theorists.
