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Author: Simon Armitage
Publisher: Princeton University Press
ISBN: 0691233101
Category : Literary Criticism
Languages : en
Pages : 374
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Book Description
From the UK Poet Laureate and bestselling translator, a spirited book that demystifies and celebrates the art of poetry today In A Vertical Art, acclaimed poet Simon Armitage takes a refreshingly common-sense approach to an art form that can easily lend itself to grand statements and hollow gestures. Questioning both the facile and obscure ends of the poetry spectrum, he offers sparkling new insights about poetry and an array of favorite poets. Based on Armitage’s public lectures as Oxford Professor of Poetry, A Vertical Art illuminates poets as varied as Emily Dickinson, Walt Whitman, Marianne Moore, W. H. Auden, Ted Hughes, Thom Gunn, A. R. Ammons, and Claudia Rankine. The chapters are often delightfully sassy in their treatment, as in “Like, Elizabeth Bishop,” in which Armitage dissects—and tallies—the poet’s predilection for similes. He discusses Bob Dylan’s Nobel Prize, poetic lists, poetry and the underworld, and the dilemmas of translating Sir Gawain and the Green Knight. Armitage also pulls back the curtain on the unromantic realities of making a living as a contemporary poet, and ends the book with his own list of “Ninety-Five Theses” on the principles and practice of poetry. An appealingly personal book that explores the volatile and disputed definitions of poetry from the viewpoint of a practicing writer and dedicated reader, A Vertical Art makes an insightful and entertaining case for the power and potential of poetry today.
Author: Simon Armitage
Publisher: Princeton University Press
ISBN: 0691233101
Category : Literary Criticism
Languages : en
Pages : 374
Get Book
Book Description
From the UK Poet Laureate and bestselling translator, a spirited book that demystifies and celebrates the art of poetry today In A Vertical Art, acclaimed poet Simon Armitage takes a refreshingly common-sense approach to an art form that can easily lend itself to grand statements and hollow gestures. Questioning both the facile and obscure ends of the poetry spectrum, he offers sparkling new insights about poetry and an array of favorite poets. Based on Armitage’s public lectures as Oxford Professor of Poetry, A Vertical Art illuminates poets as varied as Emily Dickinson, Walt Whitman, Marianne Moore, W. H. Auden, Ted Hughes, Thom Gunn, A. R. Ammons, and Claudia Rankine. The chapters are often delightfully sassy in their treatment, as in “Like, Elizabeth Bishop,” in which Armitage dissects—and tallies—the poet’s predilection for similes. He discusses Bob Dylan’s Nobel Prize, poetic lists, poetry and the underworld, and the dilemmas of translating Sir Gawain and the Green Knight. Armitage also pulls back the curtain on the unromantic realities of making a living as a contemporary poet, and ends the book with his own list of “Ninety-Five Theses” on the principles and practice of poetry. An appealingly personal book that explores the volatile and disputed definitions of poetry from the viewpoint of a practicing writer and dedicated reader, A Vertical Art makes an insightful and entertaining case for the power and potential of poetry today.
Author: Roberta Maneker
Publisher: Hudson Hills
ISBN: 1555952941
Category : Antiques & Collectibles
Languages : en
Pages : 396
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Book Description
Walking sticks, like many objects from the hand of man, contain a wealth of history. In use since before the time of Tutankhamen, they have been put to service over the centuries not just as ambulation aids, but as symbols of authority and status, presentation gifts, and fashionable accessories. Most often, they were not utilitarian, they were worn as an adornment and valued for their beauty. Canes tell us about the culture, fashion, values and diversions of the people who owned them and the era in which they were made. Many are truly objects d'art, fashioned of ivory, coral, tortoise, silver, gold, platinum, wood, crystal, steel, porcelain, tortoiseshell, minerals, and precious and semi-precious stones. They have as their subject love, death, religion, politics, theatre, war, vocations, history, hobbies, and puzzles. They may contain secret compartments and surprises hidden within. Some have been made by legendary artists, some by unlettered folk craftsmen and mariners lonely at sea. They are allegorical, metaphorical and, sometimes, just self-evidently beautiful. AUTHOR: Roberta Maneker is a freelance writer specializing in art and antiques, formerly Senior Vice President of Marketing and Corporate Communications at Christies. Simon Teakle of Betteridge Jewelers is the former head of the Jewelry Department at Christie's in New York. Wendell Garrett is the former editor of the Magazine Antiques, a consultant to Sotheby's New York and the foremost authority on American Decorative Arts. SELLING POINTS: * A spectacular look at the exquisite, eccentric art of the walking stick. This visually arresting, lavishly produced book features 400 canes from all over the world * Focused on a single private collection, the book features outstanding Art Nouveau and Art Deco designs as well as splendid earlier ivory carvings ILLUSTRATIONS: 794 colour
Author: Allison Rae
Publisher: Harry N. Abrams
ISBN: 9781419722707
Category : Games & Activities
Languages : en
Pages : 0
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Book Description
This stunning and original coloring book presents an array of remarkable worlds all presented in a tower of spectacular detail and intricacy. Architecture buffs, city lovers, map enthusiasts, and avid colorists will lose themselves in the Vertical City, where shops perch above parking lots that sit atop skyscrapers. Other realms include the Carnival, the Tree House, the Natural History Museum, the Bazaar, the Train Station, the Hotel, the University, the Music Festival, the Farm, the Cathedral, the Film Studio, the Zoo, the Art Museum, and the Aquarium. The striking cover has gold foil stamping, and each piece of art inside is completely hand-drawn with masterful precision.
Author: Jessica Newman
Publisher:
ISBN: 9780132574945
Category : Design
Languages : en
Pages : 0
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Book Description
For all first perspective drawing courses at the Freshman/Sophomore level for majors including Interior Design, Graphic Design, Game Art, Animation, and Industrial Design; and for all courses in Interior Design Perspective, Sketch, and/or Presentation. This book will also be useful in high school courses for students pursuing careers in the Applied Arts. This book helps students learn how to draw quickly and believably by mastering practical techniques for perspective drawing and estimating scale and proportion. Drawing on extensive experience teaching beginners, the authors overcome many limitations of previous books. Rather than featuring professional work that beginners can't possibly duplicate, they show examples of student drawings, helping students gain confidence and gauge their progress. Avoiding unnecessary theory, math, and jargon, they help students develop an intuitive sense of scale and proportion for creating believable perspectives, and offer valuable tricks and shortcuts throughout. In place of lengthy narratives, they support each lesson with supporting video walking through key techniques. The authors also devote lessons to SketchUp (for blocking out perspectives) and Photoshop (for enhancing sketches). This is the Stand Alone text. The text is available for purchase with MyInteriorDesignKit! MyInteriorDesignKit is an online supplement that offers book specific resources including flashcards, study aids, images, projects and additional material not found in the book. The package containing both this text and MIDK is ISBN: 0133012050. If you wish to purchase access to MyInteriorDesignKit stand alone, go to the site and click on BUY ACCESS next to the text in use.
Author: Winy Maas
Publisher: Nai010 Publishers
ISBN: 9789056628444
Category : Architecture, Modern
Languages : en
Pages : 0
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Book Description
The architecture practice MVRDV and The Why Factory envision a new model for the development of Asian cities. Their idea is The Vertical Village, a three-dimensional community intended to bring back personal autonomy, diversity, flexibility and neighbourhood life to cities in Asia. As a result of demographic and economic forces, cities in Asia are undergoing rapid change. Traditional urban villages, which formed the core of the cities for centuries, are being replaced at a merciless pace by uniform tower blocks. In tracking the development of nine very distinct Asian cities, The Vertical Village provides insight into the evolution, current situation and future of these 'vertical urban villages'. This book then introduces two tools: The VillageMaker© and The HouseMaker©, with which to design a dream house and find a dream location. The book also offers a glimpse into what it would be like to live in a 'Vertical Village'. Publisher's note.
Author: Simon Armitage
Publisher: Princeton University Press
ISBN: 0691239142
Category : Literary Criticism
Languages : en
Pages : 374
Get Book
Book Description
From the UK Poet Laureate and bestselling translator, a spirited book that demystifies and celebrates the art of poetry today In A Vertical Art, acclaimed poet Simon Armitage takes a refreshingly common-sense approach to an art form that can easily lend itself to grand statements and hollow gestures. Questioning both the facile and obscure ends of the poetry spectrum, he offers sparkling new insights about poetry and an array of favorite poets. Based on Armitage’s public lectures as Oxford Professor of Poetry, A Vertical Art illuminates poets as varied as Emily Dickinson, Walt Whitman, Marianne Moore, W. H. Auden, Ted Hughes, Thom Gunn, A. R. Ammons, and Claudia Rankine. The chapters are often delightfully sassy in their treatment, as in “Like, Elizabeth Bishop,” in which Armitage dissects—and tallies—the poet’s predilection for similes. He discusses Bob Dylan’s Nobel Prize, poetic lists, poetry and the underworld, and the dilemmas of translating Sir Gawain and the Green Knight. Armitage also pulls back the curtain on the unromantic realities of making a living as a contemporary poet, and ends the book with his own list of “Ninety-Five Theses” on the principles and practice of poetry. An appealingly personal book that explores the volatile and disputed definitions of poetry from the viewpoint of a practicing writer and dedicated reader, A Vertical Art makes an insightful and entertaining case for the power and potential of poetry today.
Author: Mario Linhares
Publisher: Urban Sketching Handbooks
ISBN: 0760370702
Category : Art
Languages : en
Pages : 98
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Book Description
The Urban Sketching Handbook: Panoramas and Vertical Vistas shows how to observe, draw, and present architecture and landscapes from a variety of fascinating perspectives.
Author: Richard Serra
Publisher: Steidl
ISBN: 9783869309781
Category : Drawing, American
Languages : en
Pages : 0
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Book Description
Richard Serra's "reversal" drawings employ two identical rectangular sheets of paper that are adjoined in a vertical or horizontal format, with the black-and-white areas reversing themselves proportionally top to bottom (or left to right). Vertical and Horizontal Reversals is the most extensive presentation of Serra's reversal drawings to be published. It reproduces all thirty-three drawings shown in 2014's exhibition at David Zwirner in New York, including a group of new horizontal reversals.
Author: Noémie Révah
Publisher:
ISBN: 9781592701612
Category : Juvenile Fiction
Languages : en
Pages : 0
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Book Description
The bold graphic illustrations and bright colors of Mister Horizontal & Miss Vertical will have tremendous, immediate appeal for children.
Author: Penelope Curtis
Publisher: Association of Human Rights Institutes series
ISBN: 9780300227222
Category : Sculpture
Languages : en
Pages : 0
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Book Description
This book examines the fundamental similarities shared by all sculptures, regardless of the culture or time period in which they were created. Focusing on a wide range of British and European examples, of many periods, Penelope Curtis explores crucial sculptural concepts such as the vertical and the horizontal, the open and the closed. In doing so, she elucidates the powerful, and often surprising, properties of objects made in vastly different sociocultural contexts. Sculpture also expands the notion of sculpture to include the objects of everyday life and investigates the ways in which we approach sculpture as an art form. Stressing the fact that sculpture has been historically linked with rites of passage and moments of change and transformation, this revelatory study argues that the experience of sculpture is a universal and primal phenomenon that cuts across particular historical styles and epochs.
