A Revised Inventory of Curating Degree Zero Archive

A Revised Inventory of Curating Degree Zero Archive PDF Author: Han'guk Munhwa Yesul Wiwŏnhoe
Publisher:
ISBN: 9788995781050
Category :
Languages : en
Pages : 719

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Area 2

Area 2 PDF Author: Ruedi Baur
Publisher: Phaidon Press Limited
ISBN:
Category : Art
Languages : en
Pages : 452

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Book Description
Area_2is the second volume in the graphics version of Phaidon's award-winning series of curated compendiums, which includes Cream, Fresh Cream, Blink, 10x10, 10x10_2, and Spoon. Covering all manifestations of printed graphics created by the world's most visionary designers, Area_2 presents the posters, books, magazines, typography, packaging, and ephemera that has influenced visual culture over the past five years.

Culture as Capital

Culture as Capital PDF Author: Slavko Kacunko
Publisher: Logos Verlag Berlin GmbH
ISBN: 3832538992
Category : Architecture
Languages : en
Pages : 383

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Book Description
By following and reproducing the cultural turn, the rhetoric of cultural mix and hybridism is disseminated today primarily in its crossing of trade barriers. Cultures reduced to their exchange value function as capital - an accumulative, speculative and, ultimately, financial affair. In some of its media and site-(un)specific manifestations, process art - which aims to encompass both old and new media art - seems to resist this pressure, despite, nonetheless, not being protected from regulations and incorporations. In the present collection of his recent essays, Slavko Kacunko discusses the process art by crossing the disciplines of art history and comparative media-, visual- and -cultural studies. As a first approximation, several historiographical remarks on closed-circuit video installations underline their importance as a core category of process art. In the second part, the problems of process art, seen as a threshold of art history, are further examined in another retroanalytical step, in which concepts and objects related to `mirror', `frame' and `immediacy' are analyzed as the triple delimitation of visual culture studies. In the third part, previously outlined manifestations of what is termed the `post-visual condition' are summarized and projected to the `coreless core' of the emerging art and research related to the coreless beings par excellence, the bacteria.

Heathcliff and the Great Hunger

Heathcliff and the Great Hunger PDF Author: Terry Eagleton
Publisher: Verso
ISBN: 9781859840276
Category : History
Languages : en
Pages : 376

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Book Description
This work explores the interrelation of Irish political history and Irish literature. It discusses a host of unusual topics, from Shaw and science and Irish attitudes, to nature and the question of language, and a full-scale investigation of the Celtic revival.

A Glossary of Archival and Records Terminology

A Glossary of Archival and Records Terminology PDF Author: Richard Pearce-Moses
Publisher: Society of American Archivists (SAA)
ISBN:
Category : Business & Economics
Languages : en
Pages : 480

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Book Description
Intended to provide the basic foundation for modern archival practice and theory.

Inside the White Cube

Inside the White Cube PDF Author: Brian O'Doherty
Publisher: Univ of California Press
ISBN: 9780520220409
Category : Art
Languages : en
Pages : 128

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Book Description
These essays explicitly confront a particular crisis in postwar art, seeking to examine the assumptions on which the modern commercial and museum gallery was based.

Preserving Digital Materials

Preserving Digital Materials PDF Author: Ross Harvey
Publisher: Rowman & Littlefield
ISBN: 1538102986
Category : Language Arts & Disciplines
Languages : en
Pages : 276

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Book Description
The third edition of Preserving Digital Materials provides a survey of the digital preservation landscape. This book is structured around four questions: 1. Why do we preserve digital materials? 2. What digital materials do we preserve? 3. How do we preserve digital materials? 4. How do we manage digital preservation? This is a concise handbook and reference for a wide range of stakeholders who need to understand how preservation works in the digital world. It notes the increasing importance of the role of new stakeholders and the general public in digital preservation. It can be used as both a textbook for teaching digital preservation and as a guide for the many stakeholders who engage in digital preservation. Its synthesis of current information, research, and perspectives about digital preservation from a wide range of sources across many areas of practice makes it of interest to all who are concerned with digital preservation. It will be of use to preservation administrators and managers, who want a professional reference text, information professionals, who wish to reflect on the issues that digital preservation raises in their professional practice, and students in the field of digital preservation.

The Curatorial Avant-garde

The Curatorial Avant-garde PDF Author: Adam Jolles
Publisher: Penn State University Press
ISBN:
Category : Art museum curators
Languages : en
Pages : 296

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Book Description
Explores the emergence of an amateur class of curators in France between the world wars. Focuses on the Surrealist writers and artists who developed an alternative curatorial practice to that pursued by the community of professionally trained curators and exclusive art dealers.

Aesthetics of Interaction in Digital Art

Aesthetics of Interaction in Digital Art PDF Author: Katja Kwastek
Publisher: MIT Press
ISBN: 0262528290
Category : Art
Languages : en
Pages : 381

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Book Description
An art-historical perspective on interactive media art that provides theoretical and methodological tools for understanding and analyzing digital art. Since the 1960s, artworks that involve the participation of the spectator have received extensive scholarly attention. Yet interactive artworks using digital media still present a challenge for academic art history. In this book, Katja Kwastek argues that the particular aesthetic experience enabled by these new media works can open up new perspectives for our understanding of art and media alike. Kwastek, herself an art historian, offers a set of theoretical and methodological tools that are suitable for understanding and analyzing not only new media art but also other contemporary art forms. Addressing both the theoretician and the practitioner, Kwastek provides an introduction to the history and the terminology of interactive art, a theory of the aesthetics of interaction, and exemplary case studies of interactive media art. Kwastek lays the historical and theoretical groundwork and then develops an aesthetics of interaction, discussing such aspects as real space and data space, temporal structures, instrumental and phenomenal perspectives, and the relationship between materiality and interpretability. Finally, she applies her theory to specific works of interactive media art, including narratives in virtual and real space, interactive installations, and performance—with case studies of works by Olia Lialina, Susanne Berkenheger, Stefan Schemat, Teri Rueb, Lynn Hershman, Agnes Hegedüs, Tmema, David Rokeby, Sonia Cillari, and Blast Theory.

Fluxus

Fluxus PDF Author: Owen F. Smith
Publisher:
ISBN:
Category : Psychology
Languages : en
Pages : 408

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Book Description