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Author: Andrew Everett MA
Publisher: AuthorHouse
ISBN: 172839743X
Category : Biography & Autobiography
Languages : en
Pages : 181
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Book Description
Harry Parr-Davies was no more than a name to me until I saw the documentary play about Gracie Fields and realised that the songs Sing as We Go, Wish Me Luck As You Wave Me Goodbye, Pedro the Fisherman, and I Leave My Heart in an English Garden were all composed by the same man. This set me about discovering more about him. Consulting the internet, I discovered a web-site and even more importantly was given Gabrielle Bell’s CD of Harry’s music covering the styles and sounds of 30’s, 40’s and 50’s I also gathered as many items of second sheetmusi and two vocal scores. After compiling a family genealogy I now start to collate my material into biographical form so I could explore the man and his music set against the times he lived in. I consulted local libraries for Groves and Dictionary of National Biography. Giving more personal detail were the archives in Neath and West Glamorgan Libraries . even more usefully I came across accounts of the 2005 Exhibition in Neath about Harry which Edward Beckerleg had mounted with the help of late Bill Hanks. I contacted them both and they were helpful. Sadly Bill died, but Edwardhas provided with copies of material on the boards he had done for the exhibition. Even more importantly, he posted to me CD’s of Harry’s music covering the styles and sounds of 30’s, 40’s and 50’s. He in addition, sent me a selection of his photographs concerning Harry to use in my book. (see those use in the list below.)
Author: Andrew Everett MA
Publisher: AuthorHouse
ISBN: 172839743X
Category : Biography & Autobiography
Languages : en
Pages : 181
Get Book
Book Description
Harry Parr-Davies was no more than a name to me until I saw the documentary play about Gracie Fields and realised that the songs Sing as We Go, Wish Me Luck As You Wave Me Goodbye, Pedro the Fisherman, and I Leave My Heart in an English Garden were all composed by the same man. This set me about discovering more about him. Consulting the internet, I discovered a web-site and even more importantly was given Gabrielle Bell’s CD of Harry’s music covering the styles and sounds of 30’s, 40’s and 50’s I also gathered as many items of second sheetmusi and two vocal scores. After compiling a family genealogy I now start to collate my material into biographical form so I could explore the man and his music set against the times he lived in. I consulted local libraries for Groves and Dictionary of National Biography. Giving more personal detail were the archives in Neath and West Glamorgan Libraries . even more usefully I came across accounts of the 2005 Exhibition in Neath about Harry which Edward Beckerleg had mounted with the help of late Bill Hanks. I contacted them both and they were helpful. Sadly Bill died, but Edwardhas provided with copies of material on the boards he had done for the exhibition. Even more importantly, he posted to me CD’s of Harry’s music covering the styles and sounds of 30’s, 40’s and 50’s. He in addition, sent me a selection of his photographs concerning Harry to use in my book. (see those use in the list below.)
Author: Jonathan Bardon
Publisher: Gill & Macmillan Ltd
ISBN: 0717163555
Category : Music
Languages : en
Pages : 360
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Book Description
18 November, 1741. George Frideric Handel, one of the world's greatest composers, arrives in Dublin – the second city of the Empire – to prepare his masterpiece, Messiah, for its maiden performance the following spring ...In Hallelujah, Jonathan Bardon, one of Ireland's leading historians, explores the remarkable circumstances surrounding the first performance of Handel's now iconic oratorio in Dublin, providing a panoramic view of a city in flux – at once struggling to contain the chaos unleashed by the catastrophic famine of the preceding year while striving to become a vibrant centre of European culture and commerce.Brimming with drama, curiosity and intrigue, and populated by an unforgettable cast of characters, Hallelujah tells of how one charitable performance wove itself into the fabric of Ireland's capital, changing the course of musical history and the lives of those who called the city home.
Author:
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Languages : en
Pages : 1026
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Book Description
Author: Jen Wilson
Publisher: University of Wales Press
ISBN: 178683409X
Category : History
Languages : en
Pages : 345
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Book Description
The stories within its pages will attract not only social and political historians, but feminists, jazz fans, academics interested in African American cultural interchange, and general readers fascinated by the cast of characters who played and danced to the music, despite warnings from the pulpit that degenerate youth were destined for hell and damnation. Freedom Music will enable readers to learn of an innovative side of Wales previously hidden from history. The music appealed to Wales’ vibrant youth, and those not part of the mainstream culture of chapels, choirs and male voice choirs. This study highlights gender, misogyny and discrimination within jazz music in Wales. This studies focuses on the history of African American music in Wales, Welsh women’s contribution to jazz in Wales. Cultural innovation by women entrepreneurs during and from the First World War.
Author:
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Category : Music
Languages : en
Pages : 1120
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Book Description
Author:
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Category : Music
Languages : en
Pages : 540
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Book Description
Author: Walter Scott
Publisher:
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Category :
Languages : en
Pages : 224
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Book Description
Author:
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ISBN:
Category : Music
Languages : en
Pages : 464
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Book Description
Author: Philip Lambert
Publisher: Bloomsbury Publishing USA
ISBN: 0826418775
Category : Music
Languages : en
Pages : 417
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Book Description
Inside the Music of Brian Wilson is, as author Phillip Lambert writes in the prologue "completely, and intensely, focused on the music of Brian Wilson, on the musical essence of his songs and the aesthetic value of his artistic achievements. It acknowledges the familiar biographical contexts of his songs, but it tells completely new stories about the birth and evolution of his musical ideas, identifying important musical trends in his work, heretofore undisclosed inter-song connections within his music, or between his music and that of others, and the nature and extent of his artistry. It aims not just to identify great songs, but to explain exactly what makes them so." Lambert, a renowned musicologist, brings to this work to life with both his professional expertise and an infectious personal appreciation of the power of pop music. His clear, engaging tone and accessible writing style allows even a musically inexperienced reader to follow him as he traces Wilson's musical evolution, with a particular focus on the years leading up to the writing and recording of Pet Sounds and SMiLE, albums which many consider to be the masterpieces of his oeuvre. Inside the Music of Brian Wilson is the definitive book on Wilson's music and is essential reading for fans of Brian Wilson, the Beach Boys, and great pop music. Includes THREE amazing Appendixes: Appendix 1: Brian Wilson Song Chronology* Appendix 2: Four Freshmen Albums, 1955-1961 Appendix 3: Favorite Songs and Influences Through 1961 *The most complete song chronology ever published.
Author: Geoffrey Lancaster
Publisher: ANU Press
ISBN: 1922144657
Category : Music
Languages : en
Pages : 919
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Book Description
During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88? The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history. View ‘The First Fleet Piano: Volume Two Appendices’. Note: Volume 1 and 2 are sold as a set ($180 for both) and cannot be purchased separately.
