Author: Claire Connolly
Publisher: Cambridge University Press
ISBN: 1139503227
Category : Literary Criticism
Languages : en
Pages : 289
Get Book
Book Description
Claire Connolly offers a cultural history of the Irish novel in the period between the radical decade of the 1790s and the gaining of Catholic Emancipation in 1829. These decades saw the emergence of a group of talented Irish writers who developed and advanced such innovative forms as the national tale and the historical novel: fictions that took Ireland as their topic and setting and which often imagined its history via domestic plots that addressed wider issues of dispossession and inheritance. Their openness to contemporary politics, as well as to recent historiography, antiquarian scholarship, poetry, song, plays and memoirs, produced a series of notable fictions; marked most of all by their ability to fashion from these resources a new vocabulary of cultural identity. This book extends and enriches the current understanding of Irish Romanticism, blending sympathetic textual analysis of the fiction with careful historical contextualization.
Author: Claire Connolly
Publisher:
ISBN: 9781139206457
Category : English fiction
Languages : en
Pages : 289
Get Book
Book Description
A fresh account of Irish Romanticism and the Irish novel in turbulent political times.
Author: Christina Morin
Publisher: Manchester University Press
ISBN: 1526122316
Category : Literary Criticism
Languages : en
Pages : 139
Get Book
Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The gothic novel in Ireland, c. 1760–1829 offers a compelling account of the development of gothic literature in late-eighteenth and early-nineteenth century Ireland. Countering traditional scholarly views of the ‘rise’ of ‘the gothic novel’ on the one hand, and, on the other, Irish Romantic literature, this study persuasively re-integrates a body of now overlooked works into the history of the literary gothic as it emerged across Ireland, Britain, and Europe between 1760 and 1829. Its twinned quantitative and qualitative analysis of neglected Irish texts produces a new formal, generic, and ideological map of gothic literary production in this period, persuasively positioning Irish works and authors at the centre of a new critical paradigm with which to understand both Irish Romantic and gothic literary production.
Author: Joe Lines
Publisher: Syracuse University Press
ISBN: 0815655193
Category : Literary Criticism
Languages : en
Pages : 267
Get Book
Book Description
With characteristic lawlessness and connection to the common man, the figure of the rogue commanded the world of Irish fiction from 1660 to 1790. During this period of development for the Irish novel, this archetypal figure appears over and over again. Early Irish fiction combined the picaresque genre, focusing on a cunning, witty trickster or pícaro, with the escapades of real and notorious criminals. On the one hand, such rogue tales exemplified the English stereotypes of an unruly Ireland, but on the other, they also personified Irish patriotism. Existing between the dual publishing spheres of London and Dublin, the rogue narrative explored the complexities of Anglo-Irish relations. In this volume, Lines investigates why writers during the long eighteenth-century so often turned to the rogue narrative to discuss Ireland. Alongside recognized works of Irish fiction, such as those by William Chaigneau, Richard Head, and Charles Johnston, Lines presents lesser-known and even anonymous popular texts. With consideration for themes of conflict, migration, religion, and gender, Lines offers up a compelling connection between the rogues themselves, marked by persistence and adaptability, and the ever-popular rogue narrative in this early period of Irish writing.
Author: Sheridan Le Fanu
Publisher: Oxford University Press
ISBN: 0198864353
Category :
Languages : en
Pages : 479
Get Book
Book Description
'The old woman opened the door, and the next moment I was in the presence of Uncle Silas.' In Victorian Derbyshire, 17 year old orphan and heiress Maud Ruthyn is sent to live at the claustrophobic Bartram-Haugh house with her mysterious Uncle Silas. Silas has a reputation for gambling debts and past accusations of murder, but now lives as a reformed Christian. Sinister schemes and preternatural events unfold as Silas, his son, and a malevolent governess plot against Maud and her fortune. Uncle Silas has been hailed by contemporaries and modern critics alike as one of the finest works of sensation fiction. With elements of tragic romance, horror, and psychological thriller, Uncle Silas shows Le Fanu at the height of his powers as the father of the Gothic novel. With an introduction from Claire Connolly, this edition places the novel in its broadest context and unpicks the layers of Celtic, Christian, and mystic influence behind Le Fanu's best known work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Author: Porscha Fermanis
Publisher: Oxford University Press, USA
ISBN: 0199687080
Category : Literary Criticism
Languages : en
Pages : 353
Get Book
Book Description
'Rethinking British Romantic History, 1770-1845' brings together a team of leading scholars to examine the interactions between history and literature in the Romantic period, focusing on practical as well as theoretical interconnections between the two genres and disciplines.
Author: Mary L. Mullen
Publisher: Edinburgh University Press
ISBN: 1474453260
Category : Literary Criticism
Languages : en
Pages : 264
Get Book
Book Description
Intro -- Series Editor's Preface -- Acknowledgements -- Introduction -- Part I Necessary and Unnecessary Anachronisms -- Chapter 1 Realism and the Institution of the Nineteenth-Century Novel -- Part II Forgetting and Remembrance -- Chapter 2 William Carleton's and Charles Kickham's Ethnographic Realism -- Chapter 3 George Eliot's Anachronistic Literacies -- Part III Untimely Improvement -- Chapter 4 Charles Dickens's Reactionary Reform -- Chapter 5 George Moore's Untimely Bildung -- Coda: Inhabiting Institutions -- Bibliography -- Index.
Author: Rachael Sealy Lynch
Publisher: Springer Nature
ISBN: 3031403452
Category : Literary Criticism
Languages : en
Pages : 239
Get Book
Book Description
This book focuses on Ireland’s lived experience of tuberculosis as represented in the nation’s fiction; not surprisingly, the disease both manifests and conceals itself with devastating frequency in literature as it did in life. It seeks to place the history of tuberculosis in Ireland, from 1800 until after its virtual eradication in the mid-Twentieth Century, in conversation with fictional representations or repressions of a condition so fearsome that until very recently it was usually referred to by code words and euphemisms rather than by its name.
Author: David Duff
Publisher: Oxford Handbooks
ISBN: 0199660891
Category : Literary Criticism
Languages : en
Pages : 817
Get Book
Book Description
This Handbook provides a comprehensive overview of British Romantic literature and an authoritative guide to all aspects of the movement including its historical, cultural, and intellectual contexts, and its connections with the literature and thought of other countries. All the major Romantic writers are covered alongside lesser known writers.
Author: Joseph Rezek
Publisher: University of Pennsylvania Press
ISBN: 081229162X
Category : Literary Criticism
Languages : en
Pages : 295
Get Book
Book Description
In the early nineteenth century, London publishers dominated the transatlantic book trade. No one felt this more keenly than authors from Ireland, Scotland, and the United States who struggled to establish their own national literary traditions while publishing in the English metropolis. Authors such as Maria Edgeworth, Sydney Owenson, Walter Scott, Washington Irving, and James Fenimore Cooper devised a range of strategies to transcend the national rivalries of the literary field. By writing prefaces and footnotes addressed to a foreign audience, revising texts specifically for London markets, and celebrating national particularity, provincial authors appealed to English readers with idealistic stories of cross-cultural communion. From within the messy and uneven marketplace for books, Joseph Rezek argues, provincial authors sought to exalt and purify literary exchange. In so doing, they helped shape the Romantic-era belief that literature inhabits an autonomous sphere in society. London and the Making of Provincial Literature tells an ambitious story about the mutual entanglement of the history of books and the history of aesthetics in the first three decades of the nineteenth century. Situated between local literary scenes and a distant cultural capital, enterprising provincial authors and publishers worked to maximize success in London and to burnish their reputations and build their industry at home. Examining the production of books and the circulation of material texts between London and the provincial centers of Dublin, Edinburgh, and Philadelphia, Rezek claims that the publishing vortex of London inspired a dynamic array of economic and aesthetic practices that shaped an era in literary history.
