Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 216

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Author:
Publisher:
ISBN: 9783931884765
Category : Color in art
Languages : de
Pages : 200

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Author: Pie Books Staff
Publisher:
ISBN: 9783935814102
Category : Color in design
Languages : de
Pages : 216

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Author: Alfred Louis Kroeber
Publisher:
ISBN:
Category : Chincha (Peru)
Languages : en
Pages : 580

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Author: Alfred Louis Kroeber
Publisher:
ISBN:
Category : Ancón (Peru)
Languages : en
Pages : 538

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Author: Alfred Louis Kroeber
Publisher:
ISBN:
Category : Chinca, Peru
Languages : en
Pages : 602

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Author: SWIRNOFF
Publisher: Springer Science & Business Media
ISBN: 1475720734
Category : Science
Languages : en
Pages : 173

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Book Description
In a broad sense Design Science is the fail to perceive the system of organiza grammar of a language of images rather tion determining the form of such than of words. Modern communication structures. techniques enable us to transmit and reconstitute images without the need of Perception is a complex process. Our knowing a specific verbal sequential senses record ; they are analogous to language such as the Morse code, or audio or video devices. We cannot, Hungarian. International traffic signs however, claim that such devices per use international image symbols which ceive. Perception involves more than are not specific to any particular verbal meets the eye: it involves processing language. An image language differs and organization of recorded data. from a verbal one in that the latter uses When we name an object, we actually a linear string of symbols, whereas the name a concept: such words as octahe former is multidimensional. dron, collage, tessellation, dome, each desig nate a wide variety of objects sharing Architecturial renderings commonly certain characteristics. When we devise show projections onto three mutually ways of transforming an octahedron, or perpendicular planes, or consist of cross determine whether a given shape will sections at different altitudes capable of tessellate the plane, we make use of being stacked and representing different these characteristics, which constitute floor plans. Such renderings make it the grammar of structure.

Author: George A. Agoston
Publisher: Springer
ISBN: 3540347348
Category : Science
Languages : en
Pages : 303

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Book Description
This book directly addresses a long-felt, unsatisfied need of modern color science - an appreciative and technically sound presentation of the principles and main offerings of colorimetry to artists and designers, written by one of them. With his unique blend of training and experience in engineering, with his lifelong interest and, latterly, career in art and art education, Dr. Agoston is unusually well prepared to convey the message of color science to art and design. His book fulfills the hopes I had when I first heard about him and his book. I foresee important and long-lasting impacts of this book, analogous to those of the epoch-making writings by earlier artist-scientists, such as Leonardo, Chevreul, Munsell, and Pope. Nearly all persons who have contributed to color science, recently as well as formerly, were attracted to the study of color by color in art. Use of objective or scientific methods did not result from any cold, detached attitude, but from the inherent difficulties of the problems concerning color and its use, by which they were intrigued. Modern education and experience has taught many people how to tackle difficult problems by use of scientific methods. Therefore - color science.

Author: Frederic Ward Putnam
Publisher:
ISBN:
Category : America
Languages : en
Pages : 558

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Author:
Publisher:
ISBN:
Category : Lithography
Languages : en
Pages : 890

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