Author: C. Frederick Schwan
Publisher: B N R Press
ISBN:
Category : Paper money
Languages : en
Pages : 1040

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Author: Elizabeth Mullener
Publisher: LSU Press
ISBN: 9780807127780
Category : History
Languages : en
Pages : 368

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Henry Lasoski, an officer in the Polish army, was there on the first day of World War II, thrusting his bayonet awkwardly into a German soldier hours after Hitler’s army invaded his homeland in 1939. And Jacques Smith was there on the last, a member of the honor guard aboard the USS Missouri in Tokyo Bay when the Japanese signed the documents of surrender in 1945. From start to finish, this chronicle of fifty-three personal testimonies illuminates the Second World War in a way no mere accumulation of facts can. In a journalistic tour de force, Elizabeth Mullener over the course of twelve years found eyewitnesses to virtually every major event of World War II, and she found them all in one American city—New Orleans. Some are natives of the city and some are not, a testament to the upheaval of war and its power to scatter people around the globe. The people she writes about are not grand heroes or prime movers. They are young men shaking in their foxholes, young women stitching up wounded soldiers, and children facing a world gone topsy-turvy. And they saw it all. They witnessed the London Blitz and the siege of Stalingrad; the attack on Pearl Harbor and the Bataan Death March; the battle of Iwo Jima and the Nuremberg trials; the Normandy invasion and parties at the USO. Their memories are powerful. Harold Eck recalls sharks grazing his legs as he treaded water for four days after the USS Indianapolis sank in the Pacific Ocean. Anthony DeLucca saw bodies stacked like cordwood at Buchenwald. Christine Strevinsky slid a knife through the neck of a Nazi commandant at the age of nine. Frank Rosato played “The Missouri Waltz” for Harry Truman at Potsdam. All poignantly related through Mullener’s graceful and compelling prose, the episodes in War Stories provide an unusually intimate history of World War II and a direct, visceral connection to the central event of the twentieth century.

Author: Middle Tennessee WWII Fighter Pilots Association
Publisher: McGraw Hill Professional
ISBN: 9780070016491
Category : Fighter pilots
Languages : en
Pages : 346

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From bailouts to belly landings, flaming cockpits to lurching carrier decks, here are the heoic tales of pilots from all backgrounds, united by a desire to fight their country's enemy to the finish. Drawn from a small corner of Tennessee, these men flew in all theatres of combat, in every front-line fighter aircraft. They soared to victory in the air--and fled from capture on the ground. This is a memorable anthhology of combat tales with great appeal both for veterans and historians.

Author: Patrick Finney
Publisher: Routledge
ISBN: 1136932925
Category : History
Languages : en
Pages : 336

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‘This is comparative history on a grand scale, skilfully analysing complex national debates and drawing major conclusions without ever losing the necessary nuances of interpretation.’ Stefan Berger, University of Manchester, UK Remembering the Road to World War Two is a broad and comparative international survey of the historiography of the origins of the Second World War. It explores how, in the case of each of the major combatant countries, historical writing on the origins of the Second World War has been inextricably entwined with debates over national identity and collective memory. Spanning seven case studies – the Soviet Union, Germany, Italy, France, Great Britain, the United States and Japan – Patrick Finney proposes a fresh approach to the politics of historiography. This provocative volume discusses the political, cultural, disciplinary and archival factors which have contributed to the evolving construction of historical interpretations. It analyses the complex and multi-faceted relationships between texts about the origins of the war, the negotiation of conceptions of national identity and unfolding processes of war remembrance. Offering an innovative perspective on international history and enriching the literature on collective memory, this book will prove fascinating reading for all students of the Second World War.

Author: John Whiteclay Chambers II
Publisher: Oxford University Press
ISBN: 0199880115
Category : Performing Arts
Languages : en
Pages : 208

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The immediacy and perceived truth of the visual image, as well as film and television's ability to propel viewers back into the past, place the genre of the historical film in a special category. War films--including antiwar films--have established the prevailing public image of war in the twentieth century. For American audiences, the dominant image of trench warfare in World War I has been provided by feature films such as All Quiet on the Western Front and Paths of Glory. The image of combat in the Second World War has been shaped by films like Sands of Iwo Jima and The Longest Day. And despite claims for the alleged impact of widespread television coverage of the Vietnam War, it is actually films such as Apocalypse Now and Platoon which have provided the most powerful images of what is seen as the "reality" of that much disputed conflict. But to what degree does history written "with lightning," as Woodrow Wilson allegedly said, represent the reality of the past? To what extent is visual history an oversimplification, or even a distortion of the past? Exploring the relationship between moving images and the society and culture in which they were produced and received, World War II, Film, and History addresses the power these images have had in determining our perception and memories of war. Examining how the public memory of war in the twentieth century has often been created more by a manufactured past than a remembered one, a leading group of historians discusses films dating from the early 1930s through the early 1990s, created by filmmakers the world over, from the United States and Germany to Japan and the former Soviet Union. For example, Freda Freiberg explains how the inter-racial melodramatic Japanese feature film China Nights, in which a manly and protective Japanese naval officer falls in love with a beautiful young Chinese street waif and molds her into a cultured, submissive wife, proved enormously popular with wartime Japanese and helped justify the invasion of China in the minds of many Japanese viewers. Peter Paret assesses the historical accuracy of Kolberg as a depiction of an unsuccessful siege of that German city by a French Army in 1807, and explores how the film, released by Hitler's regime in January 1945, explicitly called for civilian sacrifice and last-ditch resistance. Stephen Ambrose contrasts what we know about the historical reality of the Allied D-Day landings in Normandy on June 6, 1944, with the 1962 release of The Longest Day, in which the major climactic moment in the film never happened at Normandy. Alice Kessler-Harris examines The Life and Times of Rosie the Riveter, a 1982 film documentary about women defense workers on the American home front in World War II, emphasizing the degree to which the documentary's engaging main characters and its message of the need for fair and equal treatment for women resonates with many contemporary viewers. And Clement Alexander Price contrasts Men of Bronze, William Miles's fine documentary about black American soldiers who fought in France in World War I, with Liberators, the controversial documentary by Miles and Nina Rosenblum which incorrectly claimed that African-American troops liberated Holocaust survivors at Dachau in World War II. In today's visually-oriented world, powerful images, even images of images, are circulated in an eternal cycle, gaining increased acceptance through repetition. History becomes an endless loop, in which repeated images validate and reconfirm each other. Based on archival materials, many of which have become only recently available, World War II, Film, and History offers an informative and a disturbing look at the complex relationship between national myths and filmic memory, as well as the dangers of visual images being transformed into "reality."

Author: Marc Favreau
Publisher: The New Press
ISBN: 1595581669
Category : History
Languages : en
Pages : 290

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Book Description
Presents interviews, photographs, letters, oral histories, stories, eyewitness accounts, and excerpts from historical writings from different perspectives on a wide variety of topics related to the Second World War.

Author: Jack Goodrich
Publisher:
ISBN: 9781320682183
Category :
Languages : en
Pages :

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Author: Larry Smith
Publisher: W. W. Norton & Company
ISBN: 0393285634
Category : History
Languages : en
Pages : 384

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“A vivid and compelling account by a true master of oral history.” —General James L. Jones, USMC (Ret.), Supreme Allied Commander, Europe On February 19, 1945, nearly 70,000 American marines invaded a tiny volcanic island in the Pacific. Over the next thirty-five days, approximately 28,000 combatants died, including nearly 22,000 Japanese and 6,821 Americans, making Iwo Jima one of the costliest battles of World War II. Bestselling author Larry Smith lets twenty-two veterans tell the story of this epic clash in their own words; the result is a “superb and fascinating work by one of our nation’s leading oral historians” (Jay Winik, author of April 1865). Iwo Jima includes accounts from the last surviving flag raiser on Mount Suribachi, a Navajo code talker, a retired general, two Medal of Honor recipients, and B-29 flyers. With numerous photographs and maps, Iwo Jima is a stunning history of an emblematic battle and a powerful, personal history of this greatest generation of marines.

Author: Elizabeth D. Samet
Publisher: Farrar, Straus and Giroux
ISBN: 0374716129
Category : History
Languages : en
Pages : 241

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“A remarkable book, from its title and subtitle to its last words . . . A stirring indictment of American sentimentality about war.” —Robert G. Kaiser, The Washington Post In Looking for the Good War, Elizabeth D. Samet reexamines the literature, art, and culture that emerged after World War II, bringing her expertise as a professor of English at West Point to bear on the complexity of the postwar period in national life. She exposes the confusion about American identity that was expressed during and immediately after the war, and the deep national ambivalence toward war, violence, and veterans—all of which were suppressed in subsequent decades by a dangerously sentimental attitude toward the United States’ “exceptional” history and destiny. Samet finds the war's ambivalent legacy in some of its most heavily mythologized figures: the war correspondent epitomized by Ernie Pyle, the character of the erstwhile G.I. turned either cop or criminal in the pulp fiction and feature films of the late 1940s, the disaffected Civil War veteran who looms so large on the screen in the Cold War Western, and the resurgent military hero of the post-Vietnam period. Taken together, these figures reveal key elements of postwar attitudes toward violence, liberty, and nation—attitudes that have shaped domestic and foreign policy and that respond in various ways to various assumptions about national identity and purpose established or affirmed by World War II. As the United States reassesses its roles in Afghanistan and the Middle East, the time has come to rethink our national mythology: the way that World War II shaped our sense of national destiny, our beliefs about the use of American military force throughout the world, and our inability to accept the realities of the twenty-first century’s decades of devastating conflict.

Author: Marilyn Yalom
Publisher: Stanford University Press
ISBN: 1503614042
Category : Biography & Autobiography
Languages : en
Pages : 207

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Book Description
In a book that will touch hearts and minds, acclaimed cultural historian Marilyn Yalom presents firsthand accounts of six witnesses to war, each offering lasting memories of how childhood trauma transforms lives. The violence of war leaves indelible marks, and memories last a lifetime for those who experienced this trauma as children. Marilyn Yalom experienced World War II from afar, safely protected in her home in Washington, DC. But over the course of her life, she came to be close friends with many less lucky, who grew up under bombardment across Europe—in France, Germany, Hungary, Czechoslovakia, England, Finland, Sweden, Norway, and Holland. With Innocent Witnesses, Yalom collects the stories from these accomplished luminaries and brings us voices of a vanishing generation, the last to remember World War II. Memory is notoriously fickle: it forgets most of the past, holds on to bits and pieces, and colors the truth according to unconscious wishes. But in the circle of safety Marilyn Yalom created for her friends, childhood memories return in all their startling vividness. This powerful collage of testimonies offers us a greater understanding of what it is to be human, not just then but also today. With this book, her final and most personal work of cultural history, Yalom considers the lasting impact of such young experiences—and asks whether we will now force a new generation of children to spend their lives reconciling with such memories.