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Author: Alison Griffiths
Publisher: Columbia University Press
ISBN: 9780231507776
Category : Performing Arts
Languages : en
Pages : 508
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Book Description
The ethical and ideological implications of cross-cultural image-making continue to stir debate among anthropologists, film scholars, and museum professionals. This innovative book focuses on the contested origins of ethnographic film from the late nineteenth century to the 1920s, vividly depicting the dynamic visual culture of the period as it collided with the emerging discipline of anthropology and the new technology of motion pictures. Featuring more than 100 illustrations, the book examines museums of natural history, world's fairs, scientific and popular photography, and the early filmmaking efforts of anthropologists and commercial producers to investigate how cinema came to assume the role of mediator of cultural difference at the beginning of the twentieth century.
Author: Alison Griffiths
Publisher: Columbia University Press
ISBN: 9780231507776
Category : Performing Arts
Languages : en
Pages : 508
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Book Description
The ethical and ideological implications of cross-cultural image-making continue to stir debate among anthropologists, film scholars, and museum professionals. This innovative book focuses on the contested origins of ethnographic film from the late nineteenth century to the 1920s, vividly depicting the dynamic visual culture of the period as it collided with the emerging discipline of anthropology and the new technology of motion pictures. Featuring more than 100 illustrations, the book examines museums of natural history, world's fairs, scientific and popular photography, and the early filmmaking efforts of anthropologists and commercial producers to investigate how cinema came to assume the role of mediator of cultural difference at the beginning of the twentieth century.
Author: Jeanette Roan
Publisher: University of Michigan Press
ISBN: 0472050834
Category : History
Languages : en
Pages : 279
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Book Description
divdivFilm provides a window into American culture and its attitudes toward Asia of the first half of the 20th century/DIV/DIV
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1740
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Book Description
Author: Corinn Columpar
Publisher: SIU Press
ISBN: 0809385732
Category : Performing Arts
Languages : en
Pages : 249
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Book Description
Unsettling Sights: The Fourth World on Film examines the politics of representing Aboriginality, in the process bringing frequently marginalized voices and visions, issues and debates into the limelight. Corinn Columpar uses film theory, postcolonial theory, and Indigenous theory to frame her discussion of the cinematic construction and transnational circulation of Aboriginality. The result is a broad interdisciplinary analysis of how Indigeneity is represented in cinema, supported by more than twenty rigorous and theoretically informed case studies of contemporary feature films by both First- and Fourth-World filmmakers in the United States, Canada, New Zealand, and Australia. Columpar relies heavily on textual analysis of the films but also explores contextual issues in filmmaking such as funding, personnel, modes of production, and means of distribution. Part one of Unsettling Sights focuses on contact narratives in which the Aboriginal subject is constructed in reactive response to a colonizing or invading presence. Films such as The Piano and The Proposition, wherein a white man “goes native,” and The New World and Map of the Human Heart, which approach contact from the perspective of an Aboriginal character, serve as occasions to examine the ways in which Aboriginal identities are negotiated within dominant cinema. Part two shifts the focus from contact narratives to films that seek to define Aboriginality on its own terms, with reference to a (lost) homeland and/or Indigenous practices of (hi)story-telling: while texts such as Once Were Warriors and Smoke Signals foster an engagement with issues of deterritorialization, relocation, and urbanization, discussion of beDevil, Atanarjuat, and The Business of Fancydancing, among others,bring questions of voice, translation, and the relationship between cinema and oral tradition to the forefront. Unsettling Sights is the first significant, scholarly examination of Aboriginality and cinema in an international context and will be invaluable to scholars and students in many fields including cinema studies, anthropology, critical race studies, cultural studies, and postcolonial studies.
Author: Sandra Young
Publisher: Routledge
ISBN: 1317034929
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Early modern geographers and compilers of travel narratives drew on a lexicon derived from cartography’s seemingly unchanging coordinates to explain human diversity. Sandra Young’s inquiry into the partisan knowledge practices of early modernity brings to light the emergence of the early modern global south. Young proposes a new set of terms with which to understand the racialized imaginary inscribed in the scholarly texts that presented the peoples of the south as objects of an inquiring gaze from the north. Through maps, images and even textual formatting, equivalences were established between ’new’ worlds, many of them long known to European explorers, she argues, in terms that made explicit the divide between ’north’ and ’south.’ This book takes seriously the role of form in shaping meaning and its ideological consequences. Young examines, in turn, the representational methodologies, or ’artes,’ deployed in mapping the ’whole’ world: illustrating, creating charts for navigation, noting down observations, collecting and cataloguing curiosities, reporting events, formatting materials, and editing and translating old sources. By tracking these methodologies in the lines of beauty and evidence on the page, we can see how early modern producers of knowledge were able to attribute alterity to the ’southern climes’ of an increasingly complex world, while securing their own place within it.
Author: Felipe Martínez-Pinzón
Publisher: Liverpool University Press
ISBN: 1786949725
Category : History
Languages : en
Pages : 288
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Book Description
Intimate Frontiers: A Literary Geography of the Amazon analyzes the ways in which the Amazon has been represented in twentieth century cultural production. With contributions by scholars working in Latin America, the US and Europe, Intimate Frontiers reads against the grain commonly held notions about the region —its gigantism, its richness, its exceptionality, among other— choosing to approach these rather from quotidian, everyday experiences of a more intimate nature. The multinational, pluriethnic corpus of texts critically examined here, explores a wide range of cultural artifacts including travelogues, diaries, and novels about the rubber boom genocide, as well as indigenous oral histories, documentary films, and photography about the region. The different voices gathered in this book show that the richness of the Amazon lays not in its natural resources or opportunities for economic exploit, but in the richness of its histories/stories in the form of songs, oral histories, images, material culture, and texts.
Author: Priest-Monk Silouan
Publisher: Lulu.com
ISBN: 0983586721
Category : Religion
Languages : en
Pages : 222
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Book Description
'Wisdom and Wonder' is a book of wisdom chapters in two 'Centuries, ' an ancient monastic wisdom genre much loved by the desert fathers. For these elders, wonder is the root and crown of wisdom, not only its origin. In these meditations, the mysteries of glorification and deification are explored from within the Orthodox tradition of wisdom and wonder. Priest-monk Silouan lives in the Monastery of St Antony and St Cuthbert, a hermitage within the Romanian jurisdiction of the Orthodox Church, high up in the south-west Shropshire hills. Fr. Silouan lives alone under the Shepherd's rock on the eastern slopes of the Stiperstones, in an old miner's cottage on a small-holding of twenty acres of pasture and woodland. He lives a life of prayer, silence, liturgy and work in the ancient tradition of orthodox monasticism.
Author: Lynn Cluess Manzione
Publisher: Hillcrest Publishing Group
ISBN: 1936198614
Category : Biography & Autobiography
Languages : en
Pages : 218
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Book Description
"A Wondrous Journey" shows us what can occur when action is taken. When photographer Lynn Cluess Manzione decided to take on a project to counter what certain media are portraying as "women worthy of our attention," she found herself on an incredible journey. Manzione traveled through time with Dr. Martha MacGuffie, a retired surgeon and eighty-six-year-old humanitarian whose poignant story not only achieved the photographer's mission to show that beauty is heart and soul deep, but also offered wonderful life lessons along the way. "A Wondrous Journey" is the chronicle of Dr. MacGuffie's inspiring life story one of triumph, loss, and profound compassion. It is also a journey of self-discovery for Manzione, which leads to what they both share on the pages of this small book with big lessons.
Author: Susan Voorhees
Publisher: Rowman & Littlefield
ISBN: 1475803222
Category : Education
Languages : en
Pages : 100
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Book Description
In Parents Make the Difference: Nourishing Literacy Development through Shared book Reading, Susan Voorhees guides parents to conduct enjoyable and productive book reading interactions with their young children. Parents will be informed about language and literacy learning in the early years and how to best engage in before, during, and after shared book reading activities.
Author: Katherine Groo
Publisher: U of Minnesota Press
ISBN: 1452960127
Category : Performing Arts
Languages : en
Pages : 393
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Book Description
A daring, deep investigation into ethnographic cinema that challenges standard ways of writing film history and breaks important new ground in understanding archives Bad Film Histories is a vital work that unsettles the authority of the archive. Katherine Groo daringly takes readers to the margins of the film record, addressing the undertheorization of film history and offering a rigorous corrective. Taking ethnographic cinema as a crucial case study, Groo challenges standard ways of thinking and writing about film history and questions widespread assumptions about what film artifacts are and what makes them meaningful. Rather than filling holes, Groo endeavors to understand the imprecisions and absences that define film history and its archives. Bad Film Histories draws on numerous works of ethnographic cinema, from Edward S. Curtis’s In the Land of the Head Hunters, to a Citroën-sponsored “croisière” across Africa, to the extensive archives of the Maison Lumière and the Musée Albert-Kahn, to dozens of expedition films from the 1910s and 1920s. The project is deeply grounded in poststructural approaches to history, and throughout Groo draws on these frameworks to offer innovative and accessible readings that explain ethnographic cinema’s destabilizing energies. As Groo describes, ethnographic works are mostly untitled, unauthored, seemingly infinite in number, and largely unrestored even in their digital afterlives. Her examination of ethnographic cinema provides necessary new thought for both film scholars and those who are thrilled by cinema’s boundless possibilities. In so doing, she boldly reexamines what early ethnographic cinema is and how these films produce meaning, challenging the foundations of film history and prevailing approaches to the archive.
