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Author: Angelika Zirker
Publisher: Manchester University Press
ISBN: 1526133318
Category : Literary Criticism
Languages : en
Pages : 444
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Book Description
William Shakespeare’s The Rape of Lucrece and John Donne’s Holy Sonnets are read against the background of concepts of the soul during the early modern period. This approach provides new insights into concepts of interiority and performance as well as a new understanding of the soliloquy in both poetry and drama.
Author: Angelika Zirker
Publisher: Manchester University Press
ISBN: 1526133318
Category : Literary Criticism
Languages : en
Pages : 444
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Book Description
William Shakespeare’s The Rape of Lucrece and John Donne’s Holy Sonnets are read against the background of concepts of the soul during the early modern period. This approach provides new insights into concepts of interiority and performance as well as a new understanding of the soliloquy in both poetry and drama.
Author: Judith H. Anderson
Publisher: Fordham Univ Press
ISBN: 082325125X
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
For more than fifty years, the proximity of Donne's work to Shakespeare's, including the range of their writings, has received scant attention. Centering on cross-fertilization between the writings of Shakespeare and Donne, the essays in this volume examine relationships that are broadly cultural, theoretical, and imaginative.
Author: John Donne
Publisher: Penguin UK
ISBN: 0141916036
Category : Poetry
Languages : en
Pages : 688
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Book Description
No poet has been more wilfully contradictory than John Donne, whose works forge unforgettable connections between extremes of passion and mental energy. From satire to tender elegy, from sacred devotion to lust, he conveys an astonishing range of emotions and poetic moods. Constant in his work, however, is an intensity of feeling and expression and complexity of argument that is as evident in religious meditations such as 'Good Friday 1613. Riding Westward' as it is in secular love poems such as 'The Sun Rising' or 'The Flea'. 'The intricacy and subtlety of his imagination are the length and depth of the furrow made by his passion,' wrote Yeats, pinpointing the unique genius of a poet who combined ardour and intellect in equal measure.
Author: A. Sherman
Publisher: Springer
ISBN: 1137086106
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
This book fills a lacuna in the intellectual history of the seventeenth century by investigating the role that skepticism plays in the declining prestige of memory. It argues that Shakespeare and Donne revolutionize the art of memory, thanks to their skepticism, and thereby transform literary strategies like mimesis, exemplarity, and pastoral.
Author: Camille Wells Slights
Publisher: Princeton University Press
ISBN: 1400886570
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
To show how the casuistical tradition illuminates the study of major literary works in the English Renaissance, Camille Slights traces the emergence of casuistry in the sixteenth and seventeenth centuries and discusses its influence on the moral imaginations of Shakespeare, Donne, Herbert, and Milton. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Mary Novik
Publisher: Anchor Canada
ISBN: 030737338X
Category : Fiction
Languages : en
Pages : 419
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Book Description
"St Paul's cathedral stands like a cornered beast on Ludgate hill, taking deep breaths above the smoke. The fire has made terrifying progress in the night and is closing in on the ancient monument from three directions. Built of massive stones, the cathedral is held to be invincible, but suddenly Pegge sees what the flames covet: the two hundred and fifty feet of scaffolding erected around the broken tower. Once the flames have a foothold on the wooden scaffolds, they can jump to the lead roof, and once the timbers burn and the vaulting cracks, the cathedral will be toppled by its own mass, a royal bear brought down by common dogs." (p.9) It is the Great Fire of 1666. The imposing edifice of St. Paul's Cathedral, a landmark of London since the twelfth century, is being reduced to rubble by the flames that engulf the City. In the holocaust, Pegge and a small group of men struggle to save the effigy of her father, John Donne, famous love poet and the great Dean of St. Paul's. Making their way through the heat and confusion of the streets, they arrive at Paul's wharf. Pegge's husband, William Bowles, anxiously scans the wretched scene, suddenly realizing why Pegge has asked him to meet her at this desperate spot. The story behind this dramatic rescue begins forty years before the fire. Pegge Donne is still a rebellious girl, already too clever for a world that values learning only in men, when her father begins arranging marriages for his five daughters, including Pegge. Pegge, however, is desperate to taste the all-consuming desire that led to her parents' clandestine marriage, notorious throughout England for shattering social convention and for inspiring some of the most erotic and profound poetry ever written. She sets out to win the love of Izaak Walton, a man infatuated with her older sister. Stung by Walton's rejection and jealous of her physically mature sisters, the boyish Pegge becomes convinced that it is her own father who knows the secret of love. She collects his poems, hoping to piece together her parents' history, searching for some connection to the mother she barely knew. Intertwined with Pegge's compelling voice are those of Ann More and John Donne, telling us of the courtship that inspired some of the world's greatest poetry of love and physical longing. Donne's seduction leads Ann to abandon social convention, risk her father's certain wrath, and elope with Donne. It is the undoing of his career and the two are left to struggle in a marriage that leads to her death in her twelfth childbirth at age thirty-three. In Donne's final days, Pegge tries, in ways that push the boundaries of daughterly behaviour, to discover the key to unlock her own sexuality. After his death, Pegge still struggles to free herself from an obsession that threatens to drive her beyond the bounds of reason. Even after she marries, she cannot suppress her independence or her desire to experience extraordinary love. Conceit brings to life the teeming, bawdy streets of London, the intrigue-ridden court, and the lushness of the seventeenth-century English countryside. It is a story of many kinds of love — erotic, familial, unrequited, and obsessive — and the unpredictable workings of the human heart. With characters plucked from the pages of history, Mary Novik's debut novel is an elegant, fully-imagined story of lives you will find hard to leave behind.
Author: R. Thangvunga
Publisher:
ISBN: 9788126913992
Category : Change in literature
Languages : en
Pages : 170
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Book Description
William Shakespeare, 1564-1616, English dramatist and John Donne, 1573-1631, English poet.
Author: Mary Novik
Publisher: Doubleday Canada
ISBN: 0385668228
Category : Fiction
Languages : en
Pages : 315
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Book Description
Richly engaging historical adventure in the vein of The Winter Palace and The Malice of Fortune. Muse is the story of the charismatic woman who was the inspiration behind Petrarch's sublime love poetry. Solange Le Blanc begins life in the tempestuous streets of 14th century Avignon, a city of men dominated by the Pope and his palace. When her mother, a harlot, dies in childbirth, Solange is raised by Benedictines who believe she has the gift of clairvoyance. Trained as a scribe, but troubled by disturbing visions and tempted by a more carnal life, she escapes to Avignon, where she becomes entangled in a love triangle with the poet Petrarch, becoming not only his muse but also his lover. Later, when her gift for prophecy catches the Pope's ear, Solange becomes Pope Clement VI's mistress and confidante in the most celebrated court in Europe. When the plague kills a third of Avignon's population, Solange is accused of sorcery and is forced once again to reinvent herself and fight against a final, mortal conspiracy. Muse is a sweeping historical epic that magically evokes the Renaissance, capturing a time and place caught between the shadows of the past and the promise of a new cultural awakening.
Author: Frank Kermode
Publisher: Routledge
ISBN: 1136563008
Category : Literary Criticism
Languages : en
Pages : 326
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Book Description
First published in 1971. This collection of essays discusses some of the central works and areas of literature in the Renaissance period of cultural history. Contents include: Spenser and the Allegorists; The Faerie Queene, I and V; The Cave of Mammon; The Banquet of Sense; John Donne; The Patience of Shakespeare; Survival fo the Classic; Shakespeare's Learning; The Mature Comedies; The Final Plays.
Author: Mate Madunic
Publisher: GRIN Verlag
ISBN: 3640166485
Category : Literary Criticism
Languages : en
Pages : 18
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Book Description
Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 1,3, Ruhr-University of Bochum (Englisches Seminar), course: Elizabethan poetry, language: English, abstract: “Two loves I have, of comfort and despair” – for somebody who is familiar with that kind of poetry, this beginning of Shakespeare’s sonnet 144 should be striking for at least two reasons: 1) For one thing, it is the fact that the lyrical speaker talks of two loved ones. Usually, sonnets praise one beloved person (or concept, such as love itself) which the speakers love with all their heart but which they cannot reach for one reason or another. 2) The emotions the lyrical speaker has towards those loves are quite strange: “comfort and despair”. Typically, the predominant if not the only feeling the speakers of such love poetry have is love, without any further requests, regrets, or conditions under which they love, especially without such biased concepts as “comfort and despair”. Hopefully, it becomes clear that this Shakespearean sonnet is far from being typical of the genre, at least as far as the treatment of the addressee is concerned. However, this peculiarity is not only limited to this poem, but it permeates all of Shakespeare’s sonnets, which are an outstanding example of the development and changes taking place within that genre. And this is also the reason why, in this paper, I will be concerned with Shakespeare’s addressees in his sonnets, pointing to striking attitudes the speaker has towards his addressees, hinting at the development of the relations, and also outlining the Elizabethan sonnet tradition. [...]
