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Author: Janine Randerson
Publisher: MIT Press
ISBN: 0262353458
Category : Social Science
Languages : en
Pages : 302
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Book Description
An exploration of artworks that use weather or atmosphere as the primary medium, creating new coalitions of collective engagement with the climate crisis. In a time of climate crisis, a growing number of artists use weather or atmosphere as an artistic medium, collaborating with scientists, local communities, and climate activists. Their work mediates scientific modes of knowing and experiential knowledge of weather, probing collective anxieties and raising urgent ecological questions, oscillating between the “big picture systems view” and a ground-based perspective. In this book, Janine Randerson explores a series of meteorological art projects from the 1960s to the present that draw on sources ranging from dynamic, technological, and physical systems to indigenous cosmology. Randerson finds a precursor to today's meteorological art in 1960s artworks that were weather-driven and infused with the new sciences of chaos and indeterminacy, and she examines work from this period by artists including Hans Haacke, Fujiko Nakaya, and Aotearoa-New Zealand kinetic sculptor Len Lye. She looks at live experiences of weather in art, in particular Fluxus performance and contemporary art that makes use of meteorological data streams and software. She describes the use of meteorological instruments, including remote satellite sensors, to create affective atmospheres; online projects and participatory performances that create a new form of “social meteorology”; works that respond directly to climate change, many from the Global South; artist-activists who engage with the earth's diminishing cryosphere; and a speculative art in the form of quasi-scientific experiments. Art's current eddies of activity around the weather, Randerson writes, perturb the scientific hold on facts and offer questions of value in their place.
Author: Janine Randerson
Publisher: MIT Press
ISBN: 0262353458
Category : Social Science
Languages : en
Pages : 302
Get Book
Book Description
An exploration of artworks that use weather or atmosphere as the primary medium, creating new coalitions of collective engagement with the climate crisis. In a time of climate crisis, a growing number of artists use weather or atmosphere as an artistic medium, collaborating with scientists, local communities, and climate activists. Their work mediates scientific modes of knowing and experiential knowledge of weather, probing collective anxieties and raising urgent ecological questions, oscillating between the “big picture systems view” and a ground-based perspective. In this book, Janine Randerson explores a series of meteorological art projects from the 1960s to the present that draw on sources ranging from dynamic, technological, and physical systems to indigenous cosmology. Randerson finds a precursor to today's meteorological art in 1960s artworks that were weather-driven and infused with the new sciences of chaos and indeterminacy, and she examines work from this period by artists including Hans Haacke, Fujiko Nakaya, and Aotearoa-New Zealand kinetic sculptor Len Lye. She looks at live experiences of weather in art, in particular Fluxus performance and contemporary art that makes use of meteorological data streams and software. She describes the use of meteorological instruments, including remote satellite sensors, to create affective atmospheres; online projects and participatory performances that create a new form of “social meteorology”; works that respond directly to climate change, many from the Global South; artist-activists who engage with the earth's diminishing cryosphere; and a speculative art in the form of quasi-scientific experiments. Art's current eddies of activity around the weather, Randerson writes, perturb the scientific hold on facts and offer questions of value in their place.
Author: Janine Randerson
Publisher: MIT Press
ISBN: 0262038277
Category : Social Science
Languages : en
Pages : 0
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Book Description
An exploration of artworks that use weather or atmosphere as the primary medium, creating new coalitions of collective engagement with the climate crisis. In a time of climate crisis, a growing number of artists use weather or atmosphere as an artistic medium, collaborating with scientists, local communities, and climate activists. Their work mediates scientific modes of knowing and experiential knowledge of weather, probing collective anxieties and raising urgent ecological questions, oscillating between the “big picture systems view” and a ground-based perspective. In this book, Janine Randerson explores a series of meteorological art projects from the 1960s to the present that draw on sources ranging from dynamic, technological, and physical systems to indigenous cosmology. Randerson finds a precursor to today's meteorological art in 1960s artworks that were weather-driven and infused with the new sciences of chaos and indeterminacy, and she examines work from this period by artists including Hans Haacke, Fujiko Nakaya, and Aotearoa-New Zealand kinetic sculptor Len Lye. She looks at live experiences of weather in art, in particular Fluxus performance and contemporary art that makes use of meteorological data streams and software. She describes the use of meteorological instruments, including remote satellite sensors, to create affective atmospheres; online projects and participatory performances that create a new form of “social meteorology”; works that respond directly to climate change, many from the Global South; artist-activists who engage with the earth's diminishing cryosphere; and a speculative art in the form of quasi-scientific experiments. Art's current eddies of activity around the weather, Randerson writes, perturb the scientific hold on facts and offer questions of value in their place.
Author: Austin Woods
Publisher: Springer Science & Business Media
ISBN: 0387269290
Category : Science
Languages : en
Pages : 270
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Book Description
This book provides an overview of the early years of the European Centre for Medium-Range Weather Forecasts, and reviews the work of the institute over the past 30 years, describing along the way the European approach to medium-range weather forecasting. Its combination of historical view and scientific insight is unique.
Author: D.M. Burridge
Publisher: Springer Science & Business Media
ISBN: 3642821324
Category : Science
Languages : en
Pages : 280
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Book Description
Forecasting the weather for the long and medium range is a difficult and scientifically challenging problem. Since the first operational weather prediction by numerical methods was carried out (on the BESK computer in Stockholm, Sweden, 1954) . there has been an ever accelerating development in computer technology. Hand in hand has followed a tremendous increase in the complexity of the atmospheric models used for weather prediction. The ability of these models to predict future states of the atmosphere has also increased rapidly, both due to model development and due to more accurate and plentiful observations of the atmosphere to define the initial . state for model integrations. It may however be argued on theoretical grounds that even if we have an almost perfect model with almost perfect initial data, we will never be able to make an accurate weather prediction more than a few weeks ahead. This is due to the inherent instability of the atmosphere and work in this field was pioneered by E. Lorenz. It is generally referred to as atmospheric predict ability and in the opening chapter of this book Professor Lorenz gives us an overview of the problem of atmospheric predictability. The contributions to this book were originally presented at the 1981 ECMWF Seminar (ECMWF - European Centre for Medium Range Weather Forecasts) which was held at ECMWF in Reading, England, in September 1981.
Author:
Publisher:
ISBN:
Category : Meteorology
Languages : en
Pages : 810
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Author: Christopher B. Field
Publisher: Cambridge University Press
ISBN: 1107058074
Category : Business & Economics
Languages : en
Pages : 1149
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Book Description
This latest Fifth Assessment Report of the IPCC will again form the standard reference for all those concerned with climate change and its consequences.
Author: United States. Congress. Senate. Committee on Agriculture and Forestry. Subcommittee on Agricultural Production, Marketing, and Stabilization of Prices
Publisher:
ISBN:
Category : Agricultural Act of 1949
Languages : en
Pages : 116
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 636
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Author: Bart Geerts
Publisher: Routledge
ISBN: 1134801815
Category : Nature
Languages : en
Pages : 656
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Book Description
Climates and Weather Explained is a comprehensive introduction to the study of the atmosphere integrating climatology and meteorology. Clear explanations of basic principles, concepts and processes are supported by a wealth of highly informative illustrations and a vast array of case studies demonstrating the relevance of weather and climate to everyday life. Focusing particularly on the Southern hemisphere the authors provide fresh insights into topical environmental concerns from global warming and natural hazards to sustainable global population. The textbook is supplemented by a unique interactive Student downloadable resources containing entirely additional material, for practical work and more advanced study. Closely related to each chapter of the book, the Student downloadable resources features: * Over 170 extra 'Notes', 40 illustrations and tables. * Multiple choice, self-assessment and practical exercises. * Extended glossary and key word searching * Hypertext presentation and extensive cross-referencing * A gallery of meteorological photographs in full colour A special Instructors' Resource Pack is also available.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 850
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Book Description
