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Author:
Publisher:
ISBN:
Category : Stationery
Languages : en
Pages : 1006
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Author:
Publisher:
ISBN:
Category : Stationery
Languages : en
Pages : 1006
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Author:
Publisher:
ISBN:
Category : Stationery
Languages : en
Pages : 642
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Author:
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ISBN:
Category : Stationery
Languages : en
Pages : 480
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Author:
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ISBN:
Category : Printing
Languages : en
Pages : 1052
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Author:
Publisher:
ISBN:
Category : Stationery
Languages : en
Pages : 584
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Author:
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 828
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Publisher: princeton alumni weekly
ISBN:
Category :
Languages : en
Pages : 614
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Author: Michelle McSweeney
Publisher: Bloomsbury Publishing USA
ISBN: 1501367196
Category : Literary Criticism
Languages : en
Pages : 139
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Book Description
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. "OK" as a word accepts proposals, describes the world as satisfactory (but not good), provides conversational momentum, or even agrees (or disagrees). OK as an object, however, tells a story of how technology writes itself into language, permanently altering communication. OK is a young word, less than 200 years old. It began as an acronym for “all correct” when the steam-powered printing press pushed newspapers into the mainstream. Today it is spoken and written by nearly everyone in the world. Drawing on linguistics, history, and new media studies, Michelle McSweeney traces OK from its birth in the Penny Presses through telephone lines, grammar books, and television signals into the digital age. Nearly ubiquitous and often overlooked, OK illustrates the never-ending dance between language, technology, and culture, and offers lessons for our own techno-historical moment. Object Lessons is published in partnership with an essay series in The Atlantic.
Author: Andy Oler
Publisher: LSU Press
ISBN: 0807171611
Category : Literary Criticism
Languages : en
Pages : 324
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The Midwest holds two conflicting positions in the American cultural imagination, both of which rob the region of its distinctiveness. Often, it is seen as the “heartland,” a pastoral ideal standing in for all of American culture. Alternatively, the Midwest can represent “flyover country,” part of an expansive, undifferentiated mass between the coasts. In Old-Fashioned Modernism: Rural Masculinity and Midwestern Literature, Andy Oler challenges both views by pairing fiction and poetry from the region with cultural and material texts that illustrate the processes by which regional modernism both opposes and absorbs prevailing models of twentieth-century manhood. Although it acknowledges a tradition of Midwestern urban literature, Old-Fashioned Modernism focuses on representations of life on farms and in small towns that generate specific forms of rural modernity. Oler considers a series of male protagonists who both fulfill and resist conventional American narratives of economic advancement, spatial experience, and gender roles. The writers he studies portray the onset of socioeconomic and mechanical modernity by merging realist and naturalist narratives with upwellings of modernist form and style. His analysis charts a trajectory in which Midwestern literature depicts experiences that appear dependent on nostalgic pastoralism but actually foreground the ongoing fragmentation and emerging anxieties of the countryside. In detailed readings of novels by Sherwood Anderson, William Cunningham, Langston Hughes, Wright Morris, and Dawn Powell, as well as the poetry of Lorine Niedecker, Oler highlights images of men from the rural Midwest who face the tensions between agricultural production and mass industrialization. These works of literature, which Oler examines alongside pieces of material culture like advertisements for farm implements and record labels, feature communities that support self-made as well as corporate identities. As portraits of the Midwest that resist the totalizing trajectory of industrialization, these texts generate spaces that meld rural and urban economics, land use, and affective experiences. Old-Fashioned Modernism reveals how Midwestern regionalism negotiates the anxieties and dominant narratives of early- and midcentury rural masculinities, as regional literature and culture alter the forms and spaces of literary modernism.
Author: Allan A. Metcalf
Publisher: Oxford University Press, USA
ISBN: 019992712X
Category : Language Arts & Disciplines
Languages : en
Pages : 233
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Book Description
Machine generated contents note: -- 1. Introduction: Speaking of the Generations -- 2. The Republican Generation - (born 1742-1766) -- 3. The Compromise Generation - (born 1767-1791) -- 4. The Transcendental Generation - (born 1792-1821) -- 5. The Gilded Generation - (born 1822-1842) -- 6. The Progressive Generation - (born 1843-1859) -- 7. The Missionary Generation - (born 1860-1882) -- 8. The Lost Generation - (born 1883-1900) -- 9. The G.I. Generation - (born 1901-1924) -- 10. The Silent Generation - (born 1925-1942) -- 11. The Boom Generation - (born 1943-1960) -- 12. The Thirteenth Generation, or Generation X - (born 1961-1981) -- 13. The Millennial Generation, or Generation Y - (born 1982-2004) -- 14. The Homeland Generation - (born 2005-current).
