Visual Culture and Decolonisation in Britain

Visual Culture and Decolonisation in Britain PDF Author: Anandi Ramamurthy
Publisher: Routledge
ISBN: 0429685599
Category : Art
Languages : en
Pages : 303

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Book Description
First published in 2006, this volume provides the first in-depth analysis of the place of visual representations within the process of decolonisation during the period 1945 to 1970. The chapters trace the way in which different visual genres – art, film, advertising, photography, news reports and ephemera – represented and contributed to the political and social struggles over Empire and decolonisation during the mid-Twentieth century. The book examines both the direct visual representation of imperial retreat after 1945 as well as the reworkings of imperial and ‘racial’ ideologies within the context of a transformed imperialism. While the book engages with the dominant archive of artists, exhibitions, newsreels and films, it also explores the private images of the family album as well as examining the visual culture of anti-colonial resistance.

Visual Culture and Decolonisation in Britain

Visual Culture and Decolonisation in Britain PDF Author: Anandi Ramamurthy
Publisher: Routledge
ISBN: 0429685599
Category : Art
Languages : en
Pages : 303

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Book Description
First published in 2006, this volume provides the first in-depth analysis of the place of visual representations within the process of decolonisation during the period 1945 to 1970. The chapters trace the way in which different visual genres – art, film, advertising, photography, news reports and ephemera – represented and contributed to the political and social struggles over Empire and decolonisation during the mid-Twentieth century. The book examines both the direct visual representation of imperial retreat after 1945 as well as the reworkings of imperial and ‘racial’ ideologies within the context of a transformed imperialism. While the book engages with the dominant archive of artists, exhibitions, newsreels and films, it also explores the private images of the family album as well as examining the visual culture of anti-colonial resistance.

Beyond the Frame

Beyond the Frame PDF Author: Deborah Cherry
Publisher: Routledge
ISBN: 1135094837
Category : Art
Languages : en
Pages : 290

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Book Description
Beyond the Frame rewrites the history of Victorian art to explore the relationships between feminism and visual culture in a period of heady excitement and political struggle. Artists were caught up in campaigns for women's enfranchisement, education and paid work, and many were drawn into controversies about sexuality. This richly documented and compelling study considers painting, sculpture, prints, photography, embroidery and comic drawings as well as major styles such as Pre-Raphaelitism, Neo-Classicism and Orientalism. Drawing on critical theory and post-colonial studies to analyse the links between visual media, modernity and imperialism, Deborah Cherry argues that visual culture and feminism were intimately connected to the relations of power.

Visual Culture in Britain

Visual Culture in Britain PDF Author: Ysanne Holt
Publisher:
ISBN: 9780719080012
Category : Art and society
Languages : en
Pages : 128

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Book Description
1. Staging The Raft of the Medusa - Christine Riding; 2. Uncanny Landscapes in British Film and Television - Peter Hutchings; 3. From Out of the Shadows: Sir Joshua Reynolds' Captain Robert Orme - Mark Hallett; 4. Putting the 'Culture' into Visual Culture: the Legacy and Challenge of Raymond Williams - Jonathan Harris; 5.

Visual Culture in Britain

Visual Culture in Britain PDF Author: Ysanne Holt
Publisher:
ISBN: 9780754605294
Category :
Languages : en
Pages : 128

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Book Description


Art & Visual Culture

Art & Visual Culture PDF Author: Angeliki Lymberopolou
Publisher: Tate
ISBN: 9781849760485
Category : Art
Languages : en
Pages : 0

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Book Description
"Anthology [of] key texts that document the history of art over the past one thousand years"--P. [4] of cover.

Visual culture in Britain

Visual culture in Britain PDF Author: Y. Holt
Publisher:
ISBN: 9780754607731
Category :
Languages : en
Pages :

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Book Description


Memory, Masculinity and National Identity in British Visual Culture, 1914-1930

Memory, Masculinity and National Identity in British Visual Culture, 1914-1930 PDF Author: Gabriel Koureas
Publisher: Routledge
ISBN: 9781138257283
Category :
Languages : en
Pages : 232

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Book Description
Concentrating on gender and cultural memory, this study investigates the ways in which masculinities and the web of power relations that they entail worked during the interwar years in order to reconstruct the post-First World War British society. It focuses especially on notions of national identity, class and sexuality and their representations in British visual culture in the aftermath of the Great War.

Early Modern Visual Culture

Early Modern Visual Culture PDF Author: Peter Erickson
Publisher: University of Pennsylvania Press
ISBN: 9780812217346
Category : Art
Languages : en
Pages : 418

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Book Description
An interdisciplinary group of scholars applies the reinterpretive concept of "visual culture" to the English Renaissance. Bringing attention to the visual issues that have appeared persistently, though often marginally, in the newer criticisms of the last decade, the authors write in a diversity of voices on a range of subjects. Common among them, however, is a concern with the visual technologies that underlie the representation of the body, of race, of nation, and of empire. Several essays focus on the construction and representation of the human body—including an examination of anatomy as procedure and visual concept, and a look at early cartographic practice to reveal the correspondences between maps and the female body. In one essay, early Tudor portraits are studied to develop theoretical analogies and historical links between verbal and visual portrayal. In another, connections in Tudor-Stuart drama are drawn between the female body and the textiles made by women. A second group of essays considers issues of colonization, empire, and race. They approach a variety of visual materials, including sixteenth-century representations of the New World that helped formulate a consciousness of subjugation; the Drake Jewel and the myth of the Black Emperor as indices of Elizabethan colonial ideology; and depictions of the Queen of Sheba among other black women "present" in early modern painting. One chapter considers the politics of collecting. The aesthetic and imperial agendas of a Van Dyck portrait are uncovered in another essay, while elsewhere, that same portrait is linked to issues of whiteness and blackness as they are concentrated within the ceremonies and trappings of the Order of the Garter. All of the essays in Early Modern Visual Culture explore the social context in which paintings, statues, textiles, maps, and other artifacts are produced and consumed. They also explore how those artifacts—and the acts of creating, collecting, and admiring them—are themselves mechanisms for fashioning the body and identity, situating the self within a social order, defining the otherness of race, ethnicity, and gender, and establishing relationships of power over others based on exploration, surveillance, and insight.

Art & Visual Culture 1600-1850: Academy to Avant-Garde

Art & Visual Culture 1600-1850: Academy to Avant-Garde PDF Author: Emma Barker
Publisher: Tate Enterprises Ltd
ISBN: 1849761094
Category : Art
Languages : en
Pages : 684

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Book Description
An innovatory exploration of art and visual culture. Through carefully chosen themes and topics rather than through a general survey, the volumes approach the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts. While focused on painting, sculpture and architecture, it also explores a wide range of visual culture in a variety of media and methods. "1600-1850 Academy to Avant-Garde" interrogates labels used in standard histories of the art of this period (Baroque, Rococo, Neo-Classicism and Romanticism) and examines both established and recent art-historical methodologies, including formalism, iconology, spectatorship and reception, identity and difference. Key topics include Baroque Rome, Dutch Painting of the Golden Age, Georgian London, the Paris Salon, and the impact of the discovery of the South Pacific.The second of three text books, published by Tate in association with the Open University, which insight for students of Art History, Art Theory and Humanities. Introduction Part 1: City and country 1600-1760 1: Bernini and Baroque Rome 2: Meaning and interpretation: Dutch painting of the golden age 3: The metropolitan urban renaissance: London 1660-1760 4: The English landscape garden 1680-1760 Part 2: New worlds of art 1760-1850 5: Painting for the public 6: Canova, Neo-classicism and the sculpted body 7: The other side of the world 8: Inventing the Romantic artist

Mass-Observation and Visual Culture

Mass-Observation and Visual Culture PDF Author: LucyD. Curzon
Publisher: Routledge
ISBN: 1351559001
Category : Art
Languages : en
Pages : 195

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Book Description
Mass-Observation and Visual Culture: Depicting Everyday Lives in Britain critically analyses the role that visual culture played in the early development of Mass-Observation, the innovative British anthropological research group founded in 1937. The group?s production and use of painting, collage, photography, and other media illustrates not only the broad scope of Mass-Observation?s efforts to document everyday life, but also, more specifically, the centrality of visual elements to its efforts at understanding national identity in the 1930s. Although much interest has previously focused on Mass-Observation?s use of written reports and opinion surveys, as well as diaries that were kept by hundreds of volunteer observers, this book is the first full-length study of the group?s engagement with visual culture. Exploring the paintings of Graham Bell and William Coldstream; the photographs of Humphrey Spender; the paintings, collages, and photographs of Julian Trevelyan; and Humphrey Spender?s photographs and widely recognized ?Mass-Observation film?, Spare Time, among other sources, Mass-Observation and Visual Culture: Depicting Everyday Lives in Britain positions these works as key sources of information with regard to illuminating the complex character of British identity during the Depression era.