Victorian Poetry in Context PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Victorian Poetry in Context PDF full book. Access full book title Victorian Poetry in Context by Rosie Miles. Download full books in PDF and EPUB format.
Author: Rosie Miles
Publisher: A&C Black
ISBN: 1441182462
Category : Literary Criticism
Languages : en
Pages : 208
Get Book
Book Description
Victorian Poetry in Context offers a lively and accessible introduction to the diverse range of poetry written in the Victorian period. Considering such issues as reform and protest, gender, science and belief this book sets out the social and cultural contexts for the poetry of a fast-changing era. Sections on Victorian poetics, form and Victorian voices introduce the key literary contexts of poetry's production, and poetic innovations of the period such as the dramatic monologue are highlighted . At the heart of the book is a focus on the importance of attentive close reading, with original readings offered of well-known texts alongside those that have recently received renewed attention within scholarship. The book also offers an overview of critical approaches to several key texts and discussion of how Victorian poetry has remained influential in the twentieth and twenty-first centuries. Introducing texts, contexts and criticism, this is a lively and up-to-date resource for anyone studying Victorian poetry.
Author: Rosie Miles
Publisher: A&C Black
ISBN: 1441182462
Category : Literary Criticism
Languages : en
Pages : 208
Get Book
Book Description
Victorian Poetry in Context offers a lively and accessible introduction to the diverse range of poetry written in the Victorian period. Considering such issues as reform and protest, gender, science and belief this book sets out the social and cultural contexts for the poetry of a fast-changing era. Sections on Victorian poetics, form and Victorian voices introduce the key literary contexts of poetry's production, and poetic innovations of the period such as the dramatic monologue are highlighted . At the heart of the book is a focus on the importance of attentive close reading, with original readings offered of well-known texts alongside those that have recently received renewed attention within scholarship. The book also offers an overview of critical approaches to several key texts and discussion of how Victorian poetry has remained influential in the twentieth and twenty-first centuries. Introducing texts, contexts and criticism, this is a lively and up-to-date resource for anyone studying Victorian poetry.
Author: Rosie Miles
Publisher: A&C Black
ISBN: 0826437672
Category : Literary Criticism
Languages : en
Pages : 217
Get Book
Book Description
Introduces the poetry of the Victorian era (including writers like Browning, Rossetti and Tennyson) and its social, cultural and political contexts.
Author: Isobel Armstrong
Publisher: Routledge
ISBN: 1134970668
Category : Literary Collections
Languages : en
Pages : 554
Get Book
Book Description
In a work that is uniquely comprehensive and theoretically astute, Isobel Armstrong rescues Victorian poetry from its longstanding sepia image as `a moralised form of romantic verse', and unearths its often subversive critique of nineteenth-century culture and politics.
Author: Joseph Bristow
Publisher: Cambridge University Press
ISBN: 9780521646802
Category : Literary Criticism
Languages : en
Pages : 364
Get Book
Book Description
This book provides an introduction to Victorian poetry, and will interest scholars and students alike.
Author: Linda K. Hughes
Publisher: Cambridge University Press
ISBN: 0521856248
Category : Literary Criticism
Languages : en
Pages : 343
Get Book
Book Description
An overview of British poetry from 1830 to 1901, with a glossary of literary terms and guide to further reading.
Author: Charles LaPorte
Publisher: University of Virginia Press
ISBN: 0813931657
Category : Literary Criticism
Languages : en
Pages : 304
Get Book
Book Description
Victorian Poets and the Changing Bible charts the impact of post-Enlightenment biblical criticism on English literary culture. The eighteenth and nineteenth centuries saw a widespread reevaluation of biblical inspiration, in which the Bible’s poetic nature came to be seen as an integral part of its religious significance. Understandably, then, many poets who followed this interpretative revolution—including Alfred, Lord Tennyson, Robert Browning, and Elizabeth Barrett Browning—came to reconceive their highest vocational ambitions: if the Bible is essentially poetry, then modern poetry might perform a cultural role akin to that of scripture. This context equally illuminates the aims and achievements of famous Victorian unbelievers such as Arthur Hugh Clough and George Eliot, who also responded enthusiastically to the poetic ideal of an inspired text. Building upon a recent and ongoing reevaluation of religion as a vital aspect of Victorian culture, Charles LaPorte shows the enduring relevance of religion in a period usually associated with its decline. In doing so, he helps to delineate the midcentury shape of a literary dynamic that is generally better understood in Romantic poetry of the earlier part of the century. The poets he examines all wrestled with modern findings about the Bible's fortuitous historical composition, yet they owed much of their extraordinary literary success to their ability to capitalize upon the progress of avant-garde biblical interpretation. This book's revisionary and provocative thesis speaks not only to the course of English poetics but also to the logic of nineteenth-century literary hierarchies and to the continuing evolution of religion in the modern era. Victorian Literature and Culture Series
Author: Kathryn Ledbetter
Publisher: Routledge
ISBN: 1317046242
Category : Literary Criticism
Languages : en
Pages : 244
Get Book
Book Description
This is the first book-length study of Tennyson's record of publication in Victorian periodicals. Despite Tennyson's supposed hostility to periodicals, Ledbetter shows that he made a career-long habit of contributing to them and in the process revealed not only his willingness to promote his career but also his status as a highly valued commodity. Tennyson published more than sixty poems in serial publications, from his debut as a Cambridge prize-winning poet with "Timbuctoo" in the Cambridge Chronicle and Journal to his last public composition as Poet Laureate with "The Death of the Duke of Clarence and Avondale" in The Nineteenth Century. In addition, poems such as "The Charge of the Light Brigade" were shaped by his reading of newspapers. Ledbetter explores the ironies and tensions created by Tennyson's attitudes toward publishing in Victorian periodicals and the undeniable benefits to his career. She situates the poet in an interdependent commodity relationship with periodicals, viewing his individual poems as textual modules embedded in a page of meaning inscribed by the periodical's history, the poet's relationship with the periodical's readers, an image sharing the page whether or not related to the poem, and cultural contexts that create new meanings for Tennyson's work. Her book enriches not only our understanding of Tennyson's relationship to periodical culture but the textual implications of a poem's relationship with other texts on a periodical page and the meanings available to specific groups of readers targeted by individual periodicals.
Author: Valentine Cunningham
Publisher: John Wiley & Sons
ISBN: 1444340425
Category : Literary Criticism
Languages : en
Pages : 632
Get Book
Book Description
This book is the definitive guide to Victorian poetry, which its author approaches in the light of modern critical concerns and contemporary contexts. Valentine Cunningham exhibits encyclopedic knowledge of the poetry produced in this period and offers dazzling close readings of a number of well-known poems Draws on the work of major Victorian poets and their works as well as many of the less well-known poets and poems Reads poems and poets in the light of both Victorian and modern critical concerns Places poetry in its personal, aesthetic, historical, and ideological context Organized in terms of the Victorian anxieties of self, body, and melancholy Argues that rhyming/repetition is the major formal feature of Victorian poetry Highlights the Victorian obsession with small subjects in small poems Shows how Victorian poetry attempts to engage with the modern subject and how its modernity segues into modernism and postmodernism
Author: Thomas J. Collins
Publisher: Broadview Press
ISBN: 155111366X
Category : Poetry
Languages : en
Pages : 711
Get Book
Book Description
The Broadview Anthology of Victorian Poetry and Poetic Theory, Concise Edition is less than half the length of the full anthology, but preserves the main principles of the larger work. A number of longer poems (such as Tennyson’s In Memoriam) are included in their entirety; there are generous selections from the work of all major poets, and a representative selection of other work; the work of Victorian women poets features very prominently; and a substantial selection of poetic theory is included to round out the volume.
Author: E. Warwick Slinn
Publisher: University of Virginia Press
ISBN: 9780813913094
Category : History
Languages : en
Pages : 232
Get Book
Book Description
This book places Victorian poetry within the context of a radical shift over the last 150 years in the key European model for human definition and experience- from the metaphor of self to the metaphor of text. In this innovative approach Warwick Slinn examines the continuities from Hegel to Derrida in order to explain the force and challenge poetry which disrupts the assumptions of idealist lyricism. This book places Victorian poetry within the context of a radical shift over the last 150 years in the key European model for human definition and experience- from the metaphor of self to the metaphor of text. In this innovative approach Warwick Slinn examines the continuities from Hegel to Derrida in order to explain the force and challenge poetry which disrupts the assumptions of idealist lyricism.
