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Author: Ying Zhu
Publisher: Indiana University Press
ISBN: 0253220262
Category : History
Languages : en
Pages : 546
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Book Description
If radio and film were the emblematic media of the Maoist era, television has rapidly established itself as the medium of the "marketized" China and in the diaspora. In less than two decades, television has become the dominant medium across the Chinese cultural world. TV China is the first anthology in English on this phenomenon. Covering the People's Republic, Hong Kong, Taiwan, and the Chinese diaspora, these 12 original essays introduce and analyze the Chinese television industry, its programming, the policies shaping it, and its audiences.
Author: Ying Zhu
Publisher: Indiana University Press
ISBN: 0253220262
Category : History
Languages : en
Pages : 546
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Book Description
If radio and film were the emblematic media of the Maoist era, television has rapidly established itself as the medium of the "marketized" China and in the diaspora. In less than two decades, television has become the dominant medium across the Chinese cultural world. TV China is the first anthology in English on this phenomenon. Covering the People's Republic, Hong Kong, Taiwan, and the Chinese diaspora, these 12 original essays introduce and analyze the Chinese television industry, its programming, the policies shaping it, and its audiences.
Author: Jamie J. Zhao
Publisher: Hong Kong University Press
ISBN: 9888805614
Category : Social Science
Languages : en
Pages : 253
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Book Description
The 2010s have seen an explosion in popularity of Chinese television featuring same-sex intimacies, LGBTQ-identified celebrities, and explicitly homoerotic storylines even as state regulations on “vulgar” and “immoral” content grow more prominent. This emerging “queer TV China” culture has generated diverse, cyber, and transcultural queer fan communities. Yet these seemingly progressive televisual productions and practices are caught between multilayered sociocultural and political-economic forces and interests. Taking “queer” as a verb, an adjective, and a noun, this volume counters the Western-centric conception of homosexuality as the only way to understand nonnormative identities and same-sex desire in the Chinese and Sinophone worlds. It proposes an analytical framework of “queer/ing TV China” to explore the power of various TV genres and narratives, censorial practices, and fandoms in queer desire-voicing and subject formation within a largely heteropatriarchal society. Through examining nine cases contesting the ideals of gender, sexuality, Chineseness, and TV production and consumption, the book also reveals the generative, negotiative ways in which queerness works productively within and against mainstream, seemingly heterosexual-oriented, televisual industries and fan spaces. “This cornucopia of fresh and original essays opens our eyes to the burgeoning queer television culture thriving beneath official media crackdowns in China. As diverse as the phenomenon it analyses, Queer TV China is the spark that will ignite a prairie fire of future scholarship.” —Chris Berry, Professor of Film Studies, King’s College London “This timely volume explores the various possibilities and nuances of queerness in Chinese TV and fannish culture. Challenging the dichotomy of ‘positive’ and ‘negative’ representations of gender and sexual minorities, Queer TV China argues for a multilayered and queer-informed understanding of the production, consumption, censorship, and recreation of Chinese television today.” —Geng Song, Associate Professor and Director of Translation Program, University of Hong Kong
Author: Ying Zhu
Publisher: Hong Kong University Press
ISBN: 9622099408
Category : Social Science
Languages : en
Pages : 288
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Book Description
This collection of essays brings together the first comprehensive study of TV drama in China. Examining in depth the production, distribution and consumption of TV drama, the international team of experts demonstrate why it remains the pre-eminent media form in China. The examples are diverse, highlighting the complexity of producing narrative content in a rapidly changing political and social environment. Genres examined include the revisionist Qing drama, historical and contemporary domestic dramas, anti-corruption dramas, "pink" dramas, Red Classics, stories from the Diaspora, and sit-coms. In addition to genres, the collection explores industry dynamics: how TV dramas are marketed and consumed on DVD, and China's aspirations to export its television drama rights. The book provides an international and cross-cultural perspective with chapters on Taiwanese TV drama in China, the impact of South Korean drama, and trans-border production between the Mainland and Hong Kong.
Author: Brad Dukes
Publisher:
ISBN: 9780996820813
Category :
Languages : en
Pages : 340
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Book Description
In 2018, big and small screens brim with re-makes, sequels, and tentpole franchises. And yet, China Beach remains a true original, over thirty years removed from its 1988 broadcast premiere on the ABC network. No other TV series or film has followed a female in the Army Nurse Corps through the Vietnam War, and until now, no other book has documented the show's harrowing reflections of the real world.Following his internationally published Reflections: An Oral History of Twin Peaks (2014), author Brad Dukes returns with China Beach: A Book About a TV Show About a War. The book accounts for Dukes's four-year journey documenting China Beach as he stands before the Vietnam War Veterans Memorial, interviews the cast, crew, and Vietnam veterans; then treks to Vietnam in search of what it all means.The book analyzes all four seasons of China Beach, and features interviews with series co- creators John Sacret Young and William Broyles Jr., along with nearly every cast member including Prime Time Emmy Award winners Dana Delany and Marg Helgenberger, Chloe Webb, Robert Picardo, Brian Wimmer, Michael Boatman, Nancy Giles, Concetta Tomei, Megan Gallagher, Christine Elise, Troy Evans, Jeff Kober, and Ricki Lake.A very special foreword begins the book, penned by writer and producer Carlton Cuse (Jack Ryan, Lost, Bates Motel, etc.)
Author: Geng Song
Publisher: University of Michigan Press
ISBN: 0472220047
Category : Social Science
Languages : en
Pages : 253
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Book Description
The serial narrative is one of the most robust and popular forms of storytelling in contemporary China. With a domestic audience of one billion-plus and growing transnational influence and accessibility, this form of storytelling is becoming the centerpiece of a fast-growing digital entertainment industry and a new symbol and carrier of China’s soft power. Televising Chineseness: Gender, Nation, and Subjectivity explores how television and online dramas imagine the Chinese nation and form postsocialist Chinese gendered subjects. The book addresses a conspicuous paradox in Chinese popular culture today: the coexistence of increasingly diverse gender presentations and conservative gender policing by the government, viewers, and society. Using first-hand data collected through interviews and focus group discussions with audiences comprising viewers of different ages, genders, and educational backgrounds, Televising Chineseness sheds light on how television culture relates to the power mechanisms and truth regimes that shape the understanding of gender and the construction of gendered subjects in postsocialist China.
Author: Shenzhen Securities Information Co Ltd
Publisher: Javvin Technologies Inc.
ISBN: 1602670242
Category :
Languages : en
Pages : 421
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Book Description
Author: Wanning Sun
Publisher: Routledge
ISBN: 1317509471
Category : Social Science
Languages : en
Pages : 230
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Book Description
The rise of China has brought about a dramatic increase in the rate of migration from mainland China. At the same time, the Chinese government has embarked on a full-scale push for the internationalisation of Chinese media and culture. Media and communication have therefore become crucial factors in shaping the increasingly fraught politics of transnational Chinese communities. This book explores the changing nature of these communities, and reveals their dynamic and complex relationship to the media in a range of countries worldwide. Overall, the book highlights a number of ways in which China’s "going global" policy interacts with other factors in significantly reshaping the content and contours of the diasporic Chinese media landscape. In doing so, this book constitutes a major rethinking of Chinese transnationalism in the twenty-first century.
Author: Ying Zhu
Publisher: Routledge
ISBN: 1134094604
Category : History
Languages : en
Pages : 202
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Book Description
This book explores the political, economic, and cultural forces, locally and globally that have shaped the evolution of Chinese primetime television dramas, and the way that these dramas in turn have actively engaged in the major intellectual and policy debates concerning the path, steps, and speed of China’s economic and political modernization during the post-Deng Xiaoping era. It intertwines the evolution of Chinese television drama particularly with the ascendance of the Chinese New Left that favors a recentralization of state authority and an alternative path towards China’s modernization and China’s current administration’s call for building a "harmonious society." Two types of serial drama are highlighted in this regard, the politically provocative dynasty drama and the culturally ambiguous domestic drama. The book also provides cross-cultural comparisons that parallel the textual and institutional strategies of transnational Chinese language TV dramas with dramas from the three leading centers of transnational television production, the US, Brazil and Mexico in Latin America, and the Korean-led East Asia region. The comparison reveals creative connections while it also explores how the emergence of a Chinese cultural-linguistic market, together with other cultural-linguistic markets, complicates the power dynamics of global cultural flows.
Author: Joint Economic Committee
Publisher: M.E. Sharpe
ISBN: 9781563241598
Category : Business & Economics
Languages : en
Pages : 988
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Book Description
Most students of contemporary China are familiar with the Joint Economic Committee studies on China, which have appeared periodically since 1967. This is the most recent study in the series (released in April, 1991). This volume follows the format of the previous studies, offering a broad sweep of its subject matter. The 50 chapters - contributed by Chinese scholars in government, universities and private research centres - are divided into five major parts. Each section begins with an overview which summarises and comments on the main points in each of the chapters. The volume offers a detailed examination of China's economy, and the political and social factors currently facing the leadership in Beijing.
Author: Rosswell Hobart Graves
Publisher:
ISBN:
Category : China
Languages : en
Pages : 340
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Book Description
