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Author: Sarah Lewis
Publisher: Cambridge University Press
ISBN: 1108842194
Category : Drama
Languages : en
Pages : 289
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Book Description
An original study of the ways in which temporal concepts and gendered identities intersect in early modern theatre and culture.
Author: Sarah Lewis
Publisher: Cambridge University Press
ISBN: 1108842194
Category : Drama
Languages : en
Pages : 289
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Book Description
An original study of the ways in which temporal concepts and gendered identities intersect in early modern theatre and culture.
Author: Stanley Wells
Publisher: Cambridge University Press
ISBN: 1139826484
Category : Drama
Languages : en
Pages : 518
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Book Description
This 2002 Companion is designed for readers interested in past and present productions of Shakespeare's plays, both in and beyond Britain. The first six chapters describe aspects of the British performing tradition in chronological sequence, from the early staging of Shakespeare's own time, through to the present day. Each relates Shakespearean developments to broader cultural concerns and adopts an individual approach and focus, on textual adaptation, acting, stages, scenery or theatre management. These are followed by three explorations of acting: tragic and comic actors and women performers of Shakespeare roles. A section on international performance includes chapters on interculturalism, on touring companies and on political theatre, with separate accounts of the performing traditions of North America, Asia and Africa. Over forty pictures illustrate peformers and productions of Shakespeare from around the world. An amalgamated list of items for further reading completes the book.
Author: Mary Floyd-Wilson
Publisher: Cambridge University Press
ISBN: 1107276845
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
Belief in spirits, demons and the occult was commonplace in the early modern period, as was the view that these forces could be used to manipulate nature and produce new knowledge. In this groundbreaking study, Mary Floyd-Wilson explores these beliefs in relation to women and scientific knowledge, arguing that the early modern English understood their emotions and behavior to be influenced by hidden sympathies and antipathies in the natural world. Focusing on Twelfth Night, Arden of Faversham, A Warning for Fair Women, All's Well That Ends Well, The Changeling and The Duchess of Malfi, she demonstrates how these plays stage questions about whether women have privileged access to nature's secrets and whether their bodies possess hidden occult qualities. Discussing the relationship between scientific discourse and the occult, she goes on to argue that as experiential evidence gained scientific ground, women's presumed intimacy with nature's secrets was either diminished or demonized.
Author: Terri Power
Publisher: Bloomsbury Publishing
ISBN: 1350316903
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Cross-gender performance was an integral part of Shakespearean theatre: from boys portraying his female characters, to those characters disguising themselves as men within the story. This book examines contemporary trends in staging cross-gender performances of Shakespeare in the UK and USA. Terri Power surveys the field of gender in performance through an intersectional feminist and queer theoretical lens. In depth discussions of key productions reveal processes adapted by companies for their performances. The book also looks at how contemporary performance responds to new cultural politics of gender and creates a critical language for understanding that within Shakespeare. This book features: - First-hand interviews with professional artists - Case studies of individual performances - A practical workshop section with innovative exercises
Author: Michael Shapiro
Publisher: University of Michigan Press
ISBN: 9780472084050
Category : Child actors
Languages : en
Pages : 300
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Book Description
Cross-dressing in Shakespeare: a context for Elizabethan gender studies
Author: Pamela Allen Brown
Publisher: Oxford University Press
ISBN: 0198867832
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
The Diva's Gift to the Shakespearean Stage traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress whoradically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters. By the time Shakespeare began to write plays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in allgenres, including tragicomedy and tragedy. Some women became the first truly international stars, winning royal and noble patrons and literary admirers beyond Italy, with repeat tours in France and Spain.Elizabeth and her court caught wind of the Italians' success, and soon troupes with actresses came to London to perform. Through contacts direct and indirect, English professionals grew keenly aware of the mimetic revolution wrought by the skilled diva, who expanded the innamorata and made the typemore engaging, outspoken, and autonomous. Some English writers pushed back, treating the actress as a whorish threat to the all-male stage, which had long minimized female roles. Others saw a vital new model full of promise. Faced with rising demand for Italian-style plays, Lyly, Marlowe, Kyd, andShakespeare used Italian models from scripted and improvised drama to turn out stellar female parts in the mode of the actress, altering them in significant ways while continuing to use boys to play them. Writers seized on the comici's materials and methods to piece together pastoral, comic, andtragicomic plays from mobile theatergrams - plot elements, roles, stories, speeches, and star scenes, such as cross-dressing, the mad scene, and the sung lament. Shakespeare and his peers gave new prominence to female characters, marked their passions as un-English, and devised plots that figuredthem as self-aware agents, not counters traded between men. Playing up the skills and charisma of the boy player, they produced stunning roles charged with the diva's prodigious theatricality and alien glamour. Rightly perceived, the diva's celebrity and her acclaimed skills posed a radicalchallenge that pushed English playwrights to break with the past in enormously generative and provocative ways.
Author: Tanya Pollard
Publisher: Oxford University Press
ISBN: 0198793111
Category : Drama
Languages : en
Pages : 342
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Book Description
"The book argues that rediscovered ancient Greek plays exerted a powerful and uncharted influence on sixteenth-century England's dramatic landscape, not only in academic and aristocratic settings, but also at the heart of the developing commercial theaters."--Introduction, p. 2.
Author: Shirley Nelson Garner
Publisher: Indiana University Press
ISBN: 9780253210272
Category : Drama
Languages : en
Pages : 346
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Book Description
While considering Shakespeare's earliest attempts at tragedy in Richard III and Titus Andronicus, this volume covers the major tragic period, giving special attention to Othello.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 122
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Book Description
Author: Elizabeth Howe
Publisher: Cambridge University Press
ISBN: 9780521422109
Category : Biography & Autobiography
Languages : en
Pages : 248
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Book Description
This book describes how and why women were permitted to act on the public stage after 1660 in England.
