Theatre Closure and the Paradoxical Rise of English Renaissance Drama in the Civil Wars PDF Download
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Author: Heidi Craig
Publisher: Cambridge University Press
ISBN: 1009224034
Category : Drama
Languages : en
Pages : 257
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Book Description
Heidi Craig demonstrates how dramatic and theatrical activity paradoxically thrived during the English theatre closures, 1642-1660.
Author: Heidi Craig
Publisher: Cambridge University Press
ISBN: 1009224034
Category : Drama
Languages : en
Pages : 257
Get Book
Book Description
Heidi Craig demonstrates how dramatic and theatrical activity paradoxically thrived during the English theatre closures, 1642-1660.
Author: Richard Bradford
Publisher: John Wiley & Sons
ISBN: 1119409896
Category : Literary Criticism
Languages : en
Pages : 389
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Book Description
The first critical survey of its kind devoted solely to literary evaluation Companion to Literary Evaluation bridges the gap between the non-academic literary world, where evaluation is deeply ingrained, and the world of academia, where evaluation is rarely considered. Encouraging readers to formulate and articulate arguments that balance instinctive judgment and reasoned assessment, this unique volume addresses key issues regarding literary values from the perspective of analytical aesthetics and the philosophy of literature. Bringing together a diverse panel of contributors, the Companion explores competing theories of literary evaluation, the reasons for evaluating theater and lyric poetry in performance, the question of value in literary theory, debates over Modernism's negative impact on literature, the possibility of evaluating aesthetic beauty through scientific and formalist methods, the nature and status of literary evaluation as a branch of criticism, aesthetics in applied and community theater, evaluation outside academia, the perils of extreme relativism and subjectivism in literary evaluation, evaluation in schools and much more. Contributors question and reassess the reputations of authors across the canon, from Shakespeare and James Shirley to T S Eliot, Kathleen Raine, Virginia Woolf, Joyce and Beckett amongst others. The Companion: Illustrates how seemingly divergent perspectives on the artistic qualities and value of literature can sometimes overlap Covers the standard range of literary genres, while including others such as unfinished novels, freelance journalism, and lyric poetry in performance Offers methodologies that demonstrate why literature can be treated as something different from other forms of language and therefore assessed as art Explores the importance of maintaining clarity and specificity in the evaluation of literary works Companion to Literary Evaluation is a must-read for undergraduates, research students, lecturers, and academics in search of fresh perspectives on standard literary critical issues.
Author: Susan Wiseman
Publisher: Cambridge University Press
ISBN: 0521472210
Category : Literary Criticism
Languages : en
Pages : 317
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Book Description
In 1642 an ordinance closed the theatres of England. Critics and historians have assumed that the edict was to be firm and inviolate. Susan Wiseman challenges this assumption and argues that the period 1640 to 1660 was not a gap in the production and performance of drama nor a blank space between 'Renaissance drama' and the 'Restoration stage'. Rather, throughout the period, writers focused instead on a range of dramas with political perspectives, from republican to royalist. This group included the short pamphlet dramas of the 1640s and the texts produced by the writers of the 1650s, such as William Davenant, Margaret Cavendish and James Shirley. In analysing the diverse forms of dramatic production of the 1640s and 1650s, Wiseman reveals the political and generic diversity produced by the changes in dramatic production, and offers insights into the theatre of the Civil War.
Author: WILLIE
Publisher:
ISBN: 9781526139566
Category :
Languages : en
Pages :
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Book Description
Author: Charles Whitney
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 341
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Book Description
Author: M. Burnett
Publisher: Springer
ISBN: 023038014X
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
Drawing upon archival material as well as the drama, popular verse and pamphlets, this book reads representations of masters and servants in relation to key Renaissance preoccupations. Apprentices, journeymen, male domestic servants, maidservants and stewards, Burnett argues, were deployed in literary texts to address questions about the exercise of power, social change and the threat of economic upheaval. In this way, writers were instrumental in creating servant 'cultures', and spaces within which forms of political resistance could be realized.
Author: Thomas Lodge
Publisher: Hodder Education
ISBN: 9780713155457
Category :
Languages : en
Pages : 115
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Book Description
Author: Rebecca W. Bushnell
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 224
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Book Description
Rebecca W. Bushnell here explores the image of the tyrant in English Renaissance drama in light of the traditional opposition between the "proper" king and the unstable, effeminate, and histrionic tyrant found so often in Western political treatises and tracts. Bushnell traces the early modern image and language of tyranny through a wide range of texts, including morality plays, Humanist statecraft literature, and resistance tracts, as well as canonical tragedies.
Author: Allardyce Nicoll
Publisher:
ISBN:
Category : English drama
Languages : en
Pages :
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Book Description
Author: Goran V. Stanivukovic
Publisher: Renaissance Dramatists
ISBN: 9781474419550
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
This book covers the development of tragedy as a dramatic genre from its earliest examples in the 1560's until the closure of the theatres in 1642. It traces the astonishingly diverse range of tragedies as they were influenced by the growth of public and private theatre venues in London. Tragedy was the most popular and the most diverse of theatrical genres during the English Renaissance; it was also the most disruptive and subversive. For Shakespeare and his contemporaries, tragedy reaches kings and queens and everyday person alike. Tragedy has rules, but these were rules that playwrights were ready to trouble and transform to meet changes in society and politics, in theatre venue, and in audience demand.
