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Author: Leigh H. Edwards
Publisher: ABC-CLIO
ISBN: 0313399018
Category : Performing Arts
Languages : en
Pages : 210
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Book Description
"Identifies and explores five key media trends reality TV has used to continually draw in viewers and ensure success. These media trends include mixing TV genres, sparking greater audience interaction, and applying content from television to other media such as films, music albums, webisodes, online games, and smart phone apps. Author Leigh H. Edwards also analyzes how reality TV shows target themes of social conflict, such as changing ideas of the American family, and address common anxieties and tensions in American society such as gender, race, class, and economic struggle. A wide variety of realty shows--including American Idol, Celebrity Rehab, Jackass, Run's House, Survivor, and The Hills--are profiled."--Book jacket.
Author: Leigh H. Edwards
Publisher: ABC-CLIO
ISBN: 0313399018
Category : Performing Arts
Languages : en
Pages : 210
Get Book
Book Description
"Identifies and explores five key media trends reality TV has used to continually draw in viewers and ensure success. These media trends include mixing TV genres, sparking greater audience interaction, and applying content from television to other media such as films, music albums, webisodes, online games, and smart phone apps. Author Leigh H. Edwards also analyzes how reality TV shows target themes of social conflict, such as changing ideas of the American family, and address common anxieties and tensions in American society such as gender, race, class, and economic struggle. A wide variety of realty shows--including American Idol, Celebrity Rehab, Jackass, Run's House, Survivor, and The Hills--are profiled."--Book jacket.
Author: Leigh H. Edwards
Publisher: Bloomsbury Publishing USA
ISBN: 0313399026
Category : Social Science
Languages : en
Pages : 209
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Book Description
This book provides an up-to-date account of how reality TV has developed, why it has become the most popular genre on television today, and how the explosion in reality TV signals new developments in American media culture. The reasons behind reality TV's continued popularity go beyond the sensationalism and low production cost of these programs: there is much more to the genre's continued success than just escapism or "guilty pleasure" TV. The Triumph of Reality TV: The Revolution in American Television identifies and explores five key media trends reality TV has used to continually draw in viewers and ensure success. These media trends include innovations in storytelling, making emotional appeals to viewers, and applying content from television to other media such as films, music albums, webisodes, online games, and smart phone apps. Author Leigh H. Edwards also analyzes how reality TV shows target themes of social conflict, such as changing ideas of the American family, and address common anxieties and tensions in American society such as gender, race, class, and economic struggle. A wide variety of reality shows—including American Idol, Celebrity Rehab, Jackass, Run's House, Survivor, and The Hills—are profiled. An appealing read for students, scholars, and general readers alike, this book provides fascinating insights into the complexities of a seemingly simplistic form of mass entertainment.
Author: Jon Kraszewski
Publisher: Taylor & Francis
ISBN: 1317806042
Category : Social Science
Languages : en
Pages : 192
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Book Description
From early first-wave programs such as Candid Camera, An American Family, and The Real World to the shows on our television screens and portable devices today, reality television consistently takes us to cities—such as New York, Los Angeles, and Boston—to imagine the place of urbanity in American culture and society. Jon Kraszewski offers the first extended account of this phenomenon, as he makes the politics of urban space the center of his history and theory of reality television. Kraszewski situates reality television in a larger economic transformation that started in the 1980s when America went from an industrial economy, when cities were home to all classes, to its post-industrial economy as cities became key points in a web of global financing, expelling all economic classes except the elite and the poor. Reality television in the industrial era reworked social relationships based on class, race, and gender for liberatory purposes, which resulted in an egalitarian ethos in the genre. However, reality television of the post-industrial era attempts to convince viewers that cities still serve their interests, even though most viewers find city life today economically untenable. Each chapter uses a key theoretical concept from spatial theory—such as power geometries, diasporic nostalgia, orientalism, the imagination of social expulsions, and the relationship between the country and the city—to illuminate the way reality television engages this larger transformation of urban space in America.
Author: June Deery
Publisher: John Wiley & Sons
ISBN: 0745690424
Category : Social Science
Languages : en
Pages : 192
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Book Description
Reality TV has changed television and changed reality, even if we are not among the millions who watch. Written for a broad audience, this accessible overview addresses questions such as: How real is reality TV? How do its programs represent gender, sex, class, and race? How does reality TV relate to politics, to consumer society, to surveillance? What kind of ethics are on display? Drawing on current media research and the author’s own analysis, this study encompasses the history and evolution of reality television, its production of reflexive selves and ordinary celebrity, its advertising and commercialization, and its spearheading of new relations between television and social media. To dismiss this programming as trivial is easy. Deery demonstrates that reality television merits serious attention and her incisive analysis will interest students in media studies, cultural studies, politics, sociology, and anyone who is simply curious about this global phenomenon.
Author: Stuart Lenig
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 433
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Book Description
How do reality television programs shape our view of the world and what we perceive as real and normal? This book explores the bizarre and highly controversial world of reality television, including its early history, wide variety of subject matter, and social implications. In recent decades, reality television shows ranging from Keeping up with the Kardashians to Duck Dynasty have become increasingly popular. Why are these "unscripted" programs irresistible to millions of viewers? And what does the nearly universal success of reality shows say about American culture? This book covers more than 100 major and influential reality programs past and present, discussing the origins and past of reality programming, the contemporary social and economic conditions that led to the rise of reality shows, and the ways in which the most successful shows achieve popularity with both male and female demographics or appeal to specific, targeted niche audiences. The text addresses reality TV within five, easy-to-identify content categories: competition shows, relationship/love-interest shows, real people or alternative lifestyle and culture shows, transformation shows, and international programming. By examining modern reality television, a topic of great interest for a wide variety of readers, this book also discusses cultural and social norms in the United States, including materialism, unrealistic beauty ideals, gender roles and stereotypes in society, dynamics of personal relationships, teenage lifestyles and issues, and the branding of people for financial gain and wider viewership.
Author: Michael McKenna
Publisher: Rowman & Littlefield
ISBN: 1442250542
Category : Performing Arts
Languages : en
Pages : 274
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Book Description
The origins of, and in many ways the prototype for, modern reality programming can be traced to Real People, a show which focused on average individuals, primarily Americans, and applauded their individuality. This book provides an examination of Real People, why it succeeded, and what implications it had for future television programming.
Author: Wendy N. Wyatt
Publisher: Bloomsbury Publishing USA
ISBN: 0826441858
Category : Social Science
Languages : en
Pages : 224
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Book Description
Reality television is continuing to grow, both in numbers and in popularity. The scholarship on reality TV is beginning to catch up, but one of the most enduring questions about the genre-Is it ethical?-has yet to be addressed in any systematic and comprehensive way. Through investigating issues ranging from deception and privacy breaches to community building and democratization of TV, The Ethics of Reality TV explores the ways in which reality TV may create both benefits and harms to society. The edited collection features the work of leading scholars in the field of media ethics and provides a comprehensive assessment of the ethical effects of the genre.
Author: Susan Murray
Publisher: NYU Press
ISBN: 0814757340
Category : Performing Arts
Languages : en
Pages : 387
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Book Description
A collection of essays, which provide a comprehensive picture of how and why the genre of reality television emerged, what it means, how it differs from earlier television programming, and how it engages societies, industries, and individuals.
![Race in American Television [2 volumes] PDF](https://books.google.com/books/content/images/frontcover/SanOEAAAQBAJ?fife=w80-h100)
Author: David J. Leonard
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Social Science
Languages : en
Pages : 901
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Book Description
This two-volume encyclopedia explores representations of people of color in American television. It includes overview essays on early, classic, and contemporary television and the challenges for, developments related to, and participation of minorities on and behind the screen. Covering five decades, this encyclopedia highlights how race has shaped television and how television has shaped society. Offering critical analysis of moments and themes throughout television history, Race in American Television shines a spotlight on key artists of color, prominent shows, and the debates that have defined television since the civil rights movement. This book also examines the ways in which television has been a site for both reproduction of stereotypes and resistance to them, providing a basis for discussion about racial issues in the United States. This set provides a significant resource for students and fans of television alike, not only educating but also empowering readers with the necessary tools to consume and watch the small screen and explore its impact on the evolution of racial and ethnic stereotypes in U.S. culture and beyond. Understanding the history of American television contributes to deeper knowledge and potentially helps us to better apprehend the plethora of diverse shows and programs on Netflix, Hulu, YouTube, and other platforms today.
Author: Leigh H. Edwards
Publisher: Indiana University Press
ISBN: 0253034205
Category : Music
Languages : en
Pages : 270
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Book Description
Dolly Parton is instantly recognizable for her iconic style and persona, but how did she create her enduring image? Dolly crafted her exaggerated appearance and stage personality by combining two opposing stereotypes—the innocent mountain girl and the voluptuous sex symbol. Emerging through her lyrics, personal stories, stage presence, and visual imagery, these wildly different gender tropes form a central part of Dolly’s media image and portrayal of herself as a star and celebrity. By developing a multilayered image and persona, Dolly both critiques representations of femininity in country music and attracts a diverse fan base ranging from country and pop music fans to feminists and gay rights advocates. In Dolly Parton, Gender, and Country Music, Leigh H. Edwards explores Dolly’s roles as musician, actor, author, philanthropist, and entrepreneur to show how Dolly’s gender subversion highlights the challenges that can be found even in the most seemingly traditional form of American popular music. As Dolly depicts herself as simultaneously "real" and "fake," she offers new perspectives on country music’s claims of authenticity.
