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Author: Santiago Sanchez-Pages
Publisher:
ISBN: 9783030801823
Category :
Languages : en
Pages : 0
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Book Description
"This wonderful book can make you aware of some splendid works in the "seventh art" that already influence, or should influence, anyone who wants to understand economics. It can be used to teach an economics class in an innovative way, or simply to enjoy economics and movies differently." - Antonio Cabrales, Professor of Economics, Universidad Carlos III Madrid. "In this outstandingly entertaining book, Professor Sanchez-Pages uses the lens of a micro-economist to dissect some of the most seen films of our time. The perspective is startlingly brilliant and unique. Once you have read this book you will want to see these movies again, but from a completely novel perspective." - Shanker Satyanath, Professor of Politics, New York University. Cinema articulates the economic anxieties of each generation of filmmakers and audiences. It has an influence on people's views on various economic issues and many orders of magnitude larger than that of economics as a discipline. This book offers a sweeping study of the representation of economics in cinema across a wide range of areas and genres, from the conflicts over resources in the lawless Old West to the post-scarcity societies of science fiction futures. This book studies how films have portrayed trade unions, scarcity, money, businesses, innovators, migrant workers, working women, globalization, the stock market, and the automation of work. It aims to be useful to those who are interested in cinema with economic themes and to those who want to learn about economics through cinema. Santiago Sanchez-Pages is associate professor in economics at King's College London, UK. His academic research focuses on political economy, economic theory, and experimental economics. His articles have been published in leading international journals. He also writes on film and popular culture and has published several short stories.
Author: Santiago Sanchez-Pages
Publisher:
ISBN: 9783030801823
Category :
Languages : en
Pages : 0
Get Book
Book Description
"This wonderful book can make you aware of some splendid works in the "seventh art" that already influence, or should influence, anyone who wants to understand economics. It can be used to teach an economics class in an innovative way, or simply to enjoy economics and movies differently." - Antonio Cabrales, Professor of Economics, Universidad Carlos III Madrid. "In this outstandingly entertaining book, Professor Sanchez-Pages uses the lens of a micro-economist to dissect some of the most seen films of our time. The perspective is startlingly brilliant and unique. Once you have read this book you will want to see these movies again, but from a completely novel perspective." - Shanker Satyanath, Professor of Politics, New York University. Cinema articulates the economic anxieties of each generation of filmmakers and audiences. It has an influence on people's views on various economic issues and many orders of magnitude larger than that of economics as a discipline. This book offers a sweeping study of the representation of economics in cinema across a wide range of areas and genres, from the conflicts over resources in the lawless Old West to the post-scarcity societies of science fiction futures. This book studies how films have portrayed trade unions, scarcity, money, businesses, innovators, migrant workers, working women, globalization, the stock market, and the automation of work. It aims to be useful to those who are interested in cinema with economic themes and to those who want to learn about economics through cinema. Santiago Sanchez-Pages is associate professor in economics at King's College London, UK. His academic research focuses on political economy, economic theory, and experimental economics. His articles have been published in leading international journals. He also writes on film and popular culture and has published several short stories.
Author: Santiago Sanchez-Pages
Publisher: Springer Nature
ISBN: 3030801810
Category : Business & Economics
Languages : en
Pages : 224
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Book Description
Cinema articulates the economic anxieties of each generation of filmmakers and audiences. It has an influence on people’s views on various economic issues and many orders of magnitude larger than that of economics as a discipline. This book offers a sweeping study of the representation of economics in cinema across a wide range of areas and genres, from the conflicts over resources in the lawless Old West to the post-scarcity societies of science fiction futures. This book studies how films have portrayed trade unions, scarcity, money, businesses, innovators, migrant workers, working women, globalization, the stock market, and the automation of work. It aims to be useful to those who are interested in cinema with economic themes and to those who want to learn about economics through cinema.
Author: Benjamin Fraser
Publisher: Columbia University Press
ISBN: 0231850964
Category : Performing Arts
Languages : en
Pages : 283
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Book Description
Cultures of Representation is the first book to explore the cinematic portrayal of disability in films from across the globe. Contributors explore classic and recent works from Belgium, France, Germany, India, Italy, Iran, Japan, Korea, Mexico, Netherlands, Russia, Senegal, and Spain, along with a pair of globally resonant Anglophone films. Anchored by David T. Mitchell and Sharon L. Snyder's coauthored essay on global disability-film festivals, the volume's content spans from 1950 to today, addressing socially disabling forces rendered visible in the representation of physical, developmental, cognitive, and psychiatric disabilities. Essays emphasize well-known global figures, directors, and industries – from Temple Grandin to Pedro Almodóvar, from Akira Kurosawa to Bollywood – while also shining a light on films from less frequently studied cultural locations such as those portrayed in the Iranian and Korean New Waves. Whether covering postwar Italy, postcolonial Senegal, or twenty-first century Russia, the essays in this volume will appeal to scholars, undergraduates, and general readers alike.
Author: Michael Kho Lim
Publisher: Springer
ISBN: 3030036081
Category : Performing Arts
Languages : en
Pages : 284
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Book Description
This book explores the complex interplay of culture and economics in the context of Philippine cinema. It delves into the tension, interaction, and shifting movements between mainstream and independent filmmaking, examines the film distribution and exhibition systems, and investigates how existing business practices affect the sustainability of the independent sector. This book addresses the lack or absence of Asian representation in film distribution literature by supplying the much-needed Asian context and case study. It also advances the discourse of film distribution economy by expounding on the formal and semi-formal film distribution practices in a developing Asian country like the Philippines, where the thriving piracy culture is considered as ‘normal,’ and which is commonly depicted and discussed in existing literature. As such, this will be the first book that looks into the specifics of the Philippine film distribution and exhibition system and provides a historical grounding of its practices.
Author: Joseph Jonghyun Jeon
Publisher:
ISBN: 9781503606692
Category : Economics in motion pictures
Languages : en
Pages : 248
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Book Description
Examining what it terms "Korea's IMF Cinema," the decade of film-making that following that country's worst-ever economic crisis, this book thinks through the transformations of global political economy attending the end of the American century.
Author: Barbara Mennel
Publisher: University of Illinois Press
ISBN: 0252050967
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
From hairdressers and caregivers to reproductive workers and power-suited executives, images of women's labor have powered a fascinating new movement within twenty-first century European cinema. Social realist dramas capture precarious working conditions. Comedies exaggerate the habits of the global managerial class. Stories from countries battered by the global financial crisis emphasize the patriarchal family, debt, and unemployment. Barbara Mennel delves into the ways these films about female labor capture the tension between feminist advances and their appropriation by capitalism in a time of ongoing transformation. Looking at independent and genre films from a cross-section of European nations, Mennel sees a focus on economics and work adapted to the continent's varied kinds of capitalism and influenced by concepts in second-wave feminism. More than ever, narratives of work put female characters front and center--and female directors behind the camera. Yet her analysis shows that each film remains a complex mix of progressive and retrogressive dynamics as it addresses the changing nature of work in Europe.
Author: Ramon Lobato
Publisher: Bloomsbury Publishing
ISBN: 1838718095
Category : Performing Arts
Languages : en
Pages : 266
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Book Description
How do people access movies today? What are the most popular and powerful channels for media distribution on a global scale? How are film industries changing in the face of media convergence and digitisation? To answer questions such as these, argues Ramon Lobato, we must shift our gaze away from the legal film business and toward cinema's shadow economies. All around the world, films are bought from roadside stalls, local markets, and grocery stores; they are illegally downloaded and streamed; they are watched in makeshift video clubs, on street corners, and in restaurants, shops and bars. International film culture in its actually-existing forms is a messy affair, and it relies to a great extent on black and grey media markets. Examining the industrial dynamics of these subterranean film networks across a number of different sites – from Los Angeles to Lagos, Melbourne to Mexico City – this book shows how they constitute a central rather than marginal part of audiovisual culture and commerce. Combining film industry analysis with cultural theory, Shadow Economies of Cinema opens up a new area of inquiry for cinema studies, putting industry research into dialogue with wider debates about economic informality and commodity circulation. Written in an accessible style, this book offers an original 'bottom-up' perspective on the global cinema industry for researchers and students in film studies, cultural studies, and media and communications.
Author: Michael Pokorny
Publisher: Routledge
ISBN: 1134344295
Category : Business & Economics
Languages : en
Pages : 368
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Book Description
The movie industry boomed in the twentieth century, and is still going strong today. However, the economics of movies has been curiously under explored until now. Innovative and informative, this accessible book, which includes contributions from some of the leading experts in the area, is a huge step forward in our understanding of this important topic.
Author: Igor Krstic
Publisher: Edinburgh University Press
ISBN: 1474406882
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
Near to one billion people call slums their home, making it a reasonable claim to describe our world as a 'planet of slums.' But how has this hard and unyielding way of life been depicted on screen? How have filmmakers engaged historically and across the globe with the social conditions of what is often perceived as the world's most miserable habitats?Combining approaches from cultural, globalisation and film studies, Igor Krstic outlines a transnational history of films that either document or fictionalise the favelas, shantytowns, barrios poulares or chawls of our 'planet of slums', exploring the way accelerated urbanisation has intersected with an increasingly interconnected global film culture. From Jacob Riis' How The Other Half Lives (1890) to Danny Boyle's Slumdog Millionaire (2008), the volume provides a number of close readings of films from different historical periods and regions to outline how contemporary film and media practices relate to their past predeccesors, demonstrating the way various filmmakers, both north and south of the equator, have repeatedly grappled with, rejected or continuously modified documentary and realist modes to convey life in our 'planet of slums'.
Author: James Lastra
Publisher: Columbia University Press
ISBN: 0231505469
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
Representational technologies including photography, phonography, and the cinema have helped define modernity itself. Since the nineteenth century, these technologies have challenged our trust of sensory perception, given the ephemeral unprecedented parity with the eternal, and created profound temporal and spatial displacements. But current approaches to representational and cultural history often neglect to examine these technologies. James Lastra seeks to remedy this neglect. Lastra argues that we are nowhere better able to track the relations between capital, science, and cultural practice than in photography, phonography, and the cinema. In particular, he maps the development of sound recording from its emergence to its confrontation with and integration into the Hollywood film. Reaching back into the late eighteenth century, to natural philosophy, stenography, automata, and human physiology, Lastra follows the shifting relationships between our senses, technology, and representation.
