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Author: John Street
Publisher: John Wiley & Sons
ISBN: 0745672701
Category : Music
Languages : en
Pages : 205
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Book Description
It is common to hear talk of how music can inspire crowds, move individuals and mobilise movements. We know too of how governments can live in fear of its effects, censor its sounds and imprison its creators. At the same time, there are other governments that use music for propaganda or for torture. All of these examples speak to the idea of music's political importance. But while we may share these assumptions about music's power, we rarely stop to analyse what it is about organised sound - about notes and rhythms - that has the effects attributed to it. This is the first book to examine systematically music's political power. It shows how music has been at the heart of accounts of political order, at how musicians from Bono to Lily Allen have claimed to speak for peoples and political causes. It looks too at the emergence of music as an object of public policy, whether in the classroom or in the copyright courts, whether as focus of national pride or employment opportunities. The book brings together a vast array of ideas about music's political significance (from Aristotle to Rousseau, from Adorno to Deleuze) and new empirical data to tell a story of the extraordinary potency of music across time and space. At the heart of the book lies the argument that music and politics are inseparably linked, and that each animates the other.
Author: John Street
Publisher: John Wiley & Sons
ISBN: 0745672701
Category : Music
Languages : en
Pages : 205
Get Book
Book Description
It is common to hear talk of how music can inspire crowds, move individuals and mobilise movements. We know too of how governments can live in fear of its effects, censor its sounds and imprison its creators. At the same time, there are other governments that use music for propaganda or for torture. All of these examples speak to the idea of music's political importance. But while we may share these assumptions about music's power, we rarely stop to analyse what it is about organised sound - about notes and rhythms - that has the effects attributed to it. This is the first book to examine systematically music's political power. It shows how music has been at the heart of accounts of political order, at how musicians from Bono to Lily Allen have claimed to speak for peoples and political causes. It looks too at the emergence of music as an object of public policy, whether in the classroom or in the copyright courts, whether as focus of national pride or employment opportunities. The book brings together a vast array of ideas about music's political significance (from Aristotle to Rousseau, from Adorno to Deleuze) and new empirical data to tell a story of the extraordinary potency of music across time and space. At the heart of the book lies the argument that music and politics are inseparably linked, and that each animates the other.
Author: Eben Graves
Publisher: Indiana University Press
ISBN: 0253064406
Category : Music
Languages : en
Pages : 252
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Book Description
How do the temporal features of sacred music affect social life in South Asia? Due to new time constraints in commercial contexts, devotional musicians in Bengal have adapted longstanding features of musical time linked with religious practice to promote their own musical careers. The Politics of Musical Time traces a lineage of singers performing a Hindu devotional song known as kīrtan in the Bengal region of India over the past century to demonstrate the shifting meanings and practices of devotional performance. Focusing on padābalī kīrtan, a type of devotional sung poetry that uses long-duration forms and combines song and storytelling, Eben Graves examines how expressions of religious affect and political belonging linked with the genre become strained in contemporary, shortened performance time frames. To illustrate the political economy of performance in South Asia, Graves also explores how religious performances and texts interact with issues of nationalism, gender, and economic exchange. Combining ethnography, history, and performance analysis, including videos from the author's fieldwork, The Politics of Musical Time reveals how ideas about the sacred and the modern have been expressed and contested through features of musical time found in devotional performance.
Author: Courtney Brown
Publisher:
ISBN: 9780976676232
Category : Music
Languages : en
Pages : 246
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Book Description
This book discusses the political content of music over the past 200 years, from the classical to the hip-hop genres and everything in between. Beginning with Beethoven, Courtney Brown describes how Beethoven's music has been used to support a wide variety of political views across the entire ideological spectrum, both during Beethoven's life and long after. Then a provocative comparison of Bob Marley's music and Richard Wagner's "Ring" operas identifies striking similarities between the political ideas of these two composers relating to the idea of revolution. Nationalist music is then described and elaborated through examples, drawing from a wide range of national identities. Brown then turns to labor music by focusing on the legend of Joe Hill. Movement and non-movement related political music is then explored and compared, including the music associated with the Vietnam War. Finally, the political content of hip-hop is examined. Never before has a book covered such a broad spectrum of political music. This is a timely publication given the exponential growth of contemporary political music.
Author: Thomas Turino
Publisher: University of Chicago Press
ISBN: 0226816982
Category : Music
Languages : en
Pages : 278
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Book Description
In 'Music as Social Life', Thomas Turino explores why it is that music and dance are so often at the centre of our most profound personal and social experiences.
Author: Jann Pasler
Publisher: Oxford University Press
ISBN: 0190295929
Category : Music
Languages : en
Pages : 528
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Book Description
Drawing on a passion for music, a remarkably diverse interdisciplinary toolbox, and a gift for accessible language that speaks equally to scholars and the general public, Jann Pasler invites us to read as she writes "through" music, unveiling the forces that affect our sonic encounters. In an extraordinary collection of historical and critical essays, some appearing for the first time in English, Pasler deconstructs the social, moral, and political preoccupations lurking behind aesthetic taste. Arguing that learning from musical experience is vital to our understanding of past, present, and future, Pasler's work trenchantly reasserts the role of music as a crucial contributor to important public debates about who we can be as individuals, communities, and nations. The author's wide-ranging and perceptive approaches to musical biography and history challenge us to rethink our assumptions about important cultural and philosophical issues including national identity and postmodern musical hybridity, material culture, the economics of power, and the relationship between classical and popular music. Her work uncovers the self-fashioning of modernists such as Vincent d'Indy, Augusta Holmès, Jean Cocteau, and John Cage, and addresses categories such as race, gender, and class in the early 20th century in ways that resonate with experiences today. She also explores how music uses time and constructs narrative. Pasler's innovative and influential methodological approaches, such as her notion of "question-spaces," open up the complex cultural and political networks in which music participates. This provides us with the reasons and tools to engage with music in fresh and exciting ways. In these thoughtful essays, music--whether beautiful or cacophonous, reassuring or seemingly incomprehensible--comes alive as a bearer of ideas and practices that offers deep insights into how we negotiate the world. Jann Pasler's Writing through Music brilliantly demonstrates how music can be a critical lens to focus the contemporary critical, cultural, historical, and social issues of our time.
Author: Peter Tregear
Publisher: Scarecrow Press
ISBN: 0810882639
Category : Biography & Autobiography
Languages : en
Pages : 196
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Book Description
Focusing on Krenek’s compositional path from the eclectic musical language of Jonny spielt auf to the austere twelve-tone technique of Karl V, Tregear provides an historical and critical context to this most historically significant period of Krenek’s creative life. His study also enriches our understanding of many of Krenek’s contemporaries, such as Alban Berg and Arnold Schoenberg. This book should interest students, scholars and practitioners with an interest in modern opera, and contemporary classical music as well as early-20th-century German history more generally.
Author: Leta E. Miller
Publisher: Univ of California Press
ISBN: 0520268911
Category : Music
Languages : en
Pages : 382
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Book Description
“Leta Miller’s long-awaited study is a tightly woven, fast-paced, and luminous chronicle of San Francisco’s musical coming of age. Her keen insights into Chinese opera, night club jazz, and two international expositions go far to rekindle the era’s spirited mix of talent, taste, patronage, and politics. The groundbreaking work of an accomplished music and social historian, Music and Politics in San Francisco is a most welcome companion to Catherine Parsons Smith’s Making Music in Los Angeles.” —Jonathan Elkus, Lecturer in Music Emeritus, UC Davis “From three disastrous days in April 1906 through the onset of an even greater disaster in 1941, from the San Francisco Conservatory through the performances of the Chinese Opera, Leta Miller traces the musico-political history of ‘the Paris of the West’ in meticulous detail. This important book adds immeasurably to our knowledge of West Coast American music, whilst simultaneously challenging a number of historiographical shibboleths.” —David Nicholls, contributing editor of The Cambridge History of American Music "Leta Miller’s San Francisco’s Musical Life is a pure pleasure to read. Miller manages that rare feat of digesting what must have been many years of digging through newspapers and archives into a fun, lively, highly readable narrative. Each chapter strikes a comfortable balance among factual exposition, colorful anecdote, and historical analysis. Miller brings equal depth and insight to each of her disparate subjects, she writes with charm and clarity throughout, and the whole is arranged in a way that is clear and logical, never monotonous." —Mary Ann Smart, author of Mimomania: Music and Gesture in Nineteenth-Century Opera
Author: Daniel Barenboim
Publisher: Verso Books
ISBN: 1844674703
Category : Music
Languages : en
Pages : 184
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Book Description
In this eloquent book, Daniel Barenboim draws on his profound and uniquely influential engagement with music to argue for its central importance in our everyday lives. While we may sometimes think of personal, social and political issues as existing independently of each other, Barenboim shows how music teaches that this is impossible. Turning to his intense involvement with Palestine, he examines the transformative power of music in the world, from his own performances of Wagner in Israel and his foundation, with Edward Said, of the internationally acclaimed West-Eastern Divan Orchestra. Music Quickens Time reveals how the sheer power and eloquence of music offers us a way to explore and shed light on the way in which we live, and to illuminate and resolve some of the most intractable issues of our time.
Author: Dave Randall
Publisher: Left Book Club
ISBN: 9780745399300
Category : Music
Languages : en
Pages : 0
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Book Description
The story of one musician's journey to discover how music can be used as a political tool, for good and bad.
Author: Annegret Fauser
Publisher: Routledge
ISBN: 135154148X
Category : Music
Languages : en
Pages : 392
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Book Description
This volume explores the way in which composers, performers, and critics shaped individual and collective identities in music from Europe and the United States from the 1860s to the 1950s. Selected essays and articles engage with works and their reception by Richard Wagner, Georges Bizet (in an American incarnation), Lili and Nadia Boulanger, William Grant Still, and Aaron Copland, and with performers such as Wanda Landowska and even Marilyn Monroe. Ranging in context from the opera house through the concert hall to the salon, and from establishment cultures to counter-cultural products, the main focus is how music permits new ways of considering issues of nationality, class, race, and gender. These essays - three presented for the first time in English translation - reflect the work in both musical and cultural studies of a distinguished scholar whose international career spans the Atlantic and beyond.
