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Author: Katherine Verdery
Publisher: Columbia University Press
ISBN: 9780231500432
Category : Political Science
Languages : en
Pages : 214
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Book Description
Since 1989, scores of bodies across Eastern Europe have been exhumed and brought to rest in new gravesites. Katherine Verdery investigates why certain corpses—the bodies of revolutionary leaders, heroes, artists, and other luminaries, as well as more humble folk—have taken on a political life in the turbulent times following the end of Communist Party rule, and what roles they play in revising the past and reorienting the present. Enlivening and invigorating the dialogue on postsocialist politics, this imaginative study helps us understand the dynamic and deeply symbolic nature of politics—and how it can breathe new life into old bones.
Author: Katherine Verdery
Publisher: Columbia University Press
ISBN: 9780231500432
Category : Political Science
Languages : en
Pages : 214
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Book Description
Since 1989, scores of bodies across Eastern Europe have been exhumed and brought to rest in new gravesites. Katherine Verdery investigates why certain corpses—the bodies of revolutionary leaders, heroes, artists, and other luminaries, as well as more humble folk—have taken on a political life in the turbulent times following the end of Communist Party rule, and what roles they play in revising the past and reorienting the present. Enlivening and invigorating the dialogue on postsocialist politics, this imaginative study helps us understand the dynamic and deeply symbolic nature of politics—and how it can breathe new life into old bones.
Author: John Troyer
Publisher: MIT Press
ISBN: 0262542315
Category : Social Science
Languages : en
Pages : 268
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Book Description
“One of our greatest thinkers” on death presents a radical new approach to thinking about dying and the human corpse (Caitlin Doughty, mortician and bestselling author of Smoke Gets in Your Eyes). A fascinating exploration of the relationship between technology and the human corpse throughout history—from 19th-century embalming machines to 21st-century death-prevention technologies. Death and the dead body have never been more alive in the public imagination—not least because of current debates over modern medical technology that is deployed, it seems, expressly to keep human bodies from dying, blurring the boundary between alive and dead. In this book, John Troyer examines the relationship of the dead body with technology, both material and conceptual: the physical machines, political concepts, and sovereign institutions that humans use to classify, organize, repurpose, and transform the human corpse. Doing so, he asks readers to think about death, dying, and dead bodies in radically different ways. Troyer explains, for example, how technologies of the nineteenth century including embalming and photography, created our image of a dead body as quasi-atemporal, existing outside biological limits formerly enforced by decomposition. He describes the “Happy Death Movement” of the 1970s; the politics of HIV/AIDS corpse and the productive potential of the dead body; the provocations of the Body Worlds exhibits and their use of preserved dead bodies; the black market in human body parts; and the transformation of historic technologies of the human corpse into “death prevention technologies.” The consequences of total control over death and the dead body, Troyer argues, are not liberation but the abandonment of Homo sapiens as a concept and a species. In this unique work, Troyer forces us to consider the increasing overlap between politics, dying, and the dead body in both general and specifically personal terms.
Author: Finn Stepputat
Publisher: Manchester University Press
ISBN: 1847799108
Category : Social Science
Languages : en
Pages : 314
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Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. In most of the world, the transition from life to death is a time of intense presence of states and other forms of authority. Focusing on the relationship between bodies and sovereignty, Governing the dead explores how, by whom and with what effects dead bodies are governed in conflict and non-conflict contexts across the world, including an analysis of the struggles over 'proper burials'; the repatriation of dead migrants; abandoned cemeteries; exhumations; 'feminicide'; the protection of dead drug-lords; and the disappeared dead. Mapping theoretical and empirical terrains, this volume suggests that the management of dead bodies is related to the constitution and membership of states and non-state entities that claim autonomy and impunity. This volume is a significant contribution to studies of death, power and politics. It will be useful at both undergraduate and postgraduate levels in anthropology, sociology, law, criminology, political science, international relations, genocide studies, history, cultural studies and philosophy. The research program leading to this publication has received funding from the European Research Council under the European Union's Seventh Framework Programme (FP/2007-2013) / ERC Grant Agreement n° 283-617.
Author: Jessica Auchter
Publisher: Cambridge University Press
ISBN: 1009062298
Category : Political Science
Languages : en
Pages : 209
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Book Description
Taboos have long been considered key examples of norms in global politics, with important strategic effects. Auchter focuses on how obscenity functions as a regulatory norm by focusing on dead body images. Obscenity matters precisely because it is applied inconsistently across multiple cases. Examining empirical cases including ISIS beheadings, the death of Muammar Qaddafi, Syrian torture victims, and the fake death images of Osama bin Laden, this book offers a rich theoretical explanation of the process by which the taboo surrounding dead body images is transgressed and upheld, through mechanisms including trigger warnings and media framings. This corpse politics sheds light on political communities and the structures in place that preserve them, including the taboos that regulate purported obscene images. Auchter questions the notion that the key debate at play in visual politics related to the dead body image is whether to display or not to display, and instead narrates various degrees of visibility, invisibility, and hyper-visibility.
Author: Nancy Scheper-Hughes
Publisher: Univ of California Press
ISBN: 0520911563
Category : Social Science
Languages : en
Pages : 632
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Book Description
When lives are dominated by hunger, what becomes of love? When assaulted by daily acts of violence and untimely death, what happens to trust? Set in the lands of Northeast Brazil, this is an account of the everyday experience of scarcity, sickness and death that centres on the lives of the women and children of a hillside "favela". Bringing her readers to the impoverished slopes above the modern plantation town of Bom Jesus de Mata, where she has worked on and off for 25 years, Nancy Scheper-Hughes follows three generations of shantytown women as they struggle to survive through hard work, cunning and triage. It is a story of class relations told at the most basic level of bodies, emotions, desires and needs. Most disturbing - and controversial - is her finding that mother love, as conventionally understood, is something of a bourgeois myth, a luxury for those who can reasonably expect, as these women cannot, that their infants will live.
Author: Banu Bargu
Publisher: Columbia University Press
ISBN: 0231163401
Category : Philosophy
Languages : en
Pages : 508
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Book Description
Starve and Immolate tells the story of leftist political prisoners in Turkey who waged a deadly struggle against the introduction of high security prisons by forging their lives into weapons. Through an innovative approach that weaves together contemporary and critical political theory with political ethnography, Starve and Immolate analyzes the death fast struggle as an exemplary but not exceptional instance of self-destructive practices that should be understood as a consequence of, retort to, and refusal of the increasingly biopolitical forms of sovereign power deployed as a response to terrorism around the globe. The Turkish stateÕs pursuit of high security prisons based on cellular confinement, which would reconfigure traditional wards allowing political prisoners to live a communism in practice, led to a protracted movement in which dozens of political prisoners starved and immolated themselves. Banu Bargu chronicles the experiences, rituals, values, beliefs, ideological self-representations, and contentions of these protesters against the history of Turkish democracy and the treatment of dissent in a country where prisons have become sites of political confrontation. Bargu connects the increasing turn to self-destructive practices with the revamping of Turkish state sovereignty through a process of biopolitical securitization against terrorism. A critical response to Michel FoucaultÕs Discipline and Punish, Starve and Immolate centers on new forms of struggle that arise from the asymmetric antagonism between the state and its contestants in the contemporary prison. Bargu ultimately positions the weaponization of life as an emergent repertoire of political action, a bleak, violent, and ambivalent form of insurgent politics that seeks to wrench the power of life and death away from the modern state on corporeal grounds and increasingly theologized forms. Drawing attention to the existential commitment, sacrificial morality, and militant martyrdom that transforms these struggles into a complex amalgam of resistance, Bargu advances a critical-theoretical interpretation of human weapons that explores the global ramifications of their practices of resistance, as well as their possibilities and limitations.
Author: Margaret Schwartz
Publisher: U of Minnesota Press
ISBN: 145294539X
Category : Social Science
Languages : en
Pages : 156
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Book Description
Taking as its starting point the significant role of the photograph in modern mourning practices—particularly those surrounding public figures—Dead Matter theorizes the connections between the body and the image by looking at the corpse as a special instance of a body that is simultaneously thing and representation. Arguing that the evolving cultural understanding of photographic realism structures our relationship to the corpse, the book outlines a new politics of representation in which some bodies are more visible (and vulnerable) in death than others. To begin interpreting the corpse as a representational object referring to the deceased, Margaret Schwartz examines the association between photography and embalming—both as aesthetics and as mourning practices. She introduces the concept of photographic indexicality, using it as a metric for comprehending the relationship between the body of a dead leader (including Abraham Lincoln, Vladimir Lenin, and Eva Perón) and the “body politic” for which it stands. She considers bodies known as victims of atrocity like Emmett Till and the Syrian boy Hamsa al-Khateeb to better grasp the ways in which the corpse as object may be called on to signify a marginalized body politic, at the expense of the social identity of the deceased. And she contemplates “tabloid bodies” such as Princess Diana’s and Michael Jackson’s, asserting that these corpses must remain invisible in order to maintain the deceased as a source of textual and value production. Ultimately concluding that the evolving cultural understanding of photographic realism structures our relationship to the corpse, Dead Matter outlines the new politics of representation, in which death is exiled in favor of the late capitalist reality of bare life.
Author: Joost Fontein
Publisher: Boydell & Brewer
ISBN: 1847012671
Category : Family & Relationships
Languages : en
Pages : 362
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Book Description
Innovative and challenging study that provides fresh insights on the anthropology of death and postcolonial politics.In 1898, just before she was hanged for rebelling against colonial rule, Charwe Nyakasikana, spirit medium of the legendary ancestor Ambuya Nehanda, famously prophesised that "my bones will rise again". A century later bones, bodies and human remains have come to occupy an increasingly complex place in Zimbabwe''s postcolonial milieu. From ancestral "bones" rising again in the struggle for independence, and later land, to resurfacing bones of unsettled wardead; and from the troubling decaying remains of post-independence gukurahundi massacres to the leaky, tortured bodies of recent election violence, human materials are intertwined in postcolonial politics in ways that go far beyond, yet necessarily implicate, contests over memory, commemoration and the representation of the past. In this book Joost Fontein examines the complexities of human remains in Zimbabwe''s ''politics of the dead''. Challenging and innovative, he takes us beyond current scholarship on memory, commemoration and the changing significance of ''traditional'' death practices, to examine the political implications of human remains as material substances, as duplicitous rumours, and as returning spirits. Linking the indeterminacy of human substances to the productive but precarious uncertainties of rumours and spirits, the book points to how the incompleteness of death is politically productive and ultimately derives from the problematic, entangled excessivities of human material and immaterial existence, and is deeply intertwined with the stylistics of postcolonial power and politics. Joost Fontein is Professor of Anthropology, University of Johannesburg. He was previously Director of the British Institute in Eastern Africa and Lecturer in Social Anthropology at the University of Edinburgh. His books include Remaking Mutirikwi: Landscape, Water and Belonging (James Currey, 2015), shortlisted for the African Studies Association 2016 Herskovits Prize.Southern Africa (South Africa, Namibia, Lesotho, Swaziland and Botswana): University of Johannesburg Pressing and innovative, he takes us beyond current scholarship on memory, commemoration and the changing significance of ''traditional'' death practices, to examine the political implications of human remains as material substances, as duplicitous rumours, and as returning spirits. Linking the indeterminacy of human substances to the productive but precarious uncertainties of rumours and spirits, the book points to how the incompleteness of death is politically productive and ultimately derives from the problematic, entangled excessivities of human material and immaterial existence, and is deeply intertwined with the stylistics of postcolonial power and politics. Joost Fontein is Professor of Anthropology, University of Johannesburg. He was previously Director of the British Institute in Eastern Africa and Lecturer in Social Anthropology at the University of Edinburgh. His books include Remaking Mutirikwi: Landscape, Water and Belonging (James Currey, 2015), shortlisted for the African Studies Association 2016 Herskovits Prize.Southern Africa (South Africa, Namibia, Lesotho, Swaziland and Botswana): University of Johannesburg Pressrskovits Prize.Southern Africa (South Africa, Namibia, Lesotho, Swaziland and Botswana): University of Johannesburg Pressing and innovative, he takes us beyond current scholarship on memory, commemoration and the changing significance of ''traditional'' death practices, to examine the political implications of human remains as material substances, as duplicitous rumours, and as returning spirits. Linking the indeterminacy of human substances to the productive but precarious uncertainties of rumours and spirits, the book points to how the incompleteness of death is politically productive and ultimately derives from the problematic, entangled excessivities of human material and immaterial existence, and is deeply intertwined with the stylistics of postcolonial power and politics. Joost Fontein is Professor of Anthropology, University of Johannesburg. He was previously Director of the British Institute in Eastern Africa and Lecturer in Social Anthropology at the University of Edinburgh. His books include Remaking Mutirikwi: Landscape, Water and Belonging (James Currey, 2015), shortlisted for the African Studies Association 2016 Herskovits Prize.Southern Africa (South Africa, Namibia, Lesotho, Swaziland and Botswana): University of Johannesburg Pressing and innovative, he takes us beyond current scholarship on memory, commemoration and the changing significance of ''traditional'' death practices, to examine the political implications of human remains as material substances, as duplicitous rumours, and as returning spirits. Linking the indeterminacy of human substances to the productive but precarious uncertainties of rumours and spirits, the book points to how the incompleteness of death is politically productive and ultimately derives from the problematic, entangled excessivities of human material and immaterial existence, and is deeply intertwined with the stylistics of postcolonial power and politics. Joost Fontein is Professor of Anthropology, University of Johannesburg. He was previously Director of the British Institute in Eastern Africa and Lecturer in Social Anthropology at the University of Edinburgh. His books include Remaking Mutirikwi: Landscape, Water and Belonging (James Currey, 2015), shortlisted for the African Studies Association 2016 Herskovits Prize.Southern Africa (South Africa, Namibia, Lesotho, Swaziland and Botswana): University of Johannesburg Pressrskovits Prize.Southern Africa (South Africa, Namibia, Lesotho, Swaziland and Botswana): University of Johannesburg Pressrskovits Prize.Southern Africa (South Africa, Namibia, Lesotho, Swaziland and Botswana): University of Johannesburg Pressing and innovative, he takes us beyond current scholarship on memory, commemoration and the changing significance of ''traditional'' death practices, to examine the political implications of human remains as material substances, as duplicitous rumours, and as returning spirits. Linking the indeterminacy of human substances to the productive but precarious uncertainties of rumours and spirits, the book points to how the incompleteness of death is politically productive and ultimately derives from the problematic, entangled excessivities of human material and immaterial existence, and is deeply intertwined with the stylistics of postcolonial power and politics. Joost Fontein is Professor of Anthropology, University of Johannesburg. He was previously Director of the British Institute in Eastern Africa and Lecturer in Social Anthropology at the University of Edinburgh. His books include Remaking Mutirikwi: Landscape, Water and Belonging (James Currey, 2015), shortlisted for the African Studies Association 2016 Herskovits Prize.Southern Africa (South Africa, Namibia, Lesotho, Swaziland and Botswana): University of Johannesburg Pressrskovits Prize.Southern Africa (South Africa, Namibia, Lesotho, Swaziland and Botswana): University of Johannesburg Pressg Mutirikwi: Landscape, Water and Belonging (James Currey, 2015), shortlisted for the African Studies Association 2016 Herskovits Prize.Southern Africa (South Africa, Namibia, Lesotho, Swaziland and Botswana): University of Johannesburg Pressrskovits Prize.Southern Africa (South Africa, Namibia, Lesotho, Swaziland and Botswana): University of Johannesburg Press
Author: Peter Wehner
Publisher: HarperCollins
ISBN: 0062820818
Category : Political Science
Languages : en
Pages : 255
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Book Description
The New York Times opinion writer, media commentator, outspoken Republican and Christian critic of the Trump presidency offers a spirited defense of politics and its virtuous and critical role in maintaining our democracy and what we must do to save it before it is too late. “Any nation that elects Donald Trump to be its president has a remarkably low view of politics.” Frustrated and feeling betrayed, Americans have come to loathe politics with disastrous results, argues Peter Wehner. In this timely manifesto, the veteran of three Republican administrations and man of faith offers a reasoned and persuasive argument for restoring “politics” as a worthy calling to a cynical and disillusioned generation of Americans. Wehner has long been one of the leading conservative critics of Donald Trump and his effect on the Republican Party. In this impassioned book, he makes clear that unless we overcome the despair that has caused citizens to abandon hope in the primary means for improving our world—the political process—we will not only fall victim to despots but hasten the decline of what has truly made America great. Drawing on history and experience, he reminds us of the hard lessons we have learned about how we rule ourselves—why we have checks and balances, why no one is above the law, why we defend the rights of even those we disagree with. Wehner believes we can turn the country around, but only if we abandon our hatred and learn to appreciate and honor the unique and noble American tradition of doing “politics.” If we want the great American experiment to continue and to once again prosper, we must once more take up the responsibility each and every one of us as citizens share.
Author: Didier Fassin
Publisher: Univ of California Press
ISBN: 0520940458
Category : Social Science
Languages : en
Pages : 390
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Book Description
In this book, France's leading medical anthropologist takes on one of the most tragic stories of the global AIDS crisis—the failure of the ANC government to stem the tide of the AIDS epidemic in South Africa. Didier Fassin traces the deep roots of the AIDS crisis to apartheid and, before that, to the colonial period. One person in ten is infected with HIV in South Africa, and President Thabo Mbeki has initiated a global controversy by funding questionable medical research, casting doubt on the benefits of preventing mother-to-child transmission, and embracing dissidents who challenge the viral theory of AIDS. Fassin contextualizes Mbeki's position by sensitively exploring issues of race and genocide that surround this controversy. Basing his discussion on vivid ethnographical data collected in the townships of Johannesburg, he passionately demonstrates that the unprecedented epidemiological crisis in South Africa is a demographic catastrophe as well as a human tragedy, one that cannot be understood without reference to the social history of the country, in particular to institutionalized racial inequality as the fundamental principle of government during the past century.
