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Author: Maira Kalman
Publisher: Frick Diptych
ISBN: 9781911282532
Category : Art
Languages : en
Pages : 0
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Book Description
The romantic and enigmatic character of this picture has inspired many theories about its subject, meaning, history, and even its attribution to Rembrandt. Several portrait identifications have been proposed, including an ancestor of the Polish Oginski family, which owned the painting in the eighteenth century, and the Polish Socinian theologian Jonasz Szlichtyng. The rider's costume, his weapons, and the breed of his horse have also been claimed as Polish. But if The Polish Rider is a portrait, it certainly breaks with tradition. Equestrian portraits are not common in seventeenth-century Dutch art, and furthermore, in the traditional equestrian portrait the rider is fashionably dressed and his mount is spirited and well-bred. The painting may instead portray a character from history or literature, and many possibilities have been proposed. Candidates range from the Prodigal Son to Gysbrech van Amstel, a hero of Dutch medieval history, and from the Old Testament David to the Mongolian warrior Tamerlane. It is possible that Rembrandt intended simply to represent a foreign soldier, a theme popular in his time in European art, especially in prints. Nevertheless, Rembrandt's intentions in The Polish Rider seem clearly to transcend a simple expression of delight in the exotic. The painting has also been described as a latter-day Miles Christianus (Soldier of Christ), an apotheosis of the mounted soldiers who were still defending Eastern Europe against the Turks in the seventeenth century. Many have felt that the youthful rider faces unknown dangers in the strange and somber landscape, with its mountainous rocks crowned by a mysterious building, its dark water, and the distant flare of a fire.
Author: Maira Kalman
Publisher: Frick Diptych
ISBN: 9781911282532
Category : Art
Languages : en
Pages : 0
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Book Description
The romantic and enigmatic character of this picture has inspired many theories about its subject, meaning, history, and even its attribution to Rembrandt. Several portrait identifications have been proposed, including an ancestor of the Polish Oginski family, which owned the painting in the eighteenth century, and the Polish Socinian theologian Jonasz Szlichtyng. The rider's costume, his weapons, and the breed of his horse have also been claimed as Polish. But if The Polish Rider is a portrait, it certainly breaks with tradition. Equestrian portraits are not common in seventeenth-century Dutch art, and furthermore, in the traditional equestrian portrait the rider is fashionably dressed and his mount is spirited and well-bred. The painting may instead portray a character from history or literature, and many possibilities have been proposed. Candidates range from the Prodigal Son to Gysbrech van Amstel, a hero of Dutch medieval history, and from the Old Testament David to the Mongolian warrior Tamerlane. It is possible that Rembrandt intended simply to represent a foreign soldier, a theme popular in his time in European art, especially in prints. Nevertheless, Rembrandt's intentions in The Polish Rider seem clearly to transcend a simple expression of delight in the exotic. The painting has also been described as a latter-day Miles Christianus (Soldier of Christ), an apotheosis of the mounted soldiers who were still defending Eastern Europe against the Turks in the seventeenth century. Many have felt that the youthful rider faces unknown dangers in the strange and somber landscape, with its mountainous rocks crowned by a mysterious building, its dark water, and the distant flare of a fire.
Author: Ben Lerner
Publisher: Mack
ISBN: 9781912339013
Category : Art and literature
Languages : en
Pages : 78
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Book Description
In the winter of 2015, Ben Lerner wrote a short story, 'The Polish rider', incorporating fictionalized elements of the life and work of the artist Anna Ostoya, who had recently lost two of her canvases in the back of an Uber. As the narrator of the story helps the artist search for the missing canvases, he fantasizes about "recuperating the lost paintings through prose," about how the verbal might take the place of the visual. After the story was published in 'The New Yorker', Ostoya painted the painting Lerner had invented based on her earlier work, transforming the fiction without changing any of the words. Ostoya went on to produce a series of compositions that respond to the story she'd helped inspire. 'The Polish Rider' is the result of this ongoing conversation across media and genres. In addition to the story, this volume includes an essay by Lerner that describes how Ostoya's actual body of work catalyzed the fiction, as well as the contingencies and uncanny correspondences that have shaped their exchange. Ostoya's compositions -- both those that prompted Lerner's writing and those that take it up -- are never merely illustrative. Instead, they keep literature from having the last word. In this unclassifiable volume, the boundaries between fact and fiction, original and reproduction, text and image, flicker as you read and look.
Author: Anthony Bailey
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 194
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Book Description
In 1968, a group of Dutch scholars known as the Rembrandt Research Project, feeling that the master's oeuvre was inflated, began to take Rembrandt to task. The group's members traveled around the world, subjecting Rembrandt to intense scrutiny: they x-rayed paintings; examined the rendering of lace, hands, and signatures; counted threads of warp and woof. Paintings long considered Rembrandts started to fall. Then, in 1984, one of the members of the Project suggested, in print, that The Polish Rider might be next. Perhaps this painting, "one of the world's masterpieces," wasn't a Rembrandt after all but the work of a lesser-known pupil, Willem Drost.
Author: Cynthia Saltzman
Publisher: Penguin
ISBN: 9780670018314
Category : Art
Languages : en
Pages : 364
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Book Description
SALTZMAN/OLD MASTERS; NEW WORLD
Author: Theodor Storm
Publisher: Signet Classics
ISBN:
Category : Fiction
Languages : en
Pages : 124
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Book Description
"The Rider on the White Horse" begins as a ghost story. A traveler finds himself caught in dangerously rough weather. On an island just offshore he glimpses the specter of a rider on a white horse rising and plunging in the wind and rain. Taking shelter at a local inn, the traveler mentions the apparition, and the local schoolmaster volunteers a story. It is a tale of ambition, of a young man, Hauke Heien, who is out not only to make a name for himself but to remake the world; of love and family, as Hauke and his wife try to come to terms with their late-born child's mental retardation; and of politics, as the community fights back against Hauke's initiatives. It is a story, too, about the crisis of faith, of wanting and missing the presence of the divine, and of the persistence of superstition. It is an appealingly matter-of-fact picture of rural life, a harrowing glimpse of spiritual isolation, and a stark vision of the violence of the natural world. Finally, it is a story about the basis of civilization in the act of human sacrifice. Anticipating "Lord of the Flies" and "The Lottery," Theodor Storm's novella, limpidly translated by the American poet James Wright, is not just the ghost story it first appears to be but an economical and gripping dramatization of some of the bloody questions that haunt the disenchanted modern world.
Author: Anne Trubek
Publisher: University of Pennsylvania Press
ISBN: 0812205812
Category : Travel
Languages : en
Pages : 175
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Book Description
There are many ways to show our devotion to an author besides reading his or her works. Graves make for popular pilgrimage sites, but far more popular are writers' house museums. What is it we hope to accomplish by trekking to the home of a dead author? We may go in search of the point of inspiration, eager to stand on the very spot where our favorite literary characters first came to life—and find ourselves instead in the house where the author himself was conceived, or where she drew her last breath. Perhaps it is a place through which our writer passed only briefly, or maybe it really was a longtime home—now thoroughly remade as a decorator's show-house. In A Skeptic's Guide to Writers' Houses Anne Trubek takes a vexed, often funny, and always thoughtful tour of a goodly number of house museums across the nation. In Key West she visits the shamelessly ersatz shrine to a hard-living Ernest Hemingway, while meditating on his lost Cuban farm and the sterile Idaho house in which he committed suicide. In Hannibal, Missouri, she walks the fuzzy line between fact and fiction, as she visits the home of the young Samuel Clemens—and the purported haunts of Tom Sawyer, Becky Thatcher, and Injun' Joe. She hits literary pay-dirt in Concord, Massachusetts, the nineteenth-century mecca that gave home to Hawthorne, Emerson, and Thoreau—and yet could not accommodate a surprisingly complex Louisa May Alcott. She takes us along the trail of residences that Edgar Allan Poe left behind in the wake of his many failures and to the burned-out shell of a California house with which Jack London staked his claim on posterity. In Dayton, Ohio, a charismatic guide brings Paul Laurence Dunbar to compelling life for those few visitors willing to listen; in Cleveland, Trubek finds a moving remembrance of Charles Chesnutt in a house that no longer stands. Why is it that we visit writers' houses? Although admittedly skeptical about the stories these buildings tell us about their former inhabitants, Anne Trubek carries us along as she falls at least a little bit in love with each stop on her itinerary and finds in each some truth about literature, history, and contemporary America.
Author: Julius Samuel Held
Publisher:
ISBN: 9780691040776
Category : Painters
Languages : en
Pages : 211
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Book Description
This richly illustrated collection of essays represents the fruit of a life-long occupation with Rembrandt on the part of one of the foremost authorities on Dutch and Flemish art. Concentrating on either a single painting or an iconographically related group of paintings, Julius S. Held examines the processes, some perhaps even unconscious, that underlie Rembrandt's highly personal works. To his previously published essays--"Aristotle," "The "Polish' Rider," "Juno," "Rembrandt and the Book of Tobit," and "Rembrandt: Truth and Legend"--the author adds an essay on the theme of the Beggar, another one on subjects involving words spoken, and a new introduction discussing some current trends in Rembrandt criticism. From reviews of the previous edition: "There is a freshness of approach in Professor Held's writing, and his concern with interpretation rather than connoisseurship succeeds in stimulating the reader to think about the paintings, however familiar they may be to us." --Christopher White, Apollo "To look at [these paintings] under Held's very expert guidance is to penetrate more deeply into the problems of Rembrandt's oeuvre than if we plough through the bulkier monographs." --E. H. Gombrich, The New York Review of Books
Author: Celia Paul
Publisher: New York Review of Books
ISBN: 1681374838
Category : Biography & Autobiography
Languages : en
Pages : 225
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Book Description
A rich, penetrating memoir about the author's relationship with a flawed but influential figure—the painter Lucian Freud—and the satisfactions and struggles of a life lived through art. One of Britain's most important contemporary painters, Celia Paul has written a reflective, intimate memoir of her life as an artist. Self-Portrait tells the artist's story in her own words, drawn from early journal entries as well as memory, of her childhood in India and her days as a art student at London's Slade School of Fine Art; of her intense decades-long relationship with the older esteemed painter Lucian Freud and the birth of their son; of the challenges of motherhood, the unresolvable conflict between caring for a child and remaining commited to art; of the "invisible skeins between people," the profound familial connections Paul communicates through her paintings of her mother and sisters; and finally, of the mystical presence in her own solitary vision of the world around her. Self-Portrait is a powerful, liberating evocation of a life and of a life-long dedication to art.
Author: Ernst van de Wetering
Publisher: Amsterdam University Press
ISBN: 9789053562390
Category : Art
Languages : en
Pages : 378
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Book Description
Rembrandts paintings have been admired throughout centuries because of their artistic freedom. But Rembrandt was also a craftsman whose painting technique was rooted the tradition. Rembrandt—The Painter at Work is the result of a lifelong search for Rembrandt's working methods, his intellectual approach to the art of painting and the way in which his studio functioned. Ernst van de Wetering demonstrates how this knowledge can be used to tackle questions about authenticity and other art-historical issues. Approximately 350 illustrations, half of which are reproduced in colour, make this book into a monumental tribute to one of the worlds most important painters. "The book is—if one may be allowed to say such a thing about a serious scholarly work—a gripping good-read.' Christopher White, The Burlington Magazine "This is a very rich book, a deeply felt analysis of an artist whom the author knows better than almost any other living scholar." Christopher Brown, Times Literary Supplement
Author: Paul Crenshaw
Publisher: Cambridge University Press
ISBN: 0521858259
Category : Art
Languages : en
Pages : 152
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Book Description
Examines the causes, circumstances, and effects of the 1656 bankruptcy by Rembrandt van Rijn.
