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Author: Carmen E. Lamas
Publisher: Oxford University Press
ISBN: 0192644920
Category : Literary Criticism
Languages : en
Pages : 294
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Book Description
The Latino Continuum and the Nineteenth-Century Americas argues that the process of recovering Latina/o figures and writings in the nineteenth century does not merely create a bridge between the US and Latin American countries, peoples, and literatures, as they are currently understood. Instead, it reveals their fundamentally interdependent natures, politically, socially, historically, and aesthetically, thereby recognizing the degree of mutual imbrication of their peoples and literatures of the period. Largely archived in Spanish, it addresses concerns palpably felt within (and integral to) the US and beyond. English-language works also find a place on this continuum and have real implications for the political and cultural life of hispanophone and anglophone communities in the US. Moreover, the central role of Latina/o translations signal the global and the local nature of the continuum. For the Latino Continuum embeds layered and complex political and literary contexts and overlooked histories, situated as it is at the crossroads of both hemispheric and translatlantic currents of exchange often effaced by the logic of borders-national, cultural, religious, linguistic and temporal. To recover this continuum of Latinidad, which is neither confined to the US or Latin American nation states nor located primarily within them, is to recover forgotten histories of the hemisphere, and to find new ways of seeing the past as we have understood it. The figures of the Félix Varela, Miguel Teurbe Tolón, Eusebio Guiteras, José Martí and Martín Morúa Delgado serve as points of departures for this reconceptualization of the intersection between American, Latin American, Cuban, and Latinx studies.
Author: Carmen E. Lamas
Publisher: Oxford University Press
ISBN: 0192644920
Category : Literary Criticism
Languages : en
Pages : 294
Get Book
Book Description
The Latino Continuum and the Nineteenth-Century Americas argues that the process of recovering Latina/o figures and writings in the nineteenth century does not merely create a bridge between the US and Latin American countries, peoples, and literatures, as they are currently understood. Instead, it reveals their fundamentally interdependent natures, politically, socially, historically, and aesthetically, thereby recognizing the degree of mutual imbrication of their peoples and literatures of the period. Largely archived in Spanish, it addresses concerns palpably felt within (and integral to) the US and beyond. English-language works also find a place on this continuum and have real implications for the political and cultural life of hispanophone and anglophone communities in the US. Moreover, the central role of Latina/o translations signal the global and the local nature of the continuum. For the Latino Continuum embeds layered and complex political and literary contexts and overlooked histories, situated as it is at the crossroads of both hemispheric and translatlantic currents of exchange often effaced by the logic of borders-national, cultural, religious, linguistic and temporal. To recover this continuum of Latinidad, which is neither confined to the US or Latin American nation states nor located primarily within them, is to recover forgotten histories of the hemisphere, and to find new ways of seeing the past as we have understood it. The figures of the Félix Varela, Miguel Teurbe Tolón, Eusebio Guiteras, José Martí and Martín Morúa Delgado serve as points of departures for this reconceptualization of the intersection between American, Latin American, Cuban, and Latinx studies.
Author: Rodrigo Lazo
Publisher: NYU Press
ISBN: 1479896837
Category : Literary Collections
Languages : en
Pages : 387
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Book Description
Cover -- Title Page -- Copyright Page -- Contents -- Preface -- Acknowledgments -- Introduction: Historical Latinidades and Archival Encounters -- 1. The Errant Latino: Irisarri, Central Americanness, and Migration's Intention -- 2. Historicizing Nineteenth-Century Latina/o Textuality -- 3. On the Borders of Independence: Manuel Torres and Spanish American Independence in Filadelphia -- 4. From Union Officers to Cuban Rebels: The Story of the Brothers Cavada and Their American Civil Wars -- 5. Almost-Latino Literature: Approaching Truncated Latinidades
Author: Christopher B. Conway
Publisher:
ISBN: 9780826520593
Category : HISTORY
Languages : en
Pages : 0
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Book Description
The life of Spanish America in the nineteenth century
Author: Walter D. Mignolo
Publisher: John Wiley & Sons
ISBN: 1405150173
Category : History
Languages : en
Pages : 224
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Book Description
The Idea of Latin America is a geo-political manifesto which insists on the need to leave behind an idea which belonged to the nation-building mentality of nineteenth-century Europe. Charts the history of the concept of Latin America from its emergence in Europe in the second half of the nineteenth century through various permutations to the present day. Asks what is at stake in the survival of an idea which subdivides the Americas. Reinstates the indigenous peoples and migrations excluded by the image of a homogenous Latin America with defined borders. Insists on the pressing need to leave behind an idea which belonged to the nation-building mentality of nineteenth-century Europe.
Author: Thomas Constantinesco
Publisher: Oxford University Press
ISBN: 0192668129
Category : Literary Criticism
Languages : en
Pages : 277
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Book Description
Writing Pain in the Nineteenth-Century United States examines how pain is represented in a range of literary texts and genres from the nineteenth-century US. It considers the aesthetic, philosophical, and ethical implications of pain across the works of Ralph Waldo Emerson, Harriet Jacobs, Emily Dickinson, Henry James, Elizabeth Stuart Phelps, and Alice James, as the national culture of pain progressively transformed in the wake of the invention of anesthesia. Through examining the work of nineteenth-century writers, Constantinesco argues that pain, while undeniably destructive, also generates language and identities, and demonstrates how literature participates in theorizing the problems of mind and body that undergird the deep chasms of selfhood, sociality, gender, and race of a formative period in American history. Writing Pain in the Nineteenth-Century United States considers first Emerson's philosophy of compensation, which promises to convert pain into gain. It also explores the limitations of this model, showing how Jacobs contests the division of body and mind that underwrites it and how Dickinson challenges its alleged universalism by foregrounding the unshareability of pain as a paradoxical measure of togetherness. It then investigates the concurrent economies of affects in which pain was implicated during and after the Civil War and argues, through the example of James and Phelps, for queer sociality as a response to the heteronormative violence of sentimentalism. The last chapter on Alice James extends the critique of sentimental sympathy while returning to the book's premise that pain is generative and the site of thought. By linking literary formalism with individual and social formation, Writing Pain in the Nineteenth-Century United States eventually claims close reading as a method to recover the theoretical work of literature.
Author: Stuart F. Voss
Publisher: Rowman & Littlefield
ISBN: 9780842050258
Category : History
Languages : en
Pages : 324
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Book Description
The customary division of Latin American history into colonial and modern periods has come into question recently. This new book demonstrates that there was a middle period in Latin America's historical evolution since the European Conquest-one no longer colonial, but not yet modern-which has left a legacy in its own right for contemporary Latin America. This volume is a narrative text on Latin America's "long nineteenth century," from the period of Imperial Reforms in the late eighteenth century up to the Great Depression. Incorporating local and regional studies from the last three decades which have profoundly broadened and altered customary views about Latin America, the book is a synthesis of this "Middle Period." Latin America in the Middle Period re-evaluates the relation between subsistence and market production in the post-independence economy, stressing regional diversity. It also re-evaluates the mechanics of politics, which customarily have been seen as liberal-conservative, caudillo-oligarchy, region-nation, and merchant-landowner-industrialist. The text discusses the acceleration of the forces of modernization, the rise of industrial capitalism, and the beginnings of a national ordering of life in the late nineteenth and early twentieth centuries which eroded the fabric of Middle Period society, a process consummated in the aftermath of world depression in the 1930s, ushering in modern Latin America. This new volume is an excellent resource for courses in nineteenth-century Latin American history and the second half of Latin American history survey.
Author: Renee Hudson
Publisher: Fordham Univ Press
ISBN: 1531507204
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
A necessary reconceptualization of Latinx identity, literature, and politics In Latinx Revolutionary Horizons, Renee Hudson theorizes a liberatory latinidad that is not yet here and conceptualizes a hemispheric project in which contemporary Latinx authors return to earlier moments of revolution. Rather than viewing Latinx as solely a category of identification, she argues for an expansive, historicized sense of the term that illuminates its political potential. Claiming the “x” in Latinx as marking the suspension and tension between how Latin American descended people identify and the future politics the “x” points us toward, Hudson contends that latinidad can signal a politics grounded in shared struggles and histories rather than merely a mode of identification. In this way, Latinx Revolutionary Horizons reads against current calls for cancelling latinidad based on its presumed anti-Black and anti-Indigenous framework. Instead, she examines the not-yet-here of latinidad to investigate the connection between the revolutionary history of the Americas and the creation of new genres in the hemisphere, from conversion narratives and dictator novels to neoslave narratives and testimonios. By comparing colonialisms, she charts a revolutionary genealogy across a range of movements such as the Mexican Revolution, the Filipino People Power Revolution, resistance to Trujillo in the Dominican Republic, and the Cuban Revolution. In pairing nineteenth-century authors alongside contemporary Latinx ones, Hudson examines a longer genealogy of Latinx resistance while expanding its literary canon, from the works of José Rizal and Martin Delany to those of Julia Alvarez, Jessica Hagedorn, and Leslie Marmon Silko. In imagining a truly transnational latinidad, Latinx Revolutionary Horizons thus rewrites our understanding of the nationalist formations that continue to characterize Latinx Studies.
Author: David Anthony
Publisher: Oxford University Press
ISBN: 0192871730
Category : Literary Criticism
Languages : en
Pages : 209
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Book Description
This book examines the charged but mostly overlooked presence of the sensational Jew in antebellum literature. This stereotyped character appears primarily in the pulpy sensation fiction of popular writers like George Lippard, Ned Buntline, Emerson Bennett, and others. But this figure also plays an important role in the sometimes sensational work of canonical writers such as Nathaniel Hawthorne, Edgar Allan Poe, and Walt Whitman. Whatever the medium, this character, always overdetermined, does consistent cultural work. This book contends that, as the figure who embodies money and capitalism in the antebellum imagination, the sensational Jew is the character who most fully represents a felt anxiety about the increasingly unstable nature of a range of social categories in the antebellum US, and the sense of loss and self-hatred so often lurking in the background of modern Gentile identity. Each chapter examines a different form of sensationalism (urban gothic; sentimental city mysteries; anti-Tom plantation narratives; etc.), and a different set of anxieties (threats to class status; collapsing regional identity; the uncertain status of Whiteness and other racial categories; etc.). Throughout, the sensational Jew acts both as a figure of proteophobia (fear of disorder and ambivalence), and as the figure who embodies in uncanny form a more fulfilling and socially coherent form of identity that predates the modern liberal selfhood of the post-Enlightenment world. The sensational Jew is therefore a revealing figure in antebellum culture, as well as an important antecedent to contemporary antisemitism in the US.
Author: Michael Boyden
Publisher: Oxford University Press
ISBN: 0192694448
Category : Technology & Engineering
Languages : en
Pages : 225
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Book Description
The biggest challenge of the twenty-first century is to bring the effects of public life into relation with the intractable problem of global atmospheric change. Climate and the Picturesque in the American Tropics explains how we came to think of the climate as something abstract and remote rather than a force that actively shapes our existence. The book argues that this separation between climate and sensibility predates the rise of modern climatology and has deep roots in the era of colonial expansion, when the American tropics were transformed into the economic supplier for Euro-American empires. The book shows how the writings of American travellers in the Caribbean registered and pushed forward this new understanding of the climate in a pivotal period in modern history, roughly between 1770 and 1860, which was fraught with debates over slavery, environmental destruction, and colonialism. Offering novel readings of authors including J. Hector St. John de Crevecœur, Leonora Sansay, William Cullen Bryant, Nathaniel Hawthorne, Sophia Peabody, Ralph Waldo Emerson, and James McCune Smith in light of their engagements with the American tropics, this book shows that these authors drew on a climatic epistemology that fused science and sentiment in ways that citizen science is aspiring to do today. By suggesting a new genealogy of modern climate thinking, Climate and the Picturesque in the American Tropics thus highlights the urgency of revisiting received ideas of tropicality deeply ingrained in American culture that continue to inform current debates on climate debt and justice.
Author: EDITOR.
Publisher: Oxford University Press
ISBN: 0192864637
Category :
Languages : en
Pages : 318
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Book Description
Telling America's Story to the World argues that state and state-affiliated cultural diplomacy contributed to the making of postwar US literature. Highlighting the role of liberal internationalism in US cultural outreach, Harilaos Stecopoulos contends that the state mainly sent authors like Ralph Ellison, Robert Frost, William Faulkner, Langston Hughes, and Maxine Hong Kingston overseas not just to demonstrate the achievements of US civilization but also to broadcast an American commitment to international cross-cultural connection. Those writers-cum-ambassadors may not have helped the state achieve its propaganda goals-indeed, this rarely proved the case-but they did find their assignments an opportunity to ponder the international meanings and possibilities of US literature. For many of those figures, courting foreign publics inspired a reevaluation of the scope and form of their own literary projects. Testifying to the inadvertent yet integral role of cultural diplomacy in the worlding of US letters, works like The Mansion (1959), Life Studies (1959), "Cultural Exchange" (1961, 1967), Tripmaster Monkey: His Fake Book (1989), and Three Days Before the Shooting... (2010) reimagine US literature in a mobile, global, and distinctly political register.
