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Author: Fabian Zschiesche
Publisher: GRIN Verlag
ISBN: 3668465770
Category : Literary Criticism
Languages : en
Pages : 24
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Book Description
Seminar paper from the year 2012 in the subject English Language and Literature Studies - Literature, grade: 2,3, Friedrich-Alexander University Erlangen-Nuremberg, language: English, abstract: "Who is Fagin?" is not only a question one might come across when reading Charles Dickens’s "Oliver Twist" or watching one of its screen adaptations. In fact, this question has so far concerned different literary critics all approaching various aspects from his role as the "Jew" (Paganoni, Steyn, Morse), over the question whether he is actually villainous or not, to debates concerning gender issues (Foley) and therefore asking if he fulfils either a maternal or paternal role for the children of his gang. Without a doubt there is probably no other character in Charles Dickens‘s novel that offers so many points of critique and or possible interpretations. Although the main plot of the story is about Oliver Twist, it is Fagin who‘s depiction in the novel and later on screen adaptations gets most of the attention by reviews and discussions. Consequently in my term paper I will mainly deal with Fagin in Charles Dickens’s "Oliver Twist" and will focus on the way Fagin is depicted. Before going into detail on several very distinctive issues, I will analyse his behaviour, language and appearance in general throughout the novel. One of those distinctive issues is his special role for the children as he could be regarded not only as a villain figure but to a certain extent also as some caring paternal or maternal figure. Moreover the question about Fagin‘s depiction as the Jew will be taken care of in a very detailed way since this had been a extremely polarising issue throughout the ages. Since several of those aspect also come up in Ben Kingsley’s interpretation of his role as Fagin in Roman Polanski’s film version of the novel, I will also analyse whether Polanski’s Fagin is a ‘realistic’ adaptation of the character Dickens portrays in his novel or whether Polanski and Kingsley create their own Fagin and to what extent Polanski‘s adaptation shows similarities with and differences to the novel. Nevertheless I will mainly focus on Dickens’s Fagin and his importance for the story of Oliver.
Author: Fabian Zschiesche
Publisher: GRIN Verlag
ISBN: 3668465770
Category : Literary Criticism
Languages : en
Pages : 24
Get Book
Book Description
Seminar paper from the year 2012 in the subject English Language and Literature Studies - Literature, grade: 2,3, Friedrich-Alexander University Erlangen-Nuremberg, language: English, abstract: "Who is Fagin?" is not only a question one might come across when reading Charles Dickens’s "Oliver Twist" or watching one of its screen adaptations. In fact, this question has so far concerned different literary critics all approaching various aspects from his role as the "Jew" (Paganoni, Steyn, Morse), over the question whether he is actually villainous or not, to debates concerning gender issues (Foley) and therefore asking if he fulfils either a maternal or paternal role for the children of his gang. Without a doubt there is probably no other character in Charles Dickens‘s novel that offers so many points of critique and or possible interpretations. Although the main plot of the story is about Oliver Twist, it is Fagin who‘s depiction in the novel and later on screen adaptations gets most of the attention by reviews and discussions. Consequently in my term paper I will mainly deal with Fagin in Charles Dickens’s "Oliver Twist" and will focus on the way Fagin is depicted. Before going into detail on several very distinctive issues, I will analyse his behaviour, language and appearance in general throughout the novel. One of those distinctive issues is his special role for the children as he could be regarded not only as a villain figure but to a certain extent also as some caring paternal or maternal figure. Moreover the question about Fagin‘s depiction as the Jew will be taken care of in a very detailed way since this had been a extremely polarising issue throughout the ages. Since several of those aspect also come up in Ben Kingsley’s interpretation of his role as Fagin in Roman Polanski’s film version of the novel, I will also analyse whether Polanski’s Fagin is a ‘realistic’ adaptation of the character Dickens portrays in his novel or whether Polanski and Kingsley create their own Fagin and to what extent Polanski‘s adaptation shows similarities with and differences to the novel. Nevertheless I will mainly focus on Dickens’s Fagin and his importance for the story of Oliver.
Author: Fredrik Backman
Publisher: Simon and Schuster
ISBN: 1501160575
Category : Fiction
Languages : en
Pages : 96
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Book Description
A little book with a big heart—from the New York Times bestselling author of A Man Called Ove and Anxious People. “I read this beautifully imagined and moving novella in one sitting, utterly wowed, wanting to share it with everyone I know.” —Lisa Genova, bestselling author of Still Alice From the New York Times bestselling author of A Man Called Ove, My Grandmother Asked Me to Tell You She’s Sorry, Britt-Marie Was Here, and Anxious People comes an exquisitely moving portrait of an elderly man’s struggle to hold on to his most precious memories, and his family’s efforts to care for him even as they must find a way to let go. With all the same charm of his bestselling full-length novels, here Fredrik Backman once again reveals his unrivaled understanding of human nature and deep compassion for people in difficult circumstances. This is a tiny gem with a message you’ll treasure for a lifetime.
Author: Robert L. Patten
Publisher: Oxford University Press
ISBN: 0191061115
Category : Literary Collections
Languages : en
Pages : 848
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Book Description
The Oxford Handbook of Charles Dickens is a comprehensive and up-to-date collection on Dickens's life and works. It includes original chapters on all of Dickens's writing and new considerations of his contexts, from the social, political, and economic to the scientific, commercial, and religious. The contributions speak in new ways about his depictions of families, environmental degradation, and improvements of the industrial age, as well as the law, charity, and communications. His treatment of gender, his mastery of prose in all its varieties and genres, and his range of affects and dramatization all come under stimulating reconsideration. His understanding of British history, of empire and colonization, of his own nation and foreign ones, and of selfhood and otherness, like all the other topics, is explained in terms easy to comprehend and profoundly relevant to global modernity.
Author: John Glavin
Publisher: Routledge
ISBN: 1351944568
Category : Literary Criticism
Languages : en
Pages : 613
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Book Description
From their first appearance in print, Dickens's fictions immediately migrated into other media, and particularly, in his own time, to the stage. Since then Dickens has continuously, apparently inexhaustibly, functioned as the wellspring for a robust mini-industry, sourcing plays, films, television specials and series, operas, new novels and even miniature and model villages. If in his lifetime he was justly called 'The Inimitable', since his death he has become just the reverse: the Infinitely Imitable. The essays in this volume, all appearing within the past twenty years, cover the full spectrum of genres. Their major shared claim to attention is their break from earlier mimetic criteria - does the film follow the novel? - to take the new works seriously within their own generic and historical contexts. Collectively, they reveal an entirely 'other' Dickensian oeuvre, which ironically has perhaps made Dickens better known to an audience of non-readers than to those who know the books themselves.
Author: Marc Napolitano
Publisher: Oxford University Press
ISBN: 0199364834
Category : Performing Arts
Languages : en
Pages : 336
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Book Description
When the show was first produced in 1960, at a time when transatlantic musical theatre was dominated by American productions, Oliver! already stood out for its overt Englishness. But in writing Oliver!, librettist and composer Lionel Bart had to reconcile the Englishness of his Dickensian source with the American qualities of the integrated book musical. To do so, he turned to the musical traditions that had defined his upbringing: English music hall, Cockney street singing, and East End Yiddish theatre. This book reconstructs the complicated biography of Bart's play, from its early inception as a pop musical inspired by a marketable image, through its evolution into a sincere Dickensian adaptation that would push English musical theatre to new dramatic heights. The book also addresses Oliver!'s phenomenal reception in its homeland, where audiences responded to the musical's Englishness with a nationalistic fervor. The musical, which has more than fulfilled its promise as one of the most popular English musicals of all time, remains one of the country's most significant shows. Author Marc Napolitano shows how Oliver!'s popularity has ultimately exerted a significant influence on two separate cultural trends. Firstly, Bart's adaptation forever impacted the culture text of Dickens's Oliver Twist; to this day, the general perception of the story and the innumerable allusions to the novel in popular media are colored heavily by the sights, scenes, sounds, and songs from the musical, and virtually every major adaptation of from the 1970s on has responded to Bart's work in some way. Secondly, Oliver! helped to move the English musical forward by establishing a post-war English musical tradition that would eventually pave the way for the global dominance of the West End musical in the 1980s. As such, Napolitano's book promises to be an important book for students and scholars in musical theatre studies as well as to general readers interested in the megamusical.
Author: Deborah Cartmell
Publisher: John Wiley & Sons
ISBN: 1118917537
Category : Literary Criticism
Languages : en
Pages : 450
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Book Description
This is a comprehensive collection of original essays that explore the aesthetics, economics, and mechanics of movie adaptation, from the days of silent cinema to contemporary franchise phenomena. Featuring a range of theoretical approaches, and chapters on the historical, ideological and economic aspects of adaptation, the volume reflects today’s acceptance of intertextuality as a vital and progressive cultural force. Incorporates new research in adaptation studies Features a chapter on the Harry Potter franchise, as well as other contemporary perspectives Showcases work by leading Shakespeare adaptation scholars Explores fascinating topics such as ‘unfilmable’ texts Includes detailed considerations of Ian McEwan’s Atonement and Conrad’s Heart of Darkness
Author: Craig Newnes
Publisher: Routledge
ISBN: 1000382222
Category : Medical
Languages : en
Pages : 188
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Book Description
Racism in Psychology examines the history of racism in psychological theory, practice and institutions. The book offers critical reviews by scholars and practising therapists from the US, Africa, Asia, Aoteoroa New Zealand, Australia and Europe on racism on the couch and in the wider socio-historical context. The authors present a mixed experience of the success of efforts to counter racism in theory, institutions and organisations and differing views on the possibility of institutional change. Chapters discuss the experience of therapists, anti-Semitism, inter-sectionality and how psychological praxis is part of a colonialist project. The book will appeal to practising psychologists and counsellors, socially minded psychotherapists, social workers, sociologists and students of psychology, social studies and race relations.
Author: James Michael Welsh
Publisher: Scarecrow Press
ISBN: 9780810859494
Category : Literary Criticism
Languages : en
Pages : 396
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Book Description
From examinations of Francis Ford Coppola's Apocalypse Now to Alfred Hitchcock's Vertigo, The Literature Film Reader: Issues of Adaptation covers a wide range of films adapted from other sources. The first section presents essays on the hows and whys of adaptation studies, and subsequent sections highlight films adapted from a variety of sources, including classic and popular literature, drama, biography, and memoir. The last section offers a new departure for adaptation studies, suggesting that films about history--often a separate category of film study--can be seen as adaptations of records of the past. The anthology concludes with speculations about the future of adaptation studies. Several essays provide detailed analyses of films, in some cases discussing more than one adaptation of a literary or dramatic source, such as The Manchurian Candidate, The Quiet American, and Romeo and Juliet. Other works examined include Moby Dick, The House of Mirth, Dracula, and Starship Troopers, demonstrating the breadth of material considered for this anthology. Although many of the essays appeared in Literature/Film Quarterly, more than half are original contributions. Chosen for their readability, these essays avoid theoretical jargon as much as possible. For this reason alone, this collection should be of interest to not only cinema scholars but to anyone interested in films and their source material. Ultimately, The Literature Film Reader: Issues of Adaptation provides an excellent overview of this critical aspect of film studies.
Author: Sharon Deane-Cox
Publisher: Routledge
ISBN: 1000587509
Category : Language Arts & Disciplines
Languages : en
Pages : 444
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Book Description
The Routledge Handbook of Translation and Memory serves as a timely and unique resource for the current boom in thinking around translation and memory. The Handbook offers a comprehensive overview of a contemporary, and as yet unconsolidated, research landscape with a four-section structure which encompasses both current debate and future trajectories. Twenty-four chapters written by leading and emerging international scholars provide a cross-sectional snapshot of the diverse angles of approach and case studies that have thus far driven research into translation and memory. A valuable, far-reaching range of theoretical, empirical, reflective, comparative, and archival approaches are brought to bear on translational sites of memory and mnemonic sites of translation through the examination of topics such as traumatic, postcolonial, cultural, literary, and translator memory. This Handbook is key reading for advanced undergraduates, postgraduates and researchers in translation studies, memory studies, and related areas.
Author: Colleen Kennedy-Karpat
Publisher: Springer
ISBN: 3319528548
Category : Performing Arts
Languages : en
Pages : 239
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Book Description
This book explores the intersection between adaptation studies and what James F. English has called the “economy of prestige,” which includes formal prize culture as well as less tangible expressions such as canon formation, fandom, authorship, and performance. The chapters explore how prestige can affect many facets of the adaptation process, including selection, approach, and reception. The first section of this volume deals directly with cycles of influence involving prizes such as the Pulitzer, the Man Booker, and other major awards. The second section focuses on the juncture where adaptation, the canon, and awards culture meet, while the third considers alternative modes of locating and expressing prestige through adapted and adaptive intertexts. This book will be of interest to students and scholars of adaptation, cultural sociology, film, and literature.
