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Author: Peter Remien
Publisher: Cambridge University Press
ISBN: 1108496814
Category : Art
Languages : en
Pages : 237
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Book Description
Participates in an intellectual history of ecology while prompting a re-evaluation of nature in the early modern period.
Author: Peter Remien
Publisher: Cambridge University Press
ISBN: 1108496814
Category : Art
Languages : en
Pages : 237
Get Book
Book Description
Participates in an intellectual history of ecology while prompting a re-evaluation of nature in the early modern period.
Author: Peter Remien
Publisher: Cambridge University Press
ISBN: 1108757855
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
The Concept of Nature in Early Modern English Literature traces a genealogy of ecology in seventeenth-century literature and natural philosophy through the development of the protoecological concept of 'the oeconomy of nature'. Founded in 1644 by Kenelm Digby, this concept was subsequently employed by a number of theologians, physicians, and natural philosophers to conceptualize nature as an interdependent system. Focusing on the middle decades of the seventeenth century, Peter Remien examines how Samuel Gott, Walter Charleton, Robert Boyle, Samuel Collins, and Thomas Burnet formed the oeconomy of nature. Remien also shows how literary authors Ben Jonson, George Herbert, Andrew Marvell, Margaret Cavendish, and John Milton use the discourse of oeconomy to explore the contours of humankind's relationship with the natural world. This book participates in an intellectual history of the science of ecology while prompting a re-evaluation of how we understand the relationship between literature and ecology in the early modern period.
Author: Todd A. Borlik
Publisher: Routledge
ISBN: 1136741798
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
In this timely new study, Borlik reveals the surprisingly rich potential for the emergent "green" criticism to yield fresh insights into early modern English literature. Deftly avoiding the anachronistic casting of sixteenth- and seventeenth-century authors as modern environmentalists, he argues that environmental issues, such as nature’s personhood, deforestation, energy use, air quality, climate change, and animal sentience, are formative concerns in many early modern texts. The readings infuse a new urgency in familiar works by Shakespeare, Sidney, Spenser, Marlowe, Ralegh, Jonson, Donne, and Milton. At the same time, the book forecasts how ecocriticism will bolster the reputation of less canonical authors like Drayton, Wroth, Bruno, Gascoigne, and Cavendish. Its chapters trace provocative affinities between topics such as Pythagorean ecology and the Gaia hypothesis, Ovidian tropes and green phenomenology, the disenchantment of Nature and the Little Ice Age, and early modern pastoral poetry and modern environmental ethics. It also examines the ecological onus of Renaissance poetics, while showcasing how the Elizabethans’ sense of a sophisticated interplay between nature and art can provide a precedent for ecocriticism’s current understanding of the relationship between nature and culture as "mutually constructive." Situating plays and poems alongside an eclectic array of secondary sources, including herbals, forestry laws, husbandry manuals, almanacs, and philosophical treatises on politics and ethics, Borlik demonstrates that Elizabethan and Jacobean authors were very much aware of, and concerned about, the impact of human beings on their natural surroundings.
Author: Klaas van Berkel
Publisher: Peeters Publishers
ISBN: 9789042917521
Category : Art
Languages : en
Pages : 360
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Book Description
From 22-25 May, 2002, the University of Groningen hosted an international conference on 'The Book of Nature. Continuity and change in European and American attitudes towards the natural world'. From Antiquity down to our own time, theologians, philosophers and scientists have often compared nature to a book, which might, under the right circumstances, be read and interpreted in order to come closer to the 'Author' of nature, God. The 'reading' of this book was not regarded as mere idle curiosity, but it was seen as leading to a deeper understanding of God's wisdom and power, and it culturally legitimated and promoted a positive attitude towards nature and its study. A selection of the papers which were delivered at the conference has been edited in two volumes. The first book was published as The Book of Nature in Antiquity and the Middle Ages; this second volume is devoted to the history of that concept after the Middle Ages.
Author: Sylvia Bowerbank
Publisher: JHU Press
ISBN: 9780801878725
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
The book contains perceptions of nature and ecology in writings by English women authors from the sixteenth, seventeenth, and eighteenth centuries. Includes discussion of works by the writers: Mary Wroth (ca. 1586-ca. 1640), Margaret Cavendish (1624?-1674), Mary Rich Warwick (1625-1678), Catherine Talbot (1721-1770), Mary Wollstonecraft (1759-1797).
Author: Jane Partner
Publisher: Springer
ISBN: 3319710176
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
This book reveals the ways in which seventeenth-century poets used models of vision taken from philosophy, theology, scientific optics, political polemic and the visual arts to scrutinize the nature of individual perceptions and to examine poetry’s own relation to truth. Drawing on archival research, Poetry and Vision in Early Modern England brings together an innovative selection of texts and images to construct a new interdisciplinary context for interpreting the poetry of Cavendish, Traherne, Marvell and Milton. Each chapter presents a reappraisal of vision in the work of one of these authors, and these case studies also combine to offer a broader consideration of the ways that conceptions of seeing were used in poetry to explore the relations between the ‘inward’ life of the viewer and the ‘outward’ reality that lies beyond; terms that are shown to have been closely linked, through ideas about sight, with the emergence of the fundamental modern categories of the ‘subjective’ and ‘objective’. This book will be of interest to literary scholars, art historians and historians of science.
Author: Jason Scott-Warren
Publisher: Polity
ISBN: 0745627528
Category : Language Arts & Disciplines
Languages : en
Pages : 335
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Book Description
When we engage with the writings of Shakespeare and his contemporaries, we encounter a culture radically unfamiliar to us at the start of the twenty-first century. The past is a foreign country, and so too are many of its texts. This readable and provocative book seeks to enhance our understanding of early modern literature by recovering the contexts in which it was originally produced and consumed. Taking us back to the courts, theatres and marketplaces of early modern England, Jason Scott-Warren reveals the varied ways in which literary texts dovetailed with everyday experience, unlocking the distinctive social practices, economic structures and modes of behaviour that gave them meaning. He shows how the periods most beguiling writings were conditioned by long-forgotten notions of knowledge, nationhood, sexuality and personal identity. Bringing an anthropologists eye to his materials, he offers richly detailed new readings of works from within and beyond the canon, covering a span that stretches from Erasmus and More to Milton and Behn. Resisting any notion of the period as merely transitional a staging post on the road leading from the medieval to the modern world Scott-Warren reveals the distinctiveness of its literary culture, and equips the reader for fresh encounters with its extraordinary textual legacy. Any undergraduate student of the period will find it an essential guide, while scholars will find its fresh approach invigorating.
Author: Katherine Acheson
Publisher: Routledge
ISBN: 1351875590
Category : Literary Criticism
Languages : en
Pages : 186
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Book Description
Early modern printed books are copiously illustrated with charts, diagrams, and other kinds of images that represent systems of thought and ways of doing things. Visual Rhetoric and Early Modern English Literature shows how these images fostered what Elizabeth Eisenstein called brainwork related to concepts of space, truth, art, and nature, and reveals their importance to poetry by Andrew Marvell and John Milton, and Aphra Behn’s Oroonoko. The genres of illustration considered in this book include military strategy and tactics, garden design, instrumentation, Bibles, scientific schema, drawing instruction, natural history, comparative anatomy, and Aesop’s Fables. The argument produces unique insights into the ways in which visual rhetoric affected verbal expression, and the book develops novel methods of using printed images as evidence in the interpretation of the rich, strange, and beautiful literature of early modern England.
Author: Katharine Cleland
Publisher: Cornell University Press
ISBN: 1501753487
Category : Literary Criticism
Languages : en
Pages : 131
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Book Description
Katharine Cleland's Irregular Unions provides the first sustained literary history of clandestine marriage in early modern England and reveals its controversial nature in the wake of the Elizabethan Religious Settlement, which standardized the marriage ritual for the first time. Cleland examines many examples of clandestine marriage across genres. Discussing such classic works as The Faerie Queene, Othello, and The Merchant of Venice, she argues that early modern authors used clandestine marriage to explore the intersection between the self and the marriage ritual in post-Reformation England. The ways in which authors grappled with the political and social complexities of clandestine marriage, Cleland finds, suggest that these narratives were far more than interesting plot devices or scandalous stories ripped from the headlines. Instead, after the Reformation, fictions of clandestine marriage allowed early modern authors to explore topics of identity formation in new and different ways. Thanks to generous funding from Virginia Tech and its participation in TOME (Toward an Open Monograph Ecosystem), the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other repositories.
Author: Jennifer Munroe
Publisher: Routledge
ISBN: 1317146344
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Ecocriticism has steadily gained footing within the larger arena of early modern scholarship, and with the publication of well over a dozen monographs, essay collections, and special journal issues, literary studies looks increasingly ’green’; yet the field lacks a straightforward, easy-to-use guide to do with reading and teaching early modern texts ecocritically. Accessible yet comprehensive, the cutting-edge collection Ecological Approaches to Early Modern English Texts fills this gap. Organized around the notion of contact zones (or points of intersection, that have often been constructed asymmetrically-especially with regard to the human-nonhuman dichotomy), the volume reassesses current trends in ecocriticism and the Renaissance; introduces analyses of neglected texts and authors; brings ecocriticism into conversation with cognate fields and approaches (e.g., queer theory, feminism, post-coloniality, food studies); and offers a significant section on pedagogy, ecocriticism and early modern literature. Engaging points of tension and central interest in the field, the collection is largely situated in the 'and/or' that resides between presentism-historicism, materiality-literary, somatic-semiotic, nature-culture, and, most importantly, human-nonhuman. Ecological Approaches to Early Modern English Texts balances coverage and methodology; its primary goal is to provide useful, yet nuanced discussions of ecological approaches to reading and teaching a range of representative early modern texts. As a whole, the volume includes a diverse selection of chapters that engage the complex issues that arise when reading and teaching early modern texts from a green perspective.
