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Author: Amnon Raz-Krakotzkin
Publisher: University of Pennsylvania Press
ISBN: 9780812240115
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
In The Censor, the Editor, and the Text, Amnon Raz-Krakotzkin examines the impact of Catholic censorship on the publication and dissemination of Hebrew literature in the early modern period. Hebrew literature made the transition to print in Italian print houses, most of which were owned by Christians. These became lively meeting places for Christian scholars, rabbis, and the many converts from Judaism who were employed as editors and censors. Raz-Krakotzkin examines the principles and practices of ecclesiastical censorship that were established in the second half of the sixteenth century as a part of this process. The book examines the development of censorship as part of the institutionalization of new measures of control over literature in this period, suggesting that we view surveillance of Hebrew literature not only as a measure directed against the Jews but also as a part of the rise of Hebraist discourse and therefore as a means of integrating Jewish literature into the Christian canon. On another level, The Censor, the Editor, and the Text explores the implications of censorship in relation to other agents that participated in the preparation of texts for publishing—authors, publishers, editors, and readers. The censorship imposed upon the Jews had a definite impact on Hebrew literature, but it hardly denied its reading, in fact confirming the right of the Jews to possess and use most of their literature. By bringing together two apparently unrelated issues—the role of censorship in the creation of print culture and the place of Jewish culture in the context of Christian society—Raz-Krakotzkin advances a new outlook on both, allowing each to be examined through the conceptual framework usually reserved for the other.
Author: Amnon Raz-Krakotzkin
Publisher: University of Pennsylvania Press
ISBN: 9780812240115
Category : Literary Criticism
Languages : en
Pages : 334
Get Book
Book Description
In The Censor, the Editor, and the Text, Amnon Raz-Krakotzkin examines the impact of Catholic censorship on the publication and dissemination of Hebrew literature in the early modern period. Hebrew literature made the transition to print in Italian print houses, most of which were owned by Christians. These became lively meeting places for Christian scholars, rabbis, and the many converts from Judaism who were employed as editors and censors. Raz-Krakotzkin examines the principles and practices of ecclesiastical censorship that were established in the second half of the sixteenth century as a part of this process. The book examines the development of censorship as part of the institutionalization of new measures of control over literature in this period, suggesting that we view surveillance of Hebrew literature not only as a measure directed against the Jews but also as a part of the rise of Hebraist discourse and therefore as a means of integrating Jewish literature into the Christian canon. On another level, The Censor, the Editor, and the Text explores the implications of censorship in relation to other agents that participated in the preparation of texts for publishing—authors, publishers, editors, and readers. The censorship imposed upon the Jews had a definite impact on Hebrew literature, but it hardly denied its reading, in fact confirming the right of the Jews to possess and use most of their literature. By bringing together two apparently unrelated issues—the role of censorship in the creation of print culture and the place of Jewish culture in the context of Christian society—Raz-Krakotzkin advances a new outlook on both, allowing each to be examined through the conceptual framework usually reserved for the other.
Author: Sophie Chiari
Publisher: Routledge
ISBN: 0429684207
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
Broadening the notion of censorship, this volume explores the transformative role played by early modern censors in the fashioning of a distinct English literature in the sixteenth and seventeenth centuries. In early modern England, the Privy Council, the Bishop of London and the Archbishop of Canterbury, the Stationers’ Company, and the Master of the Revels each dealt with their own prerogatives and implemented different forms of censorship, with the result that authors penning both plays and satires had to juggle with various authorities and unequal degrees of freedom from one sector to the other. Text and press control thus did not give way to systematic intervention but to particular responses adapted to specific texts in a specific time. If the restrictions imposed by regulation practices are duly acknowledged in this edited collection, the different contributors are also keen to enhance the positive impact of censorship on early modern literature. The most difficult task consists in finding the exact moment when the balance tips in favour of creativity, and the zone where, in matters of artistic freedom, the disadvantages outweigh the benefits. This is what the twelve chapters of the volume proceed to do. Thanks to a wide variety of examples, they show that, in the Elizabethan and Jacobean eras, regulations seldom prevented writers to make themselves heard, albeit through indirect channels. By contrast, in the 1630s, the increased supremacy of the Church seemed to tip the balance the other way.
Author: Robert Corn-Revere
Publisher: Cambridge University Press
ISBN: 1108206654
Category : Law
Languages : en
Pages : 385
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Book Description
Beginning in the nineteenth century with Anthony Comstock, America's 'censor in chief,' The Mind of the Censor and the Eye of the Beholder explores how censors operate and why they wore out their welcome in society at large. This book explains how the same tactics were tried and eventually failed in the twentieth century, with efforts to censor music, comic books, television, and other forms of popular entertainment. The historic examples illustrate not just the mindset and tactics of censors, but why they are the ultimate counterculture warriors and why, in free societies, censors never occupy the moral high ground. This book is for anyone who wants to know more about why freedom of speech is important and how protections for free expression became part of the American identity.
Author: Andrea Gondos
Publisher: State University of New York Press
ISBN: 1438479735
Category : Religion
Languages : en
Pages : 280
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Book Description
Demonstrates the impact of print culture on the spread of Jewish mysticism, focusing on Kabbalistic study guides by R. Yissakhar Baer of seventeenth-century Prague. How did Jewish mysticism go from arcane knowledge to popular spirituality? Kabbalah in Print examines the cultural impact of printing on the popularization, circulation, and transmission of Kabbalah in the late sixteenth and early seventeenth centuries. The Zohar, in particular, generated a large secondary literature of study guides and reference works that aimed to ease the linguistic and conceptual challenges of the text. The arrival of printed classics of Kabbalah was soon followed by the appearance of new literary genres—anthologies, digests, lexicons, and other learning aids—that mediated mystical primary sources to a community of readers not versed in this lore. A detailed investigation of the four works by R. Yissakhar Baer (ca.1580–ca.1629) of Prague sheds light on the literary strategies, pedagogic concerns, and religious motivations of secondary elites, a new cadre of authors empowered by the opportunities that printing opened up. Andrea Gondos highlights shifting intellectual and cultural boundaries in the early modern period, when the transmission of Kabbalah became a meeting point connecting various strata of Jewish society as well as Jewish and Christian intellectuals. Andrea Gondos is Emmy Noether Postdoctoral Fellow at the Institute of Jewish Studies at Free University Berlin, Germany. She is the coeditor (with Daniel Maoz) of From Antiquity to the Postmodern World: Contemporary Jewish Studies in Canada.
Author: Debra Reed Blank
Publisher: BRILL
ISBN: 9004208038
Category : Religion
Languages : en
Pages : 364
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Book Description
Menahem Schmelzer, widely recognized for his expertise in Jewish manuscripts and piyyut, has also influenced Jewish liturgical research of the past half century. This collection of sixteen academic studies, by Israeli, European, and American scholars, honors Schmelzer's contribution. The contributors represent three generations, and their topics and methods testify to the vast subject area that Jewish liturgy has become. The articles explore a wide variety of texts and ritual occasions, the relationship between text and worship experience, and implications for related areas such as mysticism; most apply the methods of other subject areas such as liguistics to liturgical study and its implications for related fields. "...this volume, as a whole, is as much a testimony to the enduring centrality of the librarian in scholarship as it is a collection of essays on "the experience of Jewish liturgy." Wide ranging in scope, these essays are an accurate snapshot of the state of research, illustrating the wealth of material awaiting publication, the need for revisiting prior assumptions, and also the limits of our scholarship." Yoel Kahn, Congregation Beth El, Berkeley
Author: Emily Michelson
Publisher: Princeton University Press
ISBN: 0691233411
Category : History
Languages : en
Pages : 352
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Book Description
A new investigation that shows how conversionary preaching to Jews was essential to the early modern Catholic Church and the Roman religious landscape Starting in the sixteenth century, Jews in Rome were forced, every Saturday, to attend a hostile sermon aimed at their conversion. Harshly policed, they were made to march en masse toward the sermon and sit through it, all the while scrutinized by local Christians, foreign visitors, and potential converts. In Catholic Spectacle and Rome’s Jews, Emily Michelson demonstrates how this display was vital to the development of early modern Catholicism. Drawing from a trove of overlooked manuscripts, Michelson reconstructs the dynamics of weekly forced preaching in Rome. As the Catholic Church began to embark on worldwide missions, sermons to Jews offered a unique opportunity to define and defend its new triumphalist, global outlook. They became a point of prestige in Rome. The city’s most important organizations invested in maintaining these spectacles, and foreign tourists eagerly attended them. The title of “Preacher to the Jews” could make a man’s career. The presence of Christian spectators, Roman and foreign, was integral to these sermons, and preachers played to the gallery. Conversionary sermons also provided an intellectual veneer to mask ongoing anti-Jewish aggressions. In response, Jews mounted a campaign of resistance, using any means available. Examining the history and content of sermons to Jews over two and a half centuries, Catholic Spectacle and Rome’s Jews argues that conversionary preaching to Jews played a fundamental role in forming early modern Catholic identity.
Author: Scott Mandelbrote
Publisher: BRILL
ISBN: 9004318151
Category : Religion
Languages : en
Pages : 394
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Book Description
Jewish Books and their Readers asks what constituted a ‘Jewish’ book in early modern Europe: how it was presented, disseminated, and understood within Jewish and Christian environments, and what effect this had on views of Jews and their intellectual heritage.
Author: E. van Staalduine-Sulman
Publisher: BRILL
ISBN: 9004355936
Category : Religion
Languages : en
Pages : 390
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Book Description
In Justifying Christian Aramaism Eveline van Staalduine-Sulman explores how Christian scholars of the sixteenth and early seventeenth century justify their study of the Targums, the Jewish Aramaic translations of the Hebrew Bible.
Author: Mira Wasserman
Publisher: University of Pennsylvania Press
ISBN: 0812249208
Category : Religion
Languages : en
Pages : 328
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Book Description
In Jews, Gentiles, and Other Animals, Mira Beth Wasserman undertakes a close reading of Avoda Zara, arguably the Babylonian Talmud's most scandalous tractate. According to Wasserman, Avoda Zara is where this Talmud joins the humanities in questioning what it means to be a human
Author: Avriel Bar-Levav
Publisher: Oxford University Press
ISBN: 0197516505
Category : Religion
Languages : en
Pages : 361
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Book Description
Jewish culture places a great deal of emphasis on texts and their means of transmission. At various points in Jewish history, the primary mode of transmission has changed in response to political, geographical, technological, and cultural shifts. Contemporary textual transmission in Jewish culture has been influenced by secularization, the return to Hebrew and the emergence of modern Yiddish, and the new centers of Jewish life in the United States and in Israel, as well as by advancements in print technology and the invention of the Internet. Volume XXXI of Studies in Contemporary Jewry deals with various aspects of textual transmission in Jewish culture in the last two centuries. Essays in this volume examine old and new kinds of media and their meanings; new modes of transmission in fields such as Jewish music; and the struggle to continue transmitting texts under difficult political circumstances. Two essays analyze textual transmission in the works of giants of modern Jewish literature: S.Y. Agnon, in Hebrew, and Isaac Bashevis Singer, in Yiddish. Other essays discuss paratexts in the East, print cultures in the West, and the organization of knowledge in libraries and encyclopedias.
