Tempo and Tactus in the German Baroque PDF Download
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Author: Julia Dokter
Publisher: Boydell & Brewer
ISBN: 1648250181
Category : Music
Languages : en
Pages : 546
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Book Description
Guides modern performers and scholars through the intricacies of German Baroque metric theory, via analyses of treatises and organ music by J.S. Bach and other leading composers, such as Buxtehude, Bruhns, and Weckman.
Author: Julia Dokter
Publisher: Boydell & Brewer
ISBN: 1648250181
Category : Music
Languages : en
Pages : 546
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Book Description
Guides modern performers and scholars through the intricacies of German Baroque metric theory, via analyses of treatises and organ music by J.S. Bach and other leading composers, such as Buxtehude, Bruhns, and Weckman.
Author: Ruth I. DeFord
Publisher: Cambridge University Press
ISBN: 1107064724
Category : Music
Languages : en
Pages : 517
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Book Description
Ruth I. DeFord offers new insights on Renaissance theories of rhythm and their application to the analysis and performance of music.
Author: Marc D. Moskovitz
Publisher: Boydell & Brewer
ISBN: 1783276614
Category : Metronome
Languages : en
Pages : 343
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Book Description
While our modern concepts of musical time and tempo have been largely shaped by the metronome, musicians have long depended on a variety of methods, including the use of hands and feet, the incorporation of markings and pendulums. Measure: In Pursuit of Musical Time tells the fascinating story of musical timekeeping, beginning in an age before the existence of external measuring devices and continuing to the present-day use of the smartphone app. The book opens with a consideration of Renaissance images that inform our early understanding of the physical gestures associated with musical timekeeping. Early music treatises provide a first-hand glimpse into a musical world when timekeeping was bound up with motions of the body and the pulsing of the human heart. The adoption of the simple pendulum and the incorporation of tempo-related language profoundly altered the musical landscape. Such approaches allowed composers to communicate ideas about speed and slowness with increasing precision. Yet neither language nor the pendulum's natural swing proved sufficient to meet the needs of a changing musical world. Enter the metronome, a device that ultimately allowed musicians to consider musical time in real time. A triumph of innovation, the metronome was celebrated by many as the fulfillment of a centuries-long search. Yet not everyone was convinced of its benefits. From Beethoven to Ligeti, the book looks to a number of influential composers who have used or refused this revolutionary machine. Measure: In Pursuit of Musical Time follows a host of brilliant polymaths, trailblazing musicians and intrepid inventors in search of ever more accurate and practical ways to measure and master one of music's most critical and challenging aspects.
Author: Andrew H. Weaver
Publisher: Boydell & Brewer
ISBN: 1648250890
Category : Literary Criticism
Languages : en
Pages : 309
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Book Description
Featuring 28 music examples this book takes an innovative approach to analyzing and interpreting nineteenth-century German song, offering new perspectives on Robert Schumann's Lieder and song cycles. Robert Schumann's Lieder are among the richest and most complex songs in the repertoire and have long raised questions and stimulated discussion among scholars, performers, and listeners. Among the wide range of methodologies that have been used to understand and interpret his songs, one that has been conspicuously absent is an approach based on narratology (the theory and study of narrative texts). Proceeding from the premise that the performance of a Lied is a narrative act, in which the singer and pianist together function as a narrator, Andrew Weaver's groundbreaking study proposes a comprehensive theory of narratology for the German Romantic Lied and song cycle, using Schumann's complete song oeuvre as the test case. The theory, grounded in the work of narratologist Mieke Bal but also drawing upon recent work in literary theory and musicology, illuminates how music can open up new meanings for the poem, as well as how a narratological analysis of the poem can help us understand the music. Weaver's book offers new insights into Schumann's Lieder and the poetry he set while simultaneously proposing a methodology applicable to the analysis and interpretation of a wide range of works, including not only the rich treasury of German Lieder but also potentially any genre of accompanied song in any language from the Middle Ages to the present day.
Author: Nicoleta Paraschivescu
Publisher: Boydell & Brewer
ISBN: 164825036X
Category : Partimenti
Languages : en
Pages : 324
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Book Description
Reveals the brilliant musical and pedagogical thinking of the famed eighteenth- and early nineteenth-century Neapolitan composer and teacher of royal students.
Author: George Schulz Behrend
Publisher:
ISBN:
Category :
Languages : en
Pages : 166
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Book Description
Author: Mary Cyr
Publisher: Routledge
ISBN: 1351554646
Category : Music
Languages : en
Pages : 265
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Book Description
Listeners, performers, students and teachers will find here the analytical tools they need to understand and interpret musical evidence from the baroque era. Scores for eleven works, many reproduced in facsimile to illustrate the conventions of 17th and 18th century notation, are included for close study. Readers will find new material on continuo playing, as well as extensive treatment of singing and French music. The book is also a concise guide to reference materials in the field of baroque performance practice with extensive annotated bibliographies of modern and baroque sources that guide the reader toward further study. First published by Ashgate (at that time known as Scolar Press) in 1992 and having been out of print for some years, this title is now available as a print on demand title.
Author: John Butt
Publisher: Cambridge University Press
ISBN: 0521433274
Category : Music
Languages : en
Pages : 261
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Book Description
In considering the role of practical music in education this book explores the art of performance in Germany during the Baroque period. The author examines the large number of surviving treatises and instruction manuals used in the Lutheran schools during the period 1530-1800 and builds up a picture of the function and status of music in both school and church. This understanding of music as a functional art--musica practica--in turn gives us insight into contemporary performance of the sacred work of Praetorius, SchÜtz, Buxtehude or Bach.
Author: Dietrich Bartel
Publisher: U of Nebraska Press
ISBN: 9780803235939
Category : Music
Languages : en
Pages : 496
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Book Description
Musica Poetica provides an unprecedented examination of the development of Baroque musical thought. The initial chapters, which serve as an introduction to the concept and teachings of musical-rhetorical figures, explore Martin Luther’s theology of music, the development of the Baroque concept of musica poetica, the idea of the affections in German Baroque music, and that music’s use of the principles and devices of rhetoric. Dietrich Bartel then turns to more detailed considerations of the musical-rhetorical figures that were developed in Baroque treatises and publications. After brief biographical sketches of the major theorists, Bartel examines those theorists’ interpretation and classification of the figures. The book concludes with a detailed presentation of the musical-rhetorical figures, in which each theorist’s definitions are presented in the original language and in parallel English translations. Bartel’s clear, detailed analysis of German Baroque musical-rhetorical figures, combined with his careful translations of interpretations of those figures from a wide range of sources, make this book an indispensable introduction and resource for all students of Baroque music.
Author: Giacomo Carissimi
Publisher: Legare Street Press
ISBN: 9781018194929
Category :
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
