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Author: David Scott Kastan
Publisher: Routledge
ISBN: 1136758240
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
The essays in Staging the Renaissance show the theatre to be the site of a rich confluence of cultural forces, the place where social meanings are both formed and transformed. The volume unites some of the most challenging issues in contemporary Renaissance studies and some of our best-known critics, including Stephen Orgel, Margaret Ferguson, Catherine Belsey, Jonathan Goldberg, Marjorie Garber, Lisa Jardine, and Jonathan Dollimore-- demonstrating the variety and vitality not only of contemporary criticism, but of Renaissance drama itself.
Author: David Scott Kastan
Publisher: Routledge
ISBN: 1136758240
Category : Literary Criticism
Languages : en
Pages : 304
Get Book
Book Description
The essays in Staging the Renaissance show the theatre to be the site of a rich confluence of cultural forces, the place where social meanings are both formed and transformed. The volume unites some of the most challenging issues in contemporary Renaissance studies and some of our best-known critics, including Stephen Orgel, Margaret Ferguson, Catherine Belsey, Jonathan Goldberg, Marjorie Garber, Lisa Jardine, and Jonathan Dollimore-- demonstrating the variety and vitality not only of contemporary criticism, but of Renaissance drama itself.
Author: David Scott Kastan
Publisher:
ISBN: 9780415901673
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
The essays in "Staging the Renaissance" show the theatre to be the site of a rich confluence of cultural forces, the place where social meanings are both formed and transformed. The volume unites some of the most challenging issues in contemporary Renaissance studies and some of our best-known critics, including Stephen Orgel, Margaret Ferguson, Catherine Belsey, Jonathan Goldberg, Marjorie Garber, Lisa Jardine, and Jonathan Dollimore-- demonstrating the variety and vitality not only of contemporary criticism, but of Renaissance drama itself.
Author: Clare McManus
Publisher: Manchester University Press
ISBN: 9780719062506
Category : Biography & Autobiography
Languages : en
Pages : 292
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Book Description
Through detailed historicized and interdisciplinary readings of the performances of Anna Denmark in the Scottish and English Jacobean Courts, Women on the Renaissance Stage fundamentally reassesses women's relationship to early modern performance. It investigates the staging conditions, practices, and gendering of Denmark's performances, and brings current critical theorizations of race, class, gender, space, and performance to bear on the female court of the early 17th century.
Author: Tim Carter
Publisher: Cambridge University Press
ISBN: 1316515400
Category : Music
Languages : en
Pages : 283
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Book Description
Newly-discovered evidence underpins this comprehensive account of the creation and staging of the earliest surviving 'opera', Euridice.
Author: Craig R. Prentiss
Publisher: NYU Press
ISBN: 0814708080
Category : Art
Languages : en
Pages : 234
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Book Description
In the years between the Harlem Renaissance and World War II, African American playwrights gave birth to a vital black theater movement in the U.S. It was a movement overwhelmingly concerned with the role of religion in black identity. In a time of profound social transformation fueled by a massive migration from the rural south to the urban‑industrial centers of the north, scripts penned by dozens of black playwrights reflected cultural tensions, often rooted in class, that revealed competing conceptions of religion's role in the formation of racial identity. Black playwrights pointed in quite different ways toward approaches to church, scripture, belief, and ritual that they deemed beneficial to the advancement of the race. Their plays were important not only in mirroring theological reflection of the time, but in helping to shape African American thought about religion in black communities. The religious themes of these plays were in effect arguments about the place of religion in African American lives. In Staging Faith, Craig R. Prentiss illuminates the creative strategies playwrights used to grapple with religion. With a lively and engaging style, the volume brings long forgotten plays to life as it chronicles the cultural and religious fissures that marked early twentieth century African American society. Craig R. Prentiss is Professor of Religious Studies at Rockhurst University in Kansas City, Missouri. He is the editor of Religion and the Creation of Race and Ethnicity: An Introduction (New York University Press, 2003).
Author: David Scott Kastan
Publisher:
ISBN: 9780203821565
Category : History
Languages : en
Pages : 305
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Book Description
The essays in Staging the Renaissance show the theatre to be the site of a rich confluence of cultural forces, the place where social meanings are both formed and transformed. The volume unites some of the most challenging issues in contemporary Renaissance studies and some of our best-known critics, including Stephen Orgel, Margaret Ferguson, Catherine Belsey, Jonathan Goldberg, Marjorie Garber, Lisa Jardine, and Jonathan Dollimore-- demonstrating the variety and vitality not only of contemporary criticism, but of Renaissance drama itself.
Author: Wendy Wall
Publisher: Cambridge University Press
ISBN: 9780521808491
Category : Drama
Languages : en
Pages : 312
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Book Description
Interprets plays in light of their representations of domestic life in the early modern period.
Author: Martin White
Publisher: Routledge
ISBN: 1134917813
Category : Performing Arts
Languages : en
Pages : 276
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Book Description
Renaissance Drama in Action is a fascinating exploration of Renaissance theatre practice and staging. Covering questions of contemporary playhouse design, verse and language, staging and rehearsal practices, and acting styles, Martin White relates the characteristics of Renaissance theatre to the issues involved in staging the plays today. This refreshingly accessible volume: * examines the history of the plays on the English stage from the seventeenth century to the present day * explores questions arising from reconstructions, with particular reference to the new Globe Theatre * includes interviews with, and draws on the work and experience of modern theatre practitioners including Harriet Walter, Matthew Warchus, Trevor Nunn, Stephen Jeffreys, Adrian Noble and Helen Mirren * includes discussions of familiar plays such as The Duchess of Malfi and 'Tis Pity She's A Whore, as well as many lesser known play-texts Renaissance Drama in Action offers undergraduates and A-level students an invaluable guide to the characteristics of Elizabethan and Jacobean drama, and its relationship to contemporary theatre and staging.
Author: Stephen O'Neill
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 216
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Book Description
This book is a comprehensive study of the representation of Ireland in the plays of Shakespeare and his contemporaries. Through a detailed analysis of a range of canonical and less familiar plays, such as The Misfortunes of Arthur, Captain Thomas Stukeley, Sir John Oldcastle and Dekker's The Honest Whore, this book reveals fascinating interconnections between Ireland as it was figured in Elizabethan and early Jacobean drama, and contemporaneous political and cultural anxieties about Ireland and Irish alterity. Exploring how the stage provided a fluid, though licensed, space where such anxieties were negotiated and confronted, this study questions views of the stage Irishman as a static colonialist stereotype. Instead, it demonstrates that dramatic representations of Ireland were dynamic, heterogeneous, and ideologically unstable. Opening up Renaissance drama to its multivalent Irish contexts, Staging Ireland will appeal to scholars and students of Shakespeare and early modern literature; drama and theatre as well as Irish studies.
Author: Mark A. Radice
Publisher: Hal Leonard Corporation
ISBN: 1574670328
Category : Music
Languages : en
Pages : 417
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Book Description
These essays by respected scholars examine representative operatic productions from diverse national schools and periods, together forming a comprehensive history of the staging techniques of opera over the centuries.
