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Author: Douglas Hamilton
Publisher: Routledge
ISBN: 1317321960
Category : History
Languages : en
Pages : 231
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Book Description
This is the first book to explore national representations of slavery in an international comparative perspective. Contributions span a wide geographical range, covering Europe, North America, West and South Africa, the Indian Ocean and Asia.
Author: Douglas Hamilton
Publisher: Routledge
ISBN: 1317321960
Category : History
Languages : en
Pages : 231
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Book Description
This is the first book to explore national representations of slavery in an international comparative perspective. Contributions span a wide geographical range, covering Europe, North America, West and South Africa, the Indian Ocean and Asia.
Author:
Publisher:
ISBN:
Category : CD-ROMs
Languages : en
Pages :
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Book Description
Author: Jennifer Fleischner
Publisher: NYU Press
ISBN: 0814726305
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
Studies the deployment of psychologically coded strategies of remembering and representing in slave narratives by women. After a discussion of psychoanalytic theory, chapters compare the ways in which Lydia Maria Child and Harriet Beecher Stowe dealt with their anxieties over interracial sisterhood, analyze the identity of the black self in a white world in Elizabeth Keckley's autobiography, and look at socially forbidden aggression in slave narratives. Annotation copyright by Book News, Inc., Portland, OR
Author: Ron Eyerman
Publisher: Cambridge University Press
ISBN: 9780521004374
Category : Biography & Autobiography
Languages : en
Pages : 318
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Book Description
Ron Eyerman explores the formation of African American identity through the cultural trauma of slavery.
Author: Lawrence Aje
Publisher: Routledge
ISBN: 1000074986
Category : History
Languages : en
Pages : 288
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Book Description
Traces and Memories deals with the foundation, mechanisms and scope of slavery-related memorial processes, interrogating how descendants of enslaved populations reconstruct the history of their ancestors when transatlantic slavery is one of the variables of the memorial process. While memory studies mark a shift from concern with historical knowledge of events to that of memory, the book seeks to bridge the memorial representations of historical events with the production and knowledge of those events. The book offers a methodological and epistemological reflection on the challenges that are raised by archival limitations in relation to slavery and how they can be overcome. It covers topics such as the historical and memorial legacy/ies of slavery, the memorialization of slavery, the canonization and patrimonialization of the memory of slavery, the places and conditions of the production of knowledge on slavery and its circulation, the heritage of slavery and the (re)construction of (collective) identity. By offering fresh perspectives on how slavery-related sites of memory have been retrospectively (re)framed or (re)shaped, the book probes the constraints which determine the inscription of this contentious memory in the public sphere. The volume will serve as a valuable resource in the area of slavery, memory, and Atlantic studies.
Author: Farzana Gounder
Publisher: Routledge
ISBN: 1000595277
Category : History
Languages : en
Pages : 210
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Book Description
The Caribbean history provides a rich study of the different forms of labour systems that have historically marked the politics of the coloniser and the colonised. It further provides the basis for an essential study for discourses on colonialism and capitalism. This interdisciplinary volume bridges the gap between historiography and the present-day diasporic communities, which emerged from the slave trade and indenture. Through case studies from the Caribbean context, the volume demonstrates how the region’s historical labour mobility remains central to performances and negotiations of collective memory and identity. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.
Author: Vijaya Teelock
Publisher:
ISBN:
Category : Mauritians
Languages : en
Pages : 280
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Book Description
Author: Arlene Keizer
Publisher: Cornell University Press
ISBN: 1501727370
Category : Literary Criticism
Languages : en
Pages : 219
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Book Description
Writers as diverse as Carolivia Herron, Charles Johnson, Paule Marshall, Toni Morrison, and Derek Walcott have addressed the history of slavery in their literary works. In this groundbreaking new book, Arlene R. Keizer contends that these writers theorize the nature and formation of the black subject and engage established theories of subjectivity in their fiction and drama by using slave characters and the condition of slavery as focal points. In this book, Keizer examines theories derived from fictional works in light of more established theories of subject formation, such as psychoanalysis, Althusserian interpellation, performance theory, and theories about the formation of postmodern subjects under late capitalism. Black Subjects shows how African American and Caribbean writers' theories of identity formation, which arise from the varieties of black experience re-imagined in fiction, force a reconsideration of the conceptual bases of established theories of subjectivity. The striking connections Keizer draws between these two bodies of theory contribute significantly to African American and Caribbean Studies, literary theory, and critical race and ethnic studies.
Author: Jennifer B. Fleischner
Publisher: NYU Press
ISBN: 081472888X
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
In Mastering Slavery, Fleischner draws upon a range of disciplines, including psychoanalysis, African-American studies, literary theory, social history, and gender studies, to analyze how the slave narratives--in their engagement with one another and with white women's antislavery fiction--yield a far more amplified and complicated notion of familial dynamics and identity than they have generally been thought to reveal. Her study exposes the impact of the entangled relations among master, mistress, slave adults and slave children on the sense of identity of individual slave narrators. She explores the ways in which our of the social, psychological, biological--and literary--crossings and disruptions slavery engendered, these autobiographers created mixed, dynamic narrative selves.
Author: Cheryl Finley
Publisher: Princeton University Press
ISBN: 069113684X
Category : Art
Languages : en
Pages : 320
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Book Description
How an eighteenth-century engraving of a slave ship became a cultural icon of Black resistance, identity, and remembrance One of the most iconic images of slavery is a schematic wood engraving depicting the human cargo hold of a slave ship. First published by British abolitionists in 1788, it exposed this widespread commercial practice for what it really was—shocking, immoral, barbaric, unimaginable. Printed as handbills and broadsides, the image Cheryl Finley has termed the "slave ship icon" was easily reproduced, and by the end of the eighteenth century it was circulating by the tens of thousands around the Atlantic rim. Committed to Memory provides the first in-depth look at how this artifact of the fight against slavery became an enduring symbol of Black resistance, identity, and remembrance. Finley traces how the slave ship icon became a powerful tool in the hands of British and American abolitionists, and how its radical potential was rediscovered in the twentieth century by Black artists, activists, writers, filmmakers, and curators. Finley offers provocative new insights into the works of Amiri Baraka, Romare Bearden, Betye Saar, and many others. She demonstrates how the icon was transformed into poetry, literature, visual art, sculpture, performance, and film—and became a medium through which diasporic Africans have reasserted their common identity and memorialized their ancestors. Beautifully illustrated, Committed to Memory features works from around the world, taking readers from the United States and England to West Africa and the Caribbean. It shows how contemporary Black artists and their allies have used this iconic eighteenth-century engraving to reflect on the trauma of slavery and come to terms with its legacy.
