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Author: Sarah Hatchuel
Publisher: Cambridge University Press
ISBN: 1108298699
Category : Literary Criticism
Languages : en
Pages :
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Book Description
The second volume in the re-launched series Shakespeare on Screen is devoted to The Tempest and Shakespeare's late romances, offering up-to-date coverage of recent screen versions as well as new critical reviews of older, canonical films. An international cast of authors explores not only productions from the USA and the UK, but also translations, adaptations and appropriations from Poland, Italy and France. Spanning a wide chronological range, from the first cinematic interpretation of Cymbeline in 1913 to The Royal Ballet's live broadcast of The Winter's Tale in 2014, the volume provides an extensive treatment of the plays' resonance for contemporary audiences. Supported by a film-bibliography, numerous illustrations and free online resources, the book will be an invaluable resource for students, scholars and teachers of film studies and Shakespeare studies.
Author: Sarah Hatchuel
Publisher: Cambridge University Press
ISBN: 1108298699
Category : Literary Criticism
Languages : en
Pages :
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Book Description
The second volume in the re-launched series Shakespeare on Screen is devoted to The Tempest and Shakespeare's late romances, offering up-to-date coverage of recent screen versions as well as new critical reviews of older, canonical films. An international cast of authors explores not only productions from the USA and the UK, but also translations, adaptations and appropriations from Poland, Italy and France. Spanning a wide chronological range, from the first cinematic interpretation of Cymbeline in 1913 to The Royal Ballet's live broadcast of The Winter's Tale in 2014, the volume provides an extensive treatment of the plays' resonance for contemporary audiences. Supported by a film-bibliography, numerous illustrations and free online resources, the book will be an invaluable resource for students, scholars and teachers of film studies and Shakespeare studies.
Author: Sarah Hatchuel
Publisher:
ISBN: 9781316272060
Category : LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.--bisacsh
Languages : en
Pages : 241
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Book Description
The first volume in the re-launched series Shakespeare on Screen is devoted to Othello, offering up-to-date coverage of recent screen versions as well as new critical essays on older, canonical films. An international cast of authors explores not only productions from the USA and UK, but also translations, adaptations and appropriations in Québec, Italy, India, Brazil and Mexico. The volume takes part in the ceaseless cultural investigation of what Othello says about Shakespeare, the past and our present time, supported by an invaluable film-bibliography. Accompanying free online resources include a fuller version of the bibliography and an additional contribution on YouTube versions of Othello. This book will be a valuable resource for students, scholars and teachers of film studies and Shakespeare studies.
Author: Sarah Hatchuel
Publisher:
ISBN: 9781316364956
Category :
Languages : en
Pages : 262
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Book Description
An up-to-date survey of the key themes and debates surrounding screen adaptations and productions of Shakespeare's Othello.
Author: Gale, Cengage Learning
Publisher: Gale, Cengage Learning
ISBN: 1410392597
Category : Literary Criticism
Languages : en
Pages : 21
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Book Description
A Study Guide for William Shakespeare's "Othello" (1995 lit-to-film), excerpted from Gale's acclaimed Drama for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama for Students for all of your research needs.
Author: Phyllis Wiechert
Publisher: GRIN Verlag
ISBN: 363873398X
Category : Literary Criticism
Languages : en
Pages : 19
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Book Description
Seminar paper from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 2, Free University of Berlin (Institut für Englisch Philologie), course: Shakespeare and Cinema, 10 entries in the bibliography, language: English, abstract: There can hardly be two more different genres than a classical 16th century Shakespearian drama and a 20th century motion picture. But despite the enormous differences, many screen adaptations of Shakespeare’s plays have been produced. The purpose of this paper is to show how a classical Shakespearian tragedy such as Othello can be used as a basis for a 20th century motion picture and what changes the directors made in order to attract a modern audience with a Shakespearian play. There are many adaptations of Othello, which are quite different. They range from word for word almost theatrical realisations of the play as for example the BBC version with Anthony Hopkins to modern adaptations such as the teenager movie “O” where only the main theme of Shakespeare’s Othello is kept and which is probably not recognised as a Shakespearian adaptation. In order to be able to compare the adaptations, this paper focuses on the adaptations of Othello by the directors Orson Welles, Serge Yutkevich and Oliver Parker. They are all fairly close to Shakespeare’s original but at the same time have some individual traits, which can only be found in these special versions of Othello. It should also be interesting to see how they can be distinguished according to the time when they were made, since the view and interpretation of Shakespeare’s play will differ depending on the time when the movie was directed. According to the topic of this paper, a summary of Shakespeare’s Othello is not necessary since the general plot and a detailed knowledge of Shakespeare’s play is not crucial for the analysis of the motion pictures. The first main part of this paper gives descriptions of each adaptation. Selected key scenes will be illustrated in order to show the most distinctive features the adaptation has compared to the other adaptations. Then in the second main part the gathered information will be used in order to compare and contrast the different adaptations. A final conclusion restates and combines the facts in order to show how a classical drama can be used as a basis for a motion picture and in which way the directors made changes in order to create an interesting movie for the modern viewers.
Author: Kenneth S. Rothwell
Publisher: Cambridge University Press
ISBN: 9780521543118
Category : Literary Criticism
Languages : en
Pages : 402
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Book Description
This edition of A History of Shakespeare on Screen updates the chronology to 2003, with a new chapter on recent films.
Author: Hester Bradley
Publisher: Bloomsbury Publishing
ISBN: 1350316660
Category : Literary Criticism
Languages : en
Pages : 140
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Book Description
This book explores Shakespeare films as interpretations of Shakespeare's plays as well as interpreting the place of Shakespeare on screen within the classroom and within the English curriculum. Shakespeare on screen is evaluated both in relation to the play texts and in relation to the realms of popular film culture. The book focuses on how Shakespeare is manipulated in film and television through the representation of violence, gender, sexuality, race and nationalism. Cartmell discusses a wide range of films, including Orson Welles' Othello (1952), Kenneth Branagh's Much Ado About Nothing (1993), Peter Greenaway's Prospero's Books (1991), Baz Luhrmann's William Shakespeare's Romeo and Juliet (1996) and John Madden's Shakespeare in Love (1998).
Author: Russell Jackson
Publisher: Cambridge University Press
ISBN: 110836926X
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
The Cambridge Companion to Shakespeare on Screen provides a lively guide to film and television productions adapted from Shakespeare's plays. Offering an essential resource for students of Shakespeare, the companion considers topics such as the early history of Shakespeare films, the development of 'live' broadcasts from theatre to cinema, the influence of promotion and marketing, and the range of versions available in 'world cinema'. Chapters on the contexts, genres and critical issues of Shakespeare on screen offer a diverse range of close analyses, from 'Classical Hollywood' films to the BBC's Hollow Crown series. The companion also features sections on the work of individual directors Orson Welles, Akira Kurosawa, Franco Zeffirelli, Kenneth Branagh, and Vishal Bhardwaj, and is supplemented by a guide to further reading and a filmography.
Author: Victoria Bladen
Publisher: Cambridge University Press
ISBN: 1108426921
Category : Drama
Languages : en
Pages : 277
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Book Description
An up-to-date survey of Shakespeare's King Lear on screen and the aesthetic, social and political issues raised by screen versions.
Author: Kenneth Sprague Rothwell
Publisher: Neal-Schuman Publishers
ISBN:
Category : Drama
Languages : en
Pages : 448
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Book Description
This comprehensive guide covers approximately 400 feature-length films, documentaries, spin-offs, educational films, and excerpts of Shakespeare's plays. A full entry is provided for each major film, including cast, credits, and critical commentary. There are also sections on film and videos on Shakespeare's life and times, theater, poetry, plays, actors, and directors. Also included are an extensive bibliography, a list of archive and resource centers, and distributors. Separate indexes list directors and producers, major series, actors, and production personnel.
