The Arden Handbook of Shakespeare and Early Modern Drama PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Arden Handbook of Shakespeare and Early Modern Drama PDF full book. Access full book title The Arden Handbook of Shakespeare and Early Modern Drama by Michelle M. Dowd. Download full books in PDF and EPUB format.
Author: Michelle M. Dowd
Publisher: Bloomsbury Publishing
ISBN: 1350161853
Category : Drama
Languages : en
Pages : 409
Get Book
Book Description
"This collection offers a wide-ranging, authoritative guide to research on drama and society in Shakespeare's England, mapping the variety of approaches to the context and work of Shakespeare and his contemporaries. Its contents include chapters by senior figures within the field as well as by emerging scholars working on the most exciting areas of current research. As well as surveying significant 21st-century trends in the study of early modern drama, they offer original, state-of-the-art work on theatre history, social and cultural contexts of the theatre, and recent approaches in criticism and performance. Chapters explore early modern drama through a range of cultural contexts and approaches, from material culture and emotion studies to early modern race work and new directions in gender and sexuality studies. The volume also includes a ground-breaking new chronology of early modern drama, a survey of resources, and an annotated bibliography. Combining original research with an account of the current state of play, The Arden Research Handbook of Early Modern Drama will be an invaluable resource both to experienced scholars and to those beginning work in the field"--
Author: Michelle M. Dowd
Publisher: Bloomsbury Publishing
ISBN: 1350161853
Category : Drama
Languages : en
Pages : 409
Get Book
Book Description
"This collection offers a wide-ranging, authoritative guide to research on drama and society in Shakespeare's England, mapping the variety of approaches to the context and work of Shakespeare and his contemporaries. Its contents include chapters by senior figures within the field as well as by emerging scholars working on the most exciting areas of current research. As well as surveying significant 21st-century trends in the study of early modern drama, they offer original, state-of-the-art work on theatre history, social and cultural contexts of the theatre, and recent approaches in criticism and performance. Chapters explore early modern drama through a range of cultural contexts and approaches, from material culture and emotion studies to early modern race work and new directions in gender and sexuality studies. The volume also includes a ground-breaking new chronology of early modern drama, a survey of resources, and an annotated bibliography. Combining original research with an account of the current state of play, The Arden Research Handbook of Early Modern Drama will be an invaluable resource both to experienced scholars and to those beginning work in the field"--
Author: Pamela Bickley
Publisher: Bloomsbury Publishing
ISBN: 1472577159
Category : Literary Criticism
Languages : en
Pages : 352
Get Book
Book Description
Where does Shakespeare fit into the drama of his day? Getting to know the work of Shakespeare's contemporaries offers an insight into Elizabethan and Jacobean preoccupations and the theatrical climate of the early modern period. This book provides an essential overview of some major dramatic works from their stage origins to today's screen productions. Each chapter includes: · a detailed analysis of a play by Shakespeare considered alongside a key work by one other significant playwright of the day (including The Merchant of Venice, Volpone, The Spanish Tragedy, Titus Andronicus, Othello, The Changeling, Romeo and Juliet, The Duchess of Malfi, Measure for Measure, 'Tis Pity She's a Whore, The Taming of the Shrew, The Tragedy of Mariam, Doctor Faustus and Hamlet) · close reading of the text · discussion of early modern theatrical practices · a focus on one ground-breaking example of early modern drama on screen · suggestions for links with other early modern texts and further reading This book provides a route map to the very latest developments in early modern drama studies, fostering confident and independent thinking, making it an ideal introduction for students of Shakespeare and his contemporaries.
Author: Pascale Aebischer
Publisher: Cambridge University Press
ISBN: 0521193354
Category : Literary Criticism
Languages : en
Pages : 263
Get Book
Book Description
Recent performances of early modern plays are analysed in essays by practitioners and academics, featuring critical, pedagogical and practical approaches.
Author: A. D. Cousins
Publisher: Cambridge University Press
ISBN: 1107172543
Category : Literary Criticism
Languages : en
Pages : 289
Get Book
Book Description
This is the first book to provide students and scholars with a truly comprehensive guide to the early modern soliloquy.
Author: Nandini Das
Publisher: Routledge
ISBN: 1317290674
Category : Literary Criticism
Languages : en
Pages : 194
Get Book
Book Description
This volume addresses dealings with the wondrous, magical, holy, sacred, sainted, numinous, uncanny, auratic, and sacral in the plays of Shakespeare and contemporaries, produced in an era often associated with the irresistible rise of a thinned-out secular rationalism. By starting from the literary text and looking outwards to social, cultural, and historical aspects, it comes to grips with the instabilities of ‘enchanted’ and ‘disenchanted’ practices of thinking and knowledge-making in the early modern period. If what marvelously stands apart from conceptions of the world’s ordinary functioning might be said to be ‘enchanted’, is the enchantedness weakened, empowered, or modally altered by its translation to theatre? We have a received historical narrative of disenchantment as a large-scale early modern cultural process, inexorable in character, consisting of the substitution of a rationally understood and controllable world for one containing substantial areas of mystery. Early modern cultural change, however, involves transpositions, recreations, or fresh inventions of the enchanted, and not only its replacement in diminished or denatured form. This collection is centrally concerned with what happens in theatre, as a medium which can give power to experiences of wonder as well as circumscribe and curtail them, addressing plays written for the popular stage that contribute to and reflect significant contemporary reorientations of vision, awareness, and cognitive practice. The volume uses the idea of dis-enchantment/re-enchantment as a central hub to bring multiple perspectives to bear on early modern conceptualizations and theatricalizations of wonder, the sacred, and the supernatural from different vantage points, marking a significant contribution to studies of magic, witchcraft, enchantment, and natural philosophy in Shakespeare and early modern drama.
Author: Mark Netzloff
Publisher: Rowman & Littlefield
ISBN: 161149513X
Category : Literary Criticism
Languages : en
Pages : 202
Get Book
Book Description
This collection brings together essays on the topics of Shakespeare, theater history, and early English drama in performance by scholars influenced by the pioneering work of Lois Potter.
Author: Susan Zimmerman
Publisher: Edinburgh University Press
ISBN: 0748680764
Category : Literary Criticism
Languages : en
Pages : 226
Get Book
Book Description
Within a theoretical framework that makes use of history, psychoanalysis and anthropology, The Early Modern Corpse and Shakespeare's Theatre explores the relationship of the public theatre to the question of what constituted the 'dead' in early modern English culture.Susan Zimmerman argues that concepts of the corpse as a semi-animate, generative and indeterminate entity were deeply rooted in medieval religious culture. Such concepts ran counter to early modern discourses that sought to harden categorical distinctions between body/spirit, animate/inanimate - in particular, the attacks of Reformists on the materiality of 'dead' idols, and the rationale of the new anatomy for publicly dissecting 'dead' bodies. Zimmerman contends that within this context, theatrical representations of the corpse or corpse/revenant - as seen here in the tragedies of Shakespeare and his contemporaries - uniquely showcased the theatre's own ideological and performative agency. Features*Original in its conjunction of critical theory (Bataille, Kristeva, Lacan, Benjamin) with an historical account of the shifting status of the corpse in late medieval and early modern England.*The first study to demonstrate connections between the meanings attached to the material body in early modern Protestantism, the practice of anatomical dissection, and the English public theatre.*Strong market appeal to scholars and graduate students with interests in the theatre of Shakespeare and his contemporaries, early modern religion and science, and literary theory. *Relevant to advanced undergraduates taking widely taught courses in Shakespeare and in Renaissance drama.
Author: Pascale Aebischer
Publisher: Cambridge University Press
ISBN: 110724482X
Category : Literary Criticism
Languages : en
Pages :
Get Book
Book Description
While film adaptations of Shakespeare's plays captured the popular imagination at the turn of the last century, independent filmmakers began to adapt the plays of Shakespeare's contemporaries. The roots of their films in European avant-garde cinema and the plays' politically subversive, sexually transgressive and violent subject matter challenge Shakespeare's cultural dominance and the conventions of mainstream cinema. In Screening Early Modern Drama, Pascale Aebischer shows how director Derek Jarman constructed an alternative, dissident, approach to filming literary heritage in his 'queer' Caravaggio and Edward II, providing models for subsequent filmmakers such as Mike Figgis, Peter Greenaway, Alex Cox and Sarah Harding. Aebischer explains how the advent of digital video has led to an explosion in low-budget screen versions of early modern drama. The only comprehensive analysis of early modern drama on screen to date, this groundbreaking study also includes an extensive annotated filmography listing forty-eight surviving adaptations.
Author: David McInnis
Publisher: Cambridge University Press
ISBN: 1108843263
Category : Drama
Languages : en
Pages : 239
Get Book
Book Description
Explores Shakespeare's plays in their most immediate context: the hundreds of plays known to original audiences, but lost to us.
Author: Daisy Murray
Publisher: Routledge
ISBN: 1317195701
Category : Literary Criticism
Languages : en
Pages : 202
Get Book
Book Description
This volume investigates the early modern understanding of twinship through new readings of plays, informed by discussions of twins appearing in such literature as anatomy tracts, midwifery manuals, monstrous birth broadsides, and chapbooks. The book contextualizes such dramatic representations of twinship, investigating contemporary discussions about twins in medical and popular literature and how such dialogues resonate with the twin characters appearing on the early modern stage. Garofalo demonstrates that, in this period, twin births were viewed as biologically aberrant and, because of this classification, authors frequently attempt to explain the phenomenon in ways which call into question the moral and constitutional standing of both the parents and the twins themselves. In line with current critical studies on pregnancy and the female body, discussions of twin births reveal a distrust of the mother and the processes surrounding twin conception; however, a corresponding suspicion of twins also emerges, which monstrous birth pamphlets exemplify. This book analyzes the representation of twins in early modern drama in light of this information, moving from tragedies through to comedies. This progression demonstrates how the dramatic potential inherent in the early modern understanding of twinship is capitalized on by playwrights, as negative ideas about twins can be seen transitioning into tragic and tragicomic depictions of twinship. However, by building toward a positive, comic representation of twins, the work additionally suggests an alternate interpretation of twinship in this period, which appreciates and celebrates twins because of their difference. The volume will be of interest to those studying Shakespeare and Renaissance Literature in relation to the History of Emotions, the Body, and the Medical Humanities.
