Author:
Publisher:
ISBN:
Category : Audiocassettes
Languages : en
Pages : 1132
Book Description
Schwann Opus
Author:
Publisher:
ISBN:
Category : Audiocassettes
Languages : en
Pages : 1132
Book Description
Publisher:
ISBN:
Category : Audiocassettes
Languages : en
Pages : 1132
Book Description
Schwann Opus Vol. 10
Author: Becky Barnhart
Publisher:
ISBN: 9781575980515
Category : Music
Languages : en
Pages : 970
Book Description
Publisher:
ISBN: 9781575980515
Category : Music
Languages : en
Pages : 970
Book Description
Schwann Opus
Author: Schwann Publications
Publisher:
ISBN: 9781575980379
Category : Music
Languages : en
Pages : 1020
Book Description
Publisher:
ISBN: 9781575980379
Category : Music
Languages : en
Pages : 1020
Book Description
The British Union Catalogue of Music Periodicals
Author: John Wagstaff
Publisher: Routledge
ISBN: 0429802617
Category : Music
Languages : en
Pages : 1061
Book Description
First published in 1998, the aim of this catalogue is to help students, researchers and librarians determine the UK locations of over 2,000 music periodical titles held in public, academic and national libraries. Over 220 libraries in the UK have been surveyed, from St. Austell to Aberdeen, Aberystwyth to Brighton. Each catalogue entry provides detailed information on library holdings, and full bibliographic details of periodical titles, including ISSNs. The main catalogue is preceded by an address list, and by a preface outlining the history of music periodicals in Britain, together with statistical tables.
Publisher: Routledge
ISBN: 0429802617
Category : Music
Languages : en
Pages : 1061
Book Description
First published in 1998, the aim of this catalogue is to help students, researchers and librarians determine the UK locations of over 2,000 music periodical titles held in public, academic and national libraries. Over 220 libraries in the UK have been surveyed, from St. Austell to Aberdeen, Aberystwyth to Brighton. Each catalogue entry provides detailed information on library holdings, and full bibliographic details of periodical titles, including ISSNs. The main catalogue is preceded by an address list, and by a preface outlining the history of music periodicals in Britain, together with statistical tables.
The Musical Work
Author: Michael Talbot
Publisher: Liverpool University Press
ISBN: 9780853238256
Category : Music
Languages : en
Pages : 280
Book Description
Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.
Publisher: Liverpool University Press
ISBN: 9780853238256
Category : Music
Languages : en
Pages : 280
Book Description
Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.
Schwann Opus
Author: Schwann Publications
Publisher:
ISBN: 9781575980423
Category :
Languages : en
Pages : 1191
Book Description
Publisher:
ISBN: 9781575980423
Category :
Languages : en
Pages : 1191
Book Description
Schwann Spectrum
Library Acquisition of Music
Author: Robert Michael Fling
Publisher: Scarecrow Press
ISBN: 9780810851245
Category : Language Arts & Disciplines
Languages : en
Pages : 246
Book Description
Provides advice for libraries on acquiring printed and recorded music; including information on preordering, the ordering process, secondhand and out of print materials, and more.
Publisher: Scarecrow Press
ISBN: 9780810851245
Category : Language Arts & Disciplines
Languages : en
Pages : 246
Book Description
Provides advice for libraries on acquiring printed and recorded music; including information on preordering, the ordering process, secondhand and out of print materials, and more.
Schwann Spectrum
Author: Schwann Publications
Publisher:
ISBN: 9781575980386
Category :
Languages : en
Pages : 660
Book Description
Publisher:
ISBN: 9781575980386
Category :
Languages : en
Pages : 660
Book Description
Quarter Notes and Bank Notes
Author: F. M. Scherer
Publisher: Princeton University Press
ISBN: 0691188092
Category : Music
Languages : en
Pages : 277
Book Description
In 1700, most composers were employees of noble courts or the church. But by the nineteenth century, Chopin, Schumann, Brahms, Verdi, and many others functioned as freelance artists teaching, performing, and selling their compositions in the private marketplace. While some believe that Mozart's career marks a clean break between these two periods, this book tells the story of a more complex and interesting transition. F. M. Scherer first examines the political, intellectual, and economic roots of the shift from patronage to a freelance market. He describes the eighteenth-century cultural "arms race" among noble courts, the spread of private concert halls and opera houses, the increasing attendance of middle-class music lovers, and the founding of conservatories. He analyzes changing trends in how composers acquired their skills and earned their living, examining such impacts as demographic developments and new modes of transportation. The book offers insight into the diversity of composers' economic aspirations, the strategies through which they pursued success, the burgeoning music publishing industry, and the emergence of copyright protection. Scherer concludes by drawing some parallels to the economic state of music composition in our own times. Written by a leading economist with an unusually broad knowledge of music, this fascinating account is directed toward individuals intrigued by the world of classical composers as well as those interested in economic history or the role of money in art.
Publisher: Princeton University Press
ISBN: 0691188092
Category : Music
Languages : en
Pages : 277
Book Description
In 1700, most composers were employees of noble courts or the church. But by the nineteenth century, Chopin, Schumann, Brahms, Verdi, and many others functioned as freelance artists teaching, performing, and selling their compositions in the private marketplace. While some believe that Mozart's career marks a clean break between these two periods, this book tells the story of a more complex and interesting transition. F. M. Scherer first examines the political, intellectual, and economic roots of the shift from patronage to a freelance market. He describes the eighteenth-century cultural "arms race" among noble courts, the spread of private concert halls and opera houses, the increasing attendance of middle-class music lovers, and the founding of conservatories. He analyzes changing trends in how composers acquired their skills and earned their living, examining such impacts as demographic developments and new modes of transportation. The book offers insight into the diversity of composers' economic aspirations, the strategies through which they pursued success, the burgeoning music publishing industry, and the emergence of copyright protection. Scherer concludes by drawing some parallels to the economic state of music composition in our own times. Written by a leading economist with an unusually broad knowledge of music, this fascinating account is directed toward individuals intrigued by the world of classical composers as well as those interested in economic history or the role of money in art.