Rococo Fiction in France, 1600-1715 PDF Download
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Author: Allison Stedman
Publisher: Rowman & Littlefield
ISBN: 1611484367
Category : History
Languages : en
Pages : 243
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Book Description
Rococo Fiction in France reconfigures the history of the "long eighteenth century" by revealing the rococo as a literary phenomenon that characterized a range of experimental texts from the end of the French Renaissance to the eve of the French Revolution. Tracing the literary rococo's evolution from the late 1500s to the early 1700s, and exploring its radicalization during the 1670s, '80s, and '90s, Allison Stedman unearths the seventeenth century rococo's counter-vision for the trajectory of the French monarchy and the dawn of the French Enlightenment. The first part of the study investigates the relationship between Montaigne's philosophy of literary production and those of early seventeenth-century "table-talk" novelists, libertine writers, and playwrights involved in the quarrel over Corneille's play Le Cid. She thus establishes the existence of a rococo philosophy of literary production whose goal was to innovate, to bring pleasure, and to create communities. The second part of the study explores the impact that the Duchess de Montpensier's literary portrait galleries, Jean Donneau de Vis 's periodical the Mercure Galant, and other forms of rococo literary production--by such authors as Charles Sorel, Alcide de Saint-Maurice, J.N. de Parvial and Jean de Pr chac--had in the creation of a textually mediated social sphere that served as the foundation of the publicly critical culture of the French Enlightenment. The study concludes with an investigation of the influx of salon sociability into the textually mediated social sphere during the 1690s. Stedman examines the role of interpolated literary fairy tales, proverb plays and other rococo publication strategies--in such late seventeenth-century women writers as d'Aulnoy, Lh ritier, Murat, and Durand--in transfiguring the salon from an exclusive social circle mediated by physical presence to an inclusive social diaspora mediated by texts. Rococo Fiction in France challenges established views of early modern French literary history and discusses a range of little known works in a generous and engaging manner.
Author: Allison Stedman
Publisher: Rowman & Littlefield
ISBN: 1611484367
Category : History
Languages : en
Pages : 243
Get Book
Book Description
Rococo Fiction in France reconfigures the history of the "long eighteenth century" by revealing the rococo as a literary phenomenon that characterized a range of experimental texts from the end of the French Renaissance to the eve of the French Revolution. Tracing the literary rococo's evolution from the late 1500s to the early 1700s, and exploring its radicalization during the 1670s, '80s, and '90s, Allison Stedman unearths the seventeenth century rococo's counter-vision for the trajectory of the French monarchy and the dawn of the French Enlightenment. The first part of the study investigates the relationship between Montaigne's philosophy of literary production and those of early seventeenth-century "table-talk" novelists, libertine writers, and playwrights involved in the quarrel over Corneille's play Le Cid. She thus establishes the existence of a rococo philosophy of literary production whose goal was to innovate, to bring pleasure, and to create communities. The second part of the study explores the impact that the Duchess de Montpensier's literary portrait galleries, Jean Donneau de Vis 's periodical the Mercure Galant, and other forms of rococo literary production--by such authors as Charles Sorel, Alcide de Saint-Maurice, J.N. de Parvial and Jean de Pr chac--had in the creation of a textually mediated social sphere that served as the foundation of the publicly critical culture of the French Enlightenment. The study concludes with an investigation of the influx of salon sociability into the textually mediated social sphere during the 1690s. Stedman examines the role of interpolated literary fairy tales, proverb plays and other rococo publication strategies--in such late seventeenth-century women writers as d'Aulnoy, Lh ritier, Murat, and Durand--in transfiguring the salon from an exclusive social circle mediated by physical presence to an inclusive social diaspora mediated by texts. Rococo Fiction in France challenges established views of early modern French literary history and discusses a range of little known works in a generous and engaging manner.
Author: Antoine Adam
Publisher: Weidenfeld & Nicolson
ISBN:
Category : Literary Criticism
Languages : en
Pages : 348
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Book Description
Author: Adam Watt
Publisher: Cambridge University Press
ISBN: 1108758045
Category : Literary Criticism
Languages : en
Pages : 848
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Book Description
This History is the first in a century to trace the development and impact of the novel in French from its beginnings to the present. Leading specialists explore how novelists writing in French have responded to the diverse personal, economic, socio-political, cultural-artistic and environmental factors that shaped their worlds. From the novel's medieval precursors to the impact of the internet, the History provides fresh accounts of canonical and lesser-known authors, offering a global perspective beyond the national borders of 'the Hexagon' to explore France's colonial past and its legacies. Accessible chapters range widely, including the French novel in Sub-Saharan Africa, data analysis of the novel system in the seventeenth century, social critique in women's writing, Sade's banned works and more. Highlighting continuities and divergence between and within different periods, this lively volume offers routes through a diverse literary landscape while encouraging comparison and connection-making between writers, works and historical periods.
Author: Rebecca Bullard
Publisher: Cambridge University Press
ISBN: 1107150469
Category : History
Languages : en
Pages : 295
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Book Description
This collection explores for the first time the importance of secret history in the literature of the long eighteenth century.
Author: Emily C. Friedman
Publisher: Bucknell University Press
ISBN: 1611487536
Category : Literary Criticism
Languages : en
Pages : 209
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Book Description
Scent is both an essential and seemingly impossible-to-recover aspect of material culture. Scent is one of our strongest ties to memory, yet to remember a smell without external stimuli is almost impossible for most people. Moreover, human beings’ (specifically Western humans) ability to smell has been diminished through a process of increased emphasis on odor-removal, hygienic practices that emphasize de-odorization (rather than the covering of one odor by another).While other intangibles of the human experience have been placed into the context of the eighteenth-century novel, scent has so far remained largely sidelined in favor of discussions of the visual, the aural, touch, and taste. The past decade has seen a great expansion of our understanding of how smell works physiologically, psychologically, and culturally, and there is no better moment than now to attempt to recover the traces of olfactory perceptions, descriptions, and assumptions. Reading Smell provides models for how to incorporate olfactory knowledge into new readings of the literary form central to our understanding of the eighteenth century and modernity in general: the novel. The multiplication and development of the novel overlaps strikingly with changes in personal and private hygienic practices that would alter the culture’s relationship to smell. This book examines how far the novel can be understood through a reintroduction of olfactory information. After decades of reading for all kinds of racial, cultural, gendered, and other sorts of absences back into the novel, this book takes one step further: to consider how the recovery of forgotten or overlooked olfactory assumptions might reshape our understanding of these texts. Reading Smell includes wide-scale research and focused case studies of some of the most striking or prevalent uses of olfactory language in eighteenth-century British prose fiction. Highlighting scents with shifting meanings across the period: bodies, tobacco, smelling-bottles, and sulfur, Reading Smell not only provides new insights into canonical works by authors like Swift, Smollett, Richardson, Burney, Austen, and Lewis, but also sheds new light on the history of the British novel as a whole.
Author: Bronwyn Reddan
Publisher: U of Nebraska Press
ISBN: 1496223934
Category : Fiction
Languages : en
Pages : 190
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Book Description
Love is a key ingredient in the stereotypical fairy-tale ending in which everyone lives happily ever after. This romantic formula continues to influence contemporary ideas about love and marriage, but it ignores the history of love as an emotion that shapes and is shaped by hierarchies of power including gender, class, education, and social status. This interdisciplinary study questions the idealization of love as the ultimate happy ending by showing how the conteuses, the women writers who dominated the first French fairy-tale vogue in the 1690s, used the fairy-tale genre to critique the power dynamics of courtship and marriage. Their tales do not sit comfortably in the fairy-tale canon as they explore the good, the bad, and the ugly effects of love and marriage on the lives of their heroines. Bronwyn Reddan argues that the conteuses' scripts for love emphasize the importance of gender in determining the "right" way to love in seventeenth-century France. Their version of fairy-tale love is historical and contingent rather than universal and timeless. This conversation about love compels revision of the happily-ever-after narrative and offers incisive commentary on the gendered scripts for the performance of love in courtship and marriage in seventeenth-century France.
Author: Katharine Ann Jensen
Publisher: Rowman & Littlefield
ISBN: 1666918806
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
In Writing Ambition: Literary Engagements between Women in France, Katharine Ann Jensen analyzes the work of three pairs of women writing in French—Genlis and Lafayette, Colette and Annie de Pène, and Nancy Huson and Leïla Sebbar—to assess how their literary ambitions affected their engagements with each other. Focused on the psychological aspects of the women’s relationships, the author combines close textual readings of their works with attention to historical and biographical contexts to consider how and why one or both women in the pair express contradictory or anxious feelings about literary ambition.
Author: Rivka Swenson
Publisher: Bucknell University Press
ISBN: 1611486793
Category : Literary Criticism
Languages : en
Pages : 348
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Book Description
Essential Scots scrutinizes diverse texts from the Union of Crowns and James VI/I’s Edinburgh-London emigration to the aftermath of George IV’s London-Edinburgh-London journey more than two centuries later, exposing how the “essential” Scot, allegedly possessed of a uniquely durable, influential identity, shaped the literary-cultural narrative imagination from 1603-1832, with implications for the twenty-first century. The essential Scot’s supposed aptitude for personal resistance and recovery were marshaled by Scottish and English writers to formally challenge, accommodate, generate, revise, and mediate between the universalizing and individualizing trajectories of British unionism still negotiated today.
Author: Nancy L. Canepa
Publisher: Wayne State University Press
ISBN: 0814339360
Category : Fiction
Languages : en
Pages : 501
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Book Description
Pedagogical models and methodologies for engaging with fairy tales in the classroom.
Author: Katherine Dauge-Roth
Publisher: Penn State Press
ISBN: 0271095881
Category : History
Languages : en
Pages : 295
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Book Description
"Investigates the intersecting histories of tattooing, branding, stigmata, baptismal and beauty marks, and the wounds and scars borne by early modern men and women. Examines these forms of dermal marking as manifestations of a powerful and ubiquitous material practice"--
