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Author: Garry Mulholland
Publisher: Orion
ISBN: 1409112209
Category : Music
Languages : en
Pages : 320
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Book Description
Hugely acclaimed author of THIS IS UNCOOL and FEAR OF MUSIC turns his attention to rock 'n' roll movies. From BLACKBOARD JUNGLE to QUADROPHENIA, from 8 MILE to ABBA: THE MOVIE, no one has seriously looked at the strange phenomenon that is the rock 'n' roll movie. Garry Mulholland turns his focus away from classic records to the best, the worst, the weird and the completely deranged from the world of the rock movie. Part serious critical appreciation, part celebration of B-movie trash, Garry Mulholland's inclusive approach is the key to his success. He is as comfortable deconstructing the likes of PERFORMANCE, GIMME SHELTER or JUBILEE as he is celebrating FOOTLOOSE or JAILHOUSE ROCK. As he writes: '... Anyone who rejects the joy that the likes of GREASE or DIRTY DANCING or FAME have brought millions of people without even attempting to engage with why such unapologetic trash works can't really be that interested in filmgoers at all.'
Author: Garry Mulholland
Publisher: Orion
ISBN: 1409112209
Category : Music
Languages : en
Pages : 320
Get Book
Book Description
Hugely acclaimed author of THIS IS UNCOOL and FEAR OF MUSIC turns his attention to rock 'n' roll movies. From BLACKBOARD JUNGLE to QUADROPHENIA, from 8 MILE to ABBA: THE MOVIE, no one has seriously looked at the strange phenomenon that is the rock 'n' roll movie. Garry Mulholland turns his focus away from classic records to the best, the worst, the weird and the completely deranged from the world of the rock movie. Part serious critical appreciation, part celebration of B-movie trash, Garry Mulholland's inclusive approach is the key to his success. He is as comfortable deconstructing the likes of PERFORMANCE, GIMME SHELTER or JUBILEE as he is celebrating FOOTLOOSE or JAILHOUSE ROCK. As he writes: '... Anyone who rejects the joy that the likes of GREASE or DIRTY DANCING or FAME have brought millions of people without even attempting to engage with why such unapologetic trash works can't really be that interested in filmgoers at all.'
Author: David E. James
Publisher: Oxford University Press
ISBN: 0190842016
Category : Art
Languages : en
Pages : 489
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Book Description
"In the mid-1950s, rock 'n' roll amalgamated earlier black and white working-class musical traditions to displace the Great American Songbook's hegemony over Anglophone popular music. At the same time, the classic musical was both displaced and re-created in a new form of film: the rock 'n' roll musical. For the next two decades, the genre's evolution in the United States and the United Kingdom accompanied and sustained the emergence, flowering, and decay of a counterculture. Cinema was second only to records in the production of the new cultural gestalt that the music generated."--[Source inconnue].
Author: Harold Bronson
Publisher: SelectBooks, Inc.
ISBN: 1590791355
Category : Biography & Autobiography
Languages : en
Pages : 530
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Book Description
In the 1970s in the backroom of a record store, Harold Bronson and Richard Foos were making history—and so, Rhino Records was born. Harold Bronson’s The Rhino Records Story tells the tale of how a little record shop became a multimillion dollar corporation. This behind-the-scenes look at a company considered by many to be the industry’s best, reveals the secrets to their success. Written from the perspective of co-founder Harold Bronson, The Rhino Records Story divulges a unique business approach which made Rhino what it was at the height of its success. In a mix of hard work and good humor, the story of Rhino Records takes shape. Struggling against corporate interests, the demands of rock star personalities, and a perpetual underdog reputation, Bronson provides an exclusive insight into how Rhino excelled. By the fans, for the fans, Rhino Records is the story of rock history, evolving pop culture, and a unique understanding of the music that mattered.
Author: Landon Palmer
Publisher: Oxford University Press, USA
ISBN: 0190888407
Category : Music
Languages : en
Pages : 289
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Book Description
From Elvis to Madonna, Rock Star/Movie Star explores why rock stars have been useful for movies, and why movies have been useful for rock stars. This in-depth history traverses how rock stars' screen performances have served motion picture and recording industries as well as offered new potentialities for movie stardom.
Author: Marshall Crenshaw
Publisher: Harper Perennial
ISBN:
Category : Motion pictures
Languages : en
Pages : 358
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Book Description
Offers reviews, comments, and production credits for films about rock music, musicals with rock scores, movies featuring rock stars as actors, rock documentaries, and films with influential rock soundtracks.
Author: John Lydon
Publisher: Macmillan
ISBN: 031211883X
Category : Biography & Autobiography
Languages : en
Pages : 349
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Book Description
The leader of the notorious punk rock group, The Sex Pistols, offers his own opinionated, witty reflections on the punk movement, alongside the memories of other musicians and taste-makers of the time, including Chrissie Hynde, Billy Idol, and others. Reprint.
Author: Steve Almond
Publisher: Random House
ISBN: 0679603654
Category : Biography & Autobiography
Languages : en
Pages : 241
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Book Description
Drooling fanatic, n. 1. One who drools in the presence of beloved rock stars. 2. Any of a genus of rock-and-roll wannabes/geeks who walk around with songs constantly ringing in their ears, own more than 3,000 albums, and fall in love with at least one record per week. With a life that’s spanned the phonographic era and the digital age, Steve Almond lives to Rawk. Like you, he’s secretly longed to live the life of a rock star, complete with insane talent, famous friends, and hotel rooms to be trashed. Also like you, he’s content (sort of) to live the life of a rabid fan, one who has converted his unrequited desires into a (sort of) noble obsession. Rock and Roll Will Save Your Life traces Almond’s passion from his earliest (and most wretched) rock criticism to his eventual discovery of a music-crazed soul mate and their subsequent production of two little superfans. Along the way, Almond reflects on the delusional power of songs, the awkward mating habits of drooling fanatics, and why Depression Songs actually make us feel so much better. The book also includes: • sometimes drunken interviews with America’s finest songwriters • a recap of the author’s terrifying visit to Graceland while stoned • a vigorous and credibility-shattering endorsement of Styx’s Paradise Theater • recommendations you will often choose to ignore • a reluctant exegesis of the Toto song “Africa” • obnoxious lists sure to piss off rock critics But wait, there’s more. Readers will also be able to listen to a special free mix designed by the author, available online at www.stevenalmond.com, for the express purpose of eliciting your drool. For those about to rock—we salute you!
Author: Jim Dawson
Publisher: Genius Book Company
ISBN: 9781947521971
Category :
Languages : en
Pages : 0
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Book Description
"The blues had a baby and they called it rock 'n' roll," said the great Muddy Waters. But what was the firstborn? What was the first rock 'n' roll record? Using this question as their starting point, writers Jim Dawson and Steve Propes nominate 50 recordings for that honor. Beginning with a 1944 Jazz at the Philharmonic recording, "Blues, Part 2," and ending with Elvis Presley's "Heartbreak Hotel," What Was the First Rock 'n' Roll Record? profiles some of the most important and influential recordings in rock's history. For each nominee, Dawson and Propes provide chart positions, labels, recording information, and an explanation as to why it might qualify as the first. Lesser known milestones like "Open the Door, Richard" and "Rocket 88" appear here alongside acknowledged classics like "Shake, Rattle, and Roll" and "Rock Around the Clock," and many forgotten artists are restored to their rightful place in rock's pantheon. The result is a provocative and entertaining guide to the earliest days of rock 'n' roll. This 30th anniversary updated and revised edition brings to light new and surprising details about the songs and artists that are vying for the honor of being the first rock 'n' roll record.
Author: Shep Gordon
Publisher: HarperCollins
ISBN: 006235597X
Category : Music
Languages : en
Pages : 230
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Book Description
In the course of his storied career as a manager, agent, and producer, Shep Gordon has worked with—and befriended—some of the biggest names in the entertainment industry, from Alice Cooper to Bette Davis, Raquel Welch to Groucho Marx, Blondie to Jimi Hendrix, Sylvester Stallone to Salvador Dalí, Luther Vandross to Teddy Pendergrass. He is also credited with inventing the “celebrity chef,” and has worked with Nobu Matsuhisa, Emeril Lagasse, Wolfgang Puck, Roger Vergé, and many others. In this wonderfully engaging memoir, the captivating entertainment legend recalls his life, from his humble beginnings as a shy, unambitious kid growing up on Long Island to his unexpected rise as one of the most influential and respected personalities in show business, revered for his kindness, charisma—and fondness for a good time. Gordon shares riotous anecdotes and outrageous accounts of his freewheeling, globe-trotting experiences with some of the biggest celebrities of the past five decades, including his first meeting with Janis Joplin in 1968, when the raspy singer punched him in the face. Told with incomparable humor and heart, They Call Me Supermensch is a sincere, hilarious, behind-the-scenes look at the worlds of music and entertainment from a consummate Hollywood insider.
Author: Greil Marcus
Publisher: Yale University Press
ISBN: 0300190301
Category : Music
Languages : en
Pages : 278
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Book Description
The legendary critic and author of Mystery Train “ingeniously retells the tale of rock and roll” (Publishers Weekly, starred review). Unlike previous versions of rock ’n’ roll history, this book omits almost every iconic performer and ignores the storied events and turning points everyone knows. Instead, in a daring stroke, Greil Marcus selects ten songs and dramatizes how each embodies rock ’n’ roll as a thing in itself, in the story it tells, inhabits, and acts out—a new language, something new under the sun. “Transmission” by Joy Division. “All I Could Do Was Cry” by Etta James and then Beyoncé. “To Know Him Is to Love Him,” first by the Teddy Bears and almost half a century later by Amy Winehouse. In Marcus’s hands these and other songs tell the story of the music, which is, at bottom, the story of the desire for freedom in all its unruly and liberating glory. Slipping the constraints of chronology, Marcus braids together past and present, holding up to the light the ways that these striking songs fall through time and circumstance, gaining momentum and meaning, astonishing us by upending our presumptions and prejudices. This book, by a founder of contemporary rock criticism—and its most gifted and incisive practitioner—is destined to become an enduring classic. “One of the epic figures in rock writing.”—The New York Times Book Review “Marcus is our greatest cultural critic, not only because of what he says but also, as with rock-and-roll itself, how he says it.”—The Washington Post Winner of the Deems Taylor Virgil Thomson Award in Music Criticism, given by the American Society of Composers, Authors & Publishers
