Author:
Publisher:
ISBN:
Category : Bookbinding
Languages : en
Pages : 352
Book Description
American Printer and Bookmaker
Author:
Publisher:
ISBN:
Category : Bookbinding
Languages : en
Pages : 352
Book Description
Publisher:
ISBN:
Category : Bookbinding
Languages : en
Pages : 352
Book Description
Printer and Bookmaker
Author:
Publisher:
ISBN:
Category : Bookbinding
Languages : en
Pages : 344
Book Description
Publisher:
ISBN:
Category : Bookbinding
Languages : en
Pages : 344
Book Description
Small Business in American Life
Author: Stuart W. Bruchey
Publisher: Beard Books
ISBN: 9781587981845
Category : Business & Economics
Languages : en
Pages : 414
Book Description
Seventeen scholarly essays provide insights into the role that small business has played in United States history.
Publisher: Beard Books
ISBN: 9781587981845
Category : Business & Economics
Languages : en
Pages : 414
Book Description
Seventeen scholarly essays provide insights into the role that small business has played in United States history.
American Printer and Bookmaker
Author:
Publisher:
ISBN:
Category : Bookbinding
Languages : en
Pages : 436
Book Description
Publisher:
ISBN:
Category : Bookbinding
Languages : en
Pages : 436
Book Description
New England Stationer and Printer
The Typographical Journal
The Inland Printer
The American Stationer
Author:
Publisher:
ISBN:
Category : Stationery trade
Languages : en
Pages : 848
Book Description
Publisher:
ISBN:
Category : Stationery trade
Languages : en
Pages : 848
Book Description
The Origins of Graphic Design in America, 1870-1920
Author: Burton Raffel
Publisher: Yale University Press
ISBN: 9780300068351
Category : Design
Languages : en
Pages : 246
Book Description
By the time the phrase "graphic design" first appeared in print in 1922, design professionals in America had already created a discipline combining visual art with mass communication. In this book, Ellen Mazur Thomson examines for the first time the early development of the graphic design profession. It has been thought that graphic design emerged as a profession only when European modernism arrived in America in the 1930s, yet Thomson shows that the practice of graphic design began much earlier. Shortly after the Civil War, when the mechanization of printing and reproduction technology transformed mass communication, new design practices emerged. Thomson investigates the development of these practices from 1870 to 1920, a time when designers came to recognize common interests and create for themselves a professional identity. What did the earliest designers do, and how did they learn to do it? What did they call themselves? How did they organize them-selves and their work? Drawing on an array of original period documents, the author explores design activities in the printing, type founding, advertising, and publishing industries, setting the early history of graphic design in the context of American social history.
Publisher: Yale University Press
ISBN: 9780300068351
Category : Design
Languages : en
Pages : 246
Book Description
By the time the phrase "graphic design" first appeared in print in 1922, design professionals in America had already created a discipline combining visual art with mass communication. In this book, Ellen Mazur Thomson examines for the first time the early development of the graphic design profession. It has been thought that graphic design emerged as a profession only when European modernism arrived in America in the 1930s, yet Thomson shows that the practice of graphic design began much earlier. Shortly after the Civil War, when the mechanization of printing and reproduction technology transformed mass communication, new design practices emerged. Thomson investigates the development of these practices from 1870 to 1920, a time when designers came to recognize common interests and create for themselves a professional identity. What did the earliest designers do, and how did they learn to do it? What did they call themselves? How did they organize them-selves and their work? Drawing on an array of original period documents, the author explores design activities in the printing, type founding, advertising, and publishing industries, setting the early history of graphic design in the context of American social history.