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Author: Ben-Ami Shillony
Publisher: Oxford University Press
ISBN: 9780198202608
Category : Japan
Languages : en
Pages : 260
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Book Description
This analysis of the politics and culture of Japan during the period of World War II argues that the wartime regime, repressive as it was, was very different from contemporary totalitarian states.
Author: Ben-Ami Shillony
Publisher: Oxford University Press
ISBN: 9780198202608
Category : Japan
Languages : en
Pages : 260
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Book Description
This analysis of the politics and culture of Japan during the period of World War II argues that the wartime regime, repressive as it was, was very different from contemporary totalitarian states.
Author: Bradley M. Richardson
Publisher: Univ of California Press
ISBN: 0520333373
Category : History
Languages : en
Pages : 286
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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
Author: John Creighton Campbell
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 68
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Book Description
Author: Elizabeth Lillehoj
Publisher: BRILL
ISBN: 9004211268
Category : Art
Languages : en
Pages : 296
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Book Description
Magnificent art and architecture created for the emperor with the financial support of powerful warlords at the beginning of Japan’s early modern era (1580s-1680s) testify to the continued cultural and ideological significance of the imperial family. Works created in this context are discussed in this groundbreaking study, with over 100 illustrations in color.
Author: Takeshi Ishida
Publisher: Transaction Publishers
ISBN: 9781412826822
Category : History
Languages : en
Pages : 196
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Book Description
This volume provides a perceptive background to modern Japanese culture. Ishida attempts a balanced evaluation of modern Japan, seeking to explain why the basic characteristics of Japanese society permit two almost opposite assessments. He divides the development of modern Japan into two stages: first, the period starting from the Meiji Restoration (1868) up to the end of World War II; second, from the defeat of Japan in World War II up to the present. Ishida investigates the essential features of the modern Japanese value system and the social structure, which comprise both traditional and modern elements. He examines how Japanese society has adapted Western influences to suit its own needs-the real "miracle" of modern Japan. As the Japanese economy grows and Japan becomes an economic superpower, political self-confidence is also emerging. Ishida, however, remains critical of Japanese society, because he feels that Japan lacked the internal resources to change the political system from within until its defeat by the Allies forced it to introduce various reforms ordered by the occupation authorities. Despite the rapid changes taking place in Japanese society, certain attitudes, such as conformity and competition, are common to both the prewar and postwar periods. The final section is devoted to the field of peace research. Ishida presents differences of meaning in the concepts of peace in ancient Hebrew, Greek, Roman, Chinese, and Indian cultures in order to characterize the Japanese concept of peace, which, akin to the Chinese, emphasizes harmony rather than justice. He goes on to discuss Japan's images of Gandhi, which, according to the author, were projections of ultranationalist prejudice and missed the significance of his nonviolent direct action. Ishida emphasizes the importance of such nonviolent action as a means to carry out social change toward the realization of justice.
Author: Michael H. Gibbs
Publisher: Framing Film
ISBN: 9781433117671
Category : Japan
Languages : en
Pages : 0
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Book Description
This study of Japanese political culture from c. 1940 to 2009 challenges standard periodizations of «postwar» Japan, arguing that the postwar period began, much later than previously argued, when a culture of pacifism developed. We can see evidence of this in feature films from the era and in the activities of groups involved in film promotion and criticism. Film and Political Culture in Postwar Japan asks us to take Japanese pacifism seriously and not assume that it is merely a passing phenomenon. This study of the political left questions previous assumptions about such marginalization after the Red Purges of 1950 and the sectarian infighting of the 1960s. Michael H. Gibbs provokes the reader to look beyond the standard «national» parameters of Japanese culture, to examine the role of other states in fomenting war during the 1940s-1970s and in keeping the subsequent peace. In addition, he challenges the neglect of mainstream Japanese film criticism in English-language scholarship, focusing on many filmmakers seen as important in Japanese film culture but relatively little discussed in the west. Gibbs sets the canon of Great Japanese Directors to one side and focuses on the work of Kinoshita, Yamamoto, Masumura, Kuroki, Yamada, Higashi, Negishi, Sakamoto, and Nishikawa. Scholars and students of Japanese and East Asian history, film, war and peace studies, and comparative and world history should find this volume of great interest.
Author: Irena Hayter
Publisher: Routledge
ISBN: 1000397300
Category : History
Languages : en
Pages : 263
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Book Description
This book approaches the concept of tenkō (political conversion) as a response to the global crisis of interwar modernity, as opposed to a distinctly Japanese experience in postwar debates. Tenkō connotes the expressions of ideological conversion performed by members of the Japanese Communist Party, starting in 1933, whereby they renounced Marxism and expressed support for Japan’s imperial expansion on the continent. Although tenkō has a significant presence in Japan’s postwar intellectual and literary histories, this contributed volume is one of the first in Englishm language scholarship to approach the phenomenon. International perspectives from both established and early career scholars show tenkō as inseparable from the global politics of empire, deeply marked by an age of mechanical reproduction, mediatization and the manipulation of language. Chapters draw on a wide range of interdisciplinary methodologies, from political theory and intellectual history to literary studies. In this way, tenkō is explored through new conceptual and analytical frameworks, including questions of gender and the role of affect in politics, implications that render the phenomenon distinctly relevant to the contemporary moment. Tenkō: Cultures of Political Conversion in Transwar Japan will prove a valuable resource to students and scholars of Japanese and East Asian history, literature and politics.
Author: Paul Morris
Publisher: Routledge
ISBN: 1134684975
Category : Education
Languages : en
Pages : 264
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Book Description
In the decades since her defeat in the Second World War, Japan has continued to loom large in the national imagination of many of her East Asian neighbours. While for many, Japan still conjures up images of rampant military brutality, at different times and in different communities, alternative images of the Japanese ‘Other’ have vied for predominance – in ways that remain poorly understood, not least within Japan itself. Imagining Japan in Postwar East Asia analyses the portrayal of Japan in the societies of East and Southeast Asia, and asks how and why this has changed in recent decades, and what these changing images of Japan reveal about the ways in which these societies construct their own identities. It examines the role played by an imagined ‘Japan’ in the construction of national selves across the East Asian region, as mediated through a broad range of media ranging from school curricula and textbooks to film, television, literature and comics. Commencing with an extensive thematic and comparative overview chapter, the volume also includes contributions focusing specifically on Chinese societies (the mainland PRC, Hong Kong and Taiwan), Korea, the Philippines, Malaysia and Singapore. These studies show how changes in the representation of Japan have been related to political, social and cultural shifts within the societies of East Asia – and in particular to the ways in which these societies have imagined or constructed their own identities. Bringing together contributors working in the fields of education, anthropology, history, sociology, political science and media studies, this interdisciplinary volume will be of interest to all students and scholars concerned with issues of identity, politics and culture in the societies of East Asia, and to those seeking a deeper understanding of Japan’s fraught relations with its regional neighbours.
Author: Alan Tansman
Publisher: Duke University Press
ISBN: 0822390701
Category : History
Languages : en
Pages : 492
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Book Description
This bold collection of essays demonstrates the necessity of understanding fascism in cultural terms rather than only or even primarily in terms of political structures and events. Contributors from history, literature, film, art history, and anthropology describe a culture of fascism in Japan in the decades preceding the end of the Asia-Pacific War. In so doing, they challenge past scholarship, which has generally rejected descriptions of pre-1945 Japan as fascist. The contributors explain how a fascist ideology was diffused throughout Japanese culture via literature, popular culture, film, design, and everyday discourse. Alan Tansman’s introduction places the essays in historical context and situates them in relation to previous scholarly inquiries into the existence of fascism in Japan. Several contributors examine how fascism was understood in the 1930s by, for example, influential theorists, an antifascist literary group, and leading intellectuals responding to capitalist modernization. Others explore the idea that fascism’s solution to alienation and exploitation lay in efforts to beautify work, the workplace, and everyday life. Still others analyze the realization of and limits to fascist aesthetics in film, memorial design, architecture, animal imagery, a military museum, and a national exposition. Contributors also assess both manifestations of and resistance to fascist ideology in the work of renowned authors including the Nobel-prize-winning novelist and short-story writer Kawabata Yasunari and the mystery writers Edogawa Ranpo and Hamao Shirō. In the work of these final two, the tropes of sexual perversity and paranoia open a new perspective on fascist culture. This volume makes Japanese fascism available as a critical point of comparison for scholars of fascism worldwide. The concluding essay models such work by comparing Spanish and Japanese fascisms. Contributors. Noriko Aso, Michael Baskett, Kim Brandt, Nina Cornyetz, Kevin M. Doak, James Dorsey, Aaron Gerow, Harry Harootunian, Marilyn Ivy, Angus Lockyer, Jim Reichert, Jonathan Reynolds, Ellen Schattschneider, Aaron Skabelund, Akiko Takenaka, Alan Tansman, Richard Torrance, Keith Vincent, Alejandro Yarza
Author: Curtis H. Martin
Publisher: Routledge
ISBN: 1351715496
Category : Social Science
Languages : en
Pages : 352
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Book Description
This title was first published in 1992: This book compares stability and change in the political culture of the relatively new Asian democracy Japan and the much older Western democracy Britain. While the democratic polity emerged incrementally and indigenously in Britain, it was essentially a modern and in many ways foreign implant in Japan. By analysing long-term trends and recent changes in political attitudes, support for government institutions, participation, voting behaviour, and policy-making in the two polities, the authors seek to bring us a unique perspective on these two dynamic island political cultures on opposite ends of the Eurasian land mass. This study will be useful as a supplemental text in upper-level undergraduate and graduate courses in comparative political systems or political cultures, particularly those focusing on industrial democracies. It can also be used in courses on either British or Japanese politics.
