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Author: Various
Publisher: National Geographic Books
ISBN: 0807616192
Category : Poetry
Languages : en
Pages : 0
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Book Description
Newly available, here is the most comprehensive poetry collection from the half-century between 1820 and 1870. “Among anthologies, there is nothing comparable to Paul Kane’s Poetry of the American Renaissance.”—Harold Bloom
Author: Various
Publisher: National Geographic Books
ISBN: 0807616192
Category : Poetry
Languages : en
Pages : 0
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Book Description
Newly available, here is the most comprehensive poetry collection from the half-century between 1820 and 1870. “Among anthologies, there is nothing comparable to Paul Kane’s Poetry of the American Renaissance.”—Harold Bloom
Author: Paul Kane
Publisher: George Braziller
ISBN:
Category : Literary Criticism
Languages : en
Pages : 392
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Book Description
This anthology, the most comprehensive available in a single volume, brings together all of the major poets of the American Renaissance along with many lesser-known poets now being rediscovered. A critical introduction situated the poetry in its historical context, informative headnotes introduce each poet, and notes to the poems provide helpful explanations to unusual words and references. This anthology, for the first time, presents the brilliant poetic legacy of the American Renaissance in a convenient and accessible format.
Author: Walt Whitman
Publisher: Createspace Independent Publishing Platform
ISBN: 9781484884492
Category :
Languages : en
Pages : 134
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Book Description
This book compiles both the first (1855) and final revised (1892) versions of Walt Whitman's masterpiece, "Song of Myself" in one volume, making it unique and valuable for students of American literature. Published by American Renaissance Books; see our other books at AmericanRenaissanceBooks.com.
Author: Kenneth Lincoln
Publisher: Univ of California Press
ISBN: 9780520054578
Category : History
Languages : en
Pages : 352
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Book Description
Lincoln presents the writing of today's most gifted Native American authors, against an ethnographic background which should enable a growing number of readers to share his enthusiasm. Lincoln has lived with American Indians, knows them, and is respected by them; all this enhances his book.
Author: George Monteiro
Publisher: University Press of Kentucky
ISBN: 0813157013
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
"A poem is best read in the light of all the other poems ever written." So said Robert Frost in instructing readers on how to achieve poetic literacy. George Monteiro's newest book follows that dictum to enhance our understanding of Frost's most valuable poems by demonstrating the ways in which they circulate among the constellations of great poems and essays of the New England Renaissance. Monteiro reads Frost's own poetry not against "all the other poems ever written" but in the light of poems and essays by his precursors, particularly Emerson, Thoreau, and Dickinson. Familiar poems such as "Mending Wall," "After Apple-Picking," "Birches," "Stopping by Woods on a Snowy Evening," "The Road Not Taken," and "Mowing," as well as lesser known poems such as "The Draft Horse," "The Ax-Helve," "The Bonfire," "Dust of Snow," "A Cabin in the Clearing," "The Cocoon," and "Pod of the Milkweed," are renewed by fresh and original readings that show why and how these poems pay tribute to their distinguished sources. Frost's insistence that Emerson and Thoreau were the giants of nineteenth-century American letters is confirmed by the many poems, variously influenced, that derive from them. His attitude toward Emily Dickinson, however, was more complex and sometimes less generous. In his twenties he molded his poetry after hers. But later, after he joined the faculty of Amherst College, he found her to be less a benefactor than a competitor. Monteiro tells a two-stranded tale of attraction, imitation, and homage countered by competition, denigration, and grudging acceptance of Dickinson's greatness as a woman poet. In a daring move, he composes -- out of Frost's own words and phrases -- the talk on Emily Dickinson that Frost was never invited to give. In showing how Frost's work converses with that of his predecessors, Monteiro gives us a new Frost whose poetry is seen as the culmination of an in¬tensely felt New England literary experience.
Author: James Russell Lowell
Publisher:
ISBN:
Category : Mexican War, 1846-1848
Languages : en
Pages : 326
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Book Description
Author: Christopher N. Phillips
Publisher: Cambridge University Press
ISBN: 1108372813
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
The American Renaissance has been a foundational concept in American literary history for nearly a century. The phrase connotes a period, as well as an event, an iconic turning point in the growth of a national literature and a canon of texts that would shape American fiction, poetry, and oratory for generations. F. O. Matthiessen coined the term in 1941 to describe the years 1850–1855, which saw the publications of major writings by Hawthorne, Melville, Emerson, Thoreau, and Whitman. This Companion takes up the concept of the American Renaissance and explores its origins, meaning, and longevity. Essays by distinguished scholars move chronologically from the formative reading of American Renaissance authors to the careers of major figures ignored by Matthiessen, including Stowe, Douglass, Harper, and Longfellow. The volume uses the best of current literary studies, from digital humanities to psychoanalytic theory, to illuminate an era that reaches far beyond the Civil War and continues to shape our understanding of American literature.
Author: Alan R. Velie
Publisher: University of Oklahoma Press
ISBN: 0806151315
Category : History
Languages : en
Pages : 377
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Book Description
The outpouring of Native American literature that followed the publication of N. Scott Momaday’s Pulitzer Prize–winning House Made of Dawn in 1968 continues unabated. Fiction and poetry, autobiography and discursive writing from such writers as James Welch, Gerald Vizenor, and Leslie Marmon Silko constitute what critic Kenneth Lincoln in 1983 termed the Native American Renaissance. This collection of essays takes the measure of that efflorescence. The contributors scrutinize writers from Momaday to Sherman Alexie, analyzing works by Native women, First Nations Canadian writers, postmodernists, and such theorists as Robert Warrior, Jace Weaver, and Craig Womack. Weaver’s own examination of the development of Native literary criticism since 1968 focuses on Native American literary nationalism. Alan R. Velie turns to the achievement of Momaday to examine the ways Native novelists have influenced one another. Post-renaissance and postmodern writers are discussed in company with newer writers such as Gordon Henry, Jr., and D. L. Birchfield. Critical essays discuss the poetry of Simon Ortiz, Kimberly Blaeser, Diane Glancy, Luci Tapahonso, and Ray A. Young Bear, as well as the life writings of Janet Campbell Hale, Carter Revard, and Jim Barnes. An essay on Native drama examines the work of Hanay Geiogamah, the Native American Theater Ensemble, and Spider Woman Theatre. In the volume’s concluding essay, Kenneth Lincoln reflects on the history of the Native American Renaissance up to and beyond his seminal work, and discusses Native literature’s legacy and future. The essays collected here underscore the vitality of Native American literature and the need for debate on theory and ideology.
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 1438114915
Category : American literature
Languages : en
Pages : 385
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Book Description
Examines the literary period of the nineteenth century known as the American Renaissance that includes the work of Herman Melville, Walt Whitman, Edgar Allan Poe and others.
Author: Lawrence Buell
Publisher: Cornell University Press
ISBN: 1501707655
Category : Literary Criticism
Languages : en
Pages : 388
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Book Description
Broader in scope than any previous literary study of the transcendentalists, this rewarding book analyzes the theories and forms characteristic of a vital group of American writers, as well as the principles and vision underlying transcendentalism. All the movement's major literary figures and forms are considered in detail. Lawrence Buell combines intellectual history and critical explication, giving equal attention to general trends and to particular works and individuals. His chapters on conversation, religious discourse, catalog rhetoric, and literary travelogue treat intensively topics that have been relatively neglected. His analyses of Ellery Channing's poetry and the use of persona in Emerson and Very are also innovative. In the final section, he offers the first systematic account of the autobiographical tradition in transcendentalist writing.This incisive and sympathetic overview of transcendentalist writing and thought will attract readers interested in American culture, and it will suggest new critical approaches to nonfiction.
