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Author: Eva Hung
Publisher: Chinese University Press
ISBN: 9789622015944
Category : Education
Languages : en
Pages : 296
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Book Description
This book is a collection of nine articles on various paradoxical aspects of traditional Chinese literature. The literary works chosen for analysis range from the Tang dynasty to the late Qing. Besides providing new approaches to the well known classic authors such as Honglou Meng, Jin Ping Mei, Xixiang ji, and Liaozhai zhiyi, there are also detailed analysis of such diverse works as Liu Zongyuan's fiction, analogues of the Liu Yi story, lesser known versions of the play White Rabbit, as well as a number of late Qing fictions. Contributors to this volume include some of the most respected names in sinology today.
Author: Eva Hung
Publisher: Chinese University Press
ISBN: 9789622015944
Category : Education
Languages : en
Pages : 296
Get Book
Book Description
This book is a collection of nine articles on various paradoxical aspects of traditional Chinese literature. The literary works chosen for analysis range from the Tang dynasty to the late Qing. Besides providing new approaches to the well known classic authors such as Honglou Meng, Jin Ping Mei, Xixiang ji, and Liaozhai zhiyi, there are also detailed analysis of such diverse works as Liu Zongyuan's fiction, analogues of the Liu Yi story, lesser known versions of the play White Rabbit, as well as a number of late Qing fictions. Contributors to this volume include some of the most respected names in sinology today.
Author: James J.Y. Liu
Publisher: Princeton University Press
ISBN: 1400859689
Category : Foreign Language Study
Languages : en
Pages : 192
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Book Description
In attempting to define a "poetics of paradox" from a traditional Chinese standpoint, James Liu explores through a comparative approach linguistic, textual, and interpretive problems of relevance to Western literary criticism. Liu's study evolves from a paradoxical view--originating from early Confucian and Daoist philosophical texts--that the less is "said" in poetry, the more is "meant." Such a view implied the existence of paradox in the very use of language and led traditional Chinese hermeneutics to a study of "metaparadox"--the use of language to explicate texts the meaning of which transcends language itself. As Liu illustrates elements of traditional Chinese hermeneutics with examples of poetic and critical works, he makes comparisons with the works of such Western literary figures as Shakespeare, Mallarme, Pound, Ionesco, Derrida, and Shepard. The comparisons bring to light a crucial difference in conceptualization of language: Chinese critics, especially those influenced by Daoism and Buddhism, seem to have held a deitic view of language (language points to things), whereas Western critics seem to have thought of language as primarily mimetic (language represents things). Liu examines the consequences of these views, showing how both offer insights into the "meaning" of text and to what extent both have led to a "metaparadox of interpretation." Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Ming Dong Gu
Publisher: State University of New York Press
ISBN: 0791483479
Category : Philosophy
Languages : en
Pages : 350
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Book Description
A groundbreaking work that uncovers an implicit system of hermeneutics in traditional Chinese thought and aesthetics.
Author: William H. Nienhauser
Publisher: Indiana University Press
ISBN: 9780253334565
Category : Literary Criticism
Languages : en
Pages : 604
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Book Description
""A vertitable feast of concise, useful, reliable, and up-to-dateinformation (all prepared by top scholars in the field), Nienhauser's now two-volumetitle stands alone as THE standard reference work for the study of traditionalChinese literature. Nothing like it has ever been published."" --Choice The second volume to The Indiana Companion to TraditionalChinese Literature is both a supplement and an update to the original volume. VolumeII includes over 60 new entries on famous writers, works, and genres of traditionalChinese literature, followed by an extensive bibliographic update (1985-1997) ofeditions, translations, and studies (primarily in English, Chinese, Japanese, French, and German) for the 500+ entries of Volume I.
Author: Hongjian Wang
Publisher:
ISBN: 9781621965435
Category :
Languages : en
Pages :
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Book Description
"European Decadence, a controversial artistic movement that flourished mainly in late-nineteenth-century France and Britain, has inspired several generations of Chinese writers and literary scholars since it was introduced to China in the early 1920s. Translated into Chinese as tuifei, which has strong hedonistic and pessimistic connotations, the concept of Decadence has proven instrumental in multiple waves of cultural rebellion, but has also become susceptible to moralistic criticism. This is the first comprehensive study of decadence in Chinese literature since the early twentieth century. Standing at the intersection of comparative literature and cultural history, it transcends the framework of tuifei by locating European Decadence in its sociocultural context and uses it as a critical lens to examine Chinese Decadent literature and Chinese society. Its in-depth analysis reveals that some Chinese writers and literary scholars creatively appropriated the concept of Decadence for enlightenment purposes or to bid farewell to revolution. This study is also the first to offer a holistic understanding of European Decadence, uncovering both its internal logic and external circumstances, hence excavating its distinct explanatory power. It also sheds fresh light on modern Chinese literature and culture. By examining the careers of seven prominent writers-Yu Dafu, Shao Xunmei, Yu Hua, Su Tong, Wang Shuo, Wang Xiaobo, and Yin Lichuan-this study disentangles apparent contradictions in their writing and reveals the nuances in the changing status of China's modern cultural elite. Last but not least, the book significantly expands the scope of comparative literary studies beyond influence studies and cultural translation by effectively adopting a literary-historical approach-a literary phenomenon is seen at once as a product and an indicator of certain sociocultural conditions, so similar literary phenomena can illuminate comparable contexts"--
Author: Wilt Idema
Publisher: University of Michigan Press
ISBN: 0892641231
Category : Social Science
Languages : en
Pages : 393
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Book Description
Selected for Choice's list of Outstanding Academic Books for 1997. A comprehensive overview of China's 3,000 years of literary history, from its beginnings to the present day. After an introductory section discussing the concept of literature and other features of traditional Chinese society crucial to understanding its writings, the second part is broken into five major time periods (earliest times to 100 c.e.; 100-1000; 1000-1875; 1875-1915; and 1915 to the present) corresponding to changes in book production. The development of the major literary genres is traced in each of these periods. The reference section in the cloth edition includes an annotated bibliography of more than 120 pages; the paper edition has a shorter bibliography and is intended for classroom use.
Author: Maghiel van Crevel
Publisher: BRILL
ISBN: 9047441419
Category : History
Languages : en
Pages : 480
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Book Description
Bringing together new research on Chinese literature and music by twenty-two scholars, on topics ranging from Tang poetry to women's writing and the internet, this collection pays tribute to Wilt Idema as a leading scholar in a field of tremendous scope and diversity.
Author: Ming Dong Gu
Publisher: SUNY Press
ISBN: 0791481484
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
In this innovative work, Ming Dong Gu examines Chinese literature and traditional Chinese criticism to construct a distinctly Chinese theory of fiction and places it within the context of international fiction theory. He argues that because Chinese fiction, or xiaoshuo, was produced in a tradition very different from that of the West, it has formed a system of fiction theory that cannot be adequately accounted for by Western fiction theory grounded in mimesis and realism. Through an inquiry into the macrocosm of Chinese fiction, the art of formative works, and theoretical data in fiction commentaries and intellectual thought, Gu explores the conceptual and historical conditions of Chinese fiction in relation to European and world fiction. In the process, Gu critiques and challenges some accepted views of Chinese fiction and provides a theoretical basis for fresh approaches to fiction study in general and Chinese fiction in particular. Such masterpieces as the Jin Ping Mei (The Plum in the Golden Vase) and the Hongloumeng (The Story of the Stone) are discussed at length to advance his notion of fiction and fiction theory.
Author: Paolo Santangelo
Publisher: BRILL
ISBN: 9789004123601
Category : Social Science
Languages : en
Pages : 632
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Book Description
A pionering inquiry on the role, perception and representation of emotional sphere in traditional Chinese culture provides a fascinating contribution on a key anthropological problem, in order to understand not only pre-modern private history, but also contemporary Chinese society. The importance of this work goes beyond Chinese studies.
Author: Halvor Eifring
Publisher: BRILL
ISBN: 9789004137103
Category : Literary Criticism
Languages : en
Pages : 348
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Book Description
This volume provides a first step towards a conceptual history of a key term in traditional Chinese culture, "qing," often translated as 'emotion'. The essays cover the classical period and Chan Buddhist sources, in addition to Ming-Qing fiction and drama.
