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Author: Jeffrey Meyers
Publisher: Manchester [Eng.] : Manchester University Press ; [New York] : Barnes & Noble Books
ISBN:
Category : Art
Languages : en
Pages : 196
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Author: Neil Olson
Publisher: Hanover Square Press
ISBN: 1488079439
Category : Fiction
Languages : en
Pages : 250
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Book Description
This “riveting psychological thriller” tells the story of an infamous painting rumored to be cursed—and the family torn apart by its disappearance (Associated Press). There are four cousins in the Morse family: perfect Kenny, the preppy West Coast lawyer; James, the shy but brilliant medical student; his seductive, hard-drinking sister Audrey; and Teresa, youngest and most fragile, haunted by the fear that she has inherited the madness that possessed her father. Their grandfather summons them to his mansion at Owl’s Point. None of them have visited the family estate since they were children, when a prized painting disappeared: a self-portrait by Goya, rumored to cause madness or death upon viewing. Afterward, the family split apart amid the accusations and suspicions that followed its theft. Any hope for a pleasant reunion is lost when Teresa find their grandfather dead, his horrified gaze pinned upon the spot where the painting once hung. As the family gathers and suspicions mount, Teresa tries to uncover the reasons behind her grandfather’s death and the painting’s loss. But to do so she must face ugly family secrets—and confront those who would keep them hidden.
Author: Sally Cabot Gunning
Publisher: HarperCollins
ISBN: 0062916262
Category : Fiction
Languages : en
Pages : 378
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Book Description
From the critically acclaimed author of Monticello and The Widow’s War comes a vividly rendered historical novel of love, loss, and reinvention, set on Martha’s Vineyard at the end of the nineteenth century. Martha’s Vineyard, 1898. In her first life, Ida Russell had been a painter. Five years ago, she had confidently walked the halls of Boston’s renowned Museum School, enrolling in art courses that were once deemed “unthinkable” for women to take, and showing a budding talent for watercolors. But no more. Ida Russell is now Ida Pease, resident of a seaside farm on Vineyard Haven, and wife to Ezra, a once-charming man who has become an inattentive and altogether unreliable husband. Ezra runs a salvage company in town with his business partner, Mose Barstow, but he much prefers their nightly card games at the local pub to his work in their Boston office, not to mention filling haystacks and tending sheep on the farm at home—duties that have fallen to Ida and their part-time farmhand, Lem. Ida, meanwhile, has left her love for painting behind. It comes as no surprise to Ida when Ezra is hours late for a Thanksgiving dinner, only to leave abruptly for another supposedly urgent business trip to Boston. But then something unthinkable happens: a storm strikes and the ship carrying Ezra and Mose sinks. In the wake of this shocking tragedy, Ida must settle the affairs of Ezra’s estate, a task that brings her to a familiar face from her past—Henry Barstow, Mose’s brother and executor. As she joins Henry in sifting through the remnants of her husband’s life and work, Ida must learn to separate truth from lies and what matters from what doesn’t. Captured in rich, painterly prose—piercing as a coastal gale and shimmering as sunlight on the waves—Painting the Light is an arresting portrait of a woman, and a considered meditation on grief, persistence, and reinvention.
Author: Charis Cotter
Publisher: Tundra Books
ISBN: 0735263213
Category : Juvenile Fiction
Languages : en
Pages : 290
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Book Description
A haunting, beautiful middle-grade novel about fractured relationships, loss, ghosts, friendship and art. Annie and her mother don't see eye to eye. When Annie finds a painting of a lonely lighthouse in their home, she is immediately drawn to it--and her mother wishes it would stay banished in the attic. To her, art has no interest, but Annie loves drawing and painting. When Annie's mother slips into a coma following a car accident, strange things begin to happen to Annie. She finds herself falling into the painting and meeting Claire, a girl her own age living at the lighthouse. Claire's mother Maisie is the artist behind the painting, and like Annie, Claire's relationship with her mother is fraught. Annie thinks she can help them find their way back to each other, and in so doing, help mend her relationship with her own mother. But who IS Claire? Why can Annie travel through the painting? And can Annie help her mother wake up from her coma? The Painting is a touching, evocative story with a hint of mystery and suspense to keep readers hooked.
Author: Jakub Lipski
Publisher: Routledge
ISBN: 1351137794
Category : Literary Criticism
Languages : en
Pages : 164
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Book Description
Painting the Novel: Pictorial Discourse in Eighteenth-Century English Fiction focuses on the interrelationship between eighteenth-century theories of the novel and the art of painting – a subject which has not yet been undertaken in a book-length study. This volume argues that throughout the century novelists from Daniel Defoe to Ann Radcliffe referred to the visual arts, recalling specific names or artworks, but also artistic styles and conventions, in an attempt to define the generic constitution of their fictions. In this, the novelists took part in the discussion of the sister arts, not only by pointing to the affinities between them but also, more importantly, by recognising their potential to inform one another; in other words, they expressed a conviction that the theory of a new genre can be successfully rendered through meta-pictorial analogies. By tracing the uses of painting in eighteenth-century novelistic discourse, this book sheds new light on the history of the so-called "rise of the novel".
Author: Jeffrey Meyers
Publisher: Manchester [Eng.] : Manchester University Press ; [New York] : Barnes & Noble Books
ISBN:
Category : Art
Languages : en
Pages : 196
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Book Description
Author: Nina Schuyler
Publisher: Algonquin Books
ISBN: 1565124413
Category : Fiction
Languages : en
Pages : 313
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Book Description
In 1869 Japan, a young woman escapes the confines of her arranged marriage by painting memories of her lover and secretly wrapping the painting around a ceramic pot bound for Europe, where it falls into the hands of a disenchanted young man, in the story of how the lives of four very different characters are transformed by the painting. A first novel.
Author: Ruth Bernard Yeazell
Publisher: Princeton University Press
ISBN: 9780691127262
Category : Art
Languages : en
Pages : 294
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Book Description
Realist novels are celebrated for their detailed attention to ordinary life. But two hundred years before the rise of literary realism, Dutch painters had already made an art of the everyday--pictures that served as a compelling model for the novelists who followed. By the mid-1800s, seventeenth-century Dutch painting figured virtually everywhere in the British and French fiction we esteem today as the vanguard of realism. Why were such writers drawn to this art of two centuries before? What does this tell us about the nature of realism? In this beautifully illustrated and elegantly written book, Ruth Yeazell explores the nineteenth century's fascination with Dutch painting, as well as its doubts about an art that had long challenged traditional values. After showing how persistent tensions between high theory and low genre shaped criticism of novels and pictures alike, Art of the Everyday turns to four major novelists--Honoré de Balzac, George Eliot, Thomas Hardy, and Marcel Proust--who strongly identified their work with Dutch painting. For all these writers, Dutch art provided a model for training themselves to look closely at the particulars of middle-class life. Yet even as nineteenth-century novelists strove to create illusions of the real by modeling their narratives on Dutch pictures, Yeazell argues, they chafed at the model. A concluding chapter on Proust explains why the nineteenth century associated such realism with the past and shows how the rediscovery of Vermeer helped resolve the longstanding conflict between humble details and the aspirations of high art.
Author: Maylis de Kerangal
Publisher: Farrar, Straus and Giroux
ISBN: 0374721122
Category : Fiction
Languages : en
Pages : 225
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Book Description
Named a most anticipated book of 2021 by The Guardian | The Millions An aesthetic and existential coming-of-age novel exploring the apprenticeship of a young female painter In Maylis de Kerangal’s Painting Time, we are introduced to the burgeoning young artist Paula Karst, who is enrolled at the famous Institut de Peinture in Brussels. Unlike the friends she makes at school, Paula strives to understand the specifics of what she’s painting—replicating a wood’s essence or a marble’s wear requires method, technique, and talent, she finds, but also something else: craftsmanship. She resolutely chooses the painstaking demands of craft over the abstraction of high art. With the attention of a documentary filmmaker, de Kerangal follows Paula’s apprenticeship, punctuated by brushstrokes, hard work, sleepless nights, sore muscles, and long, festive evenings. After completing her studies at the Institute, Paula continues to practice her art in Paris, in Moscow, then in Italy on the sets of great films, all as if rehearsing for a grand finale: a job working on Lascaux IV, a facsimile reproduction of the world’s most famous paleolithic cave art and the apotheosis of human cultural expression. An enchanted, atmospheric, and highly aesthetic coming-of-age novel, Painting Time is an intimate and unsparing exploration of craft, inspiration, and the contours of the contemporary art world. As she did in her acclaimed novels The Heart and The Cook, Maylis de Kerangal unravels a tightly wound professional world to reveal the beauty within.
Author: B. A. Shapiro
Publisher: Algonquin Books
ISBN: 1616206438
Category : Fiction
Languages : en
Pages : 369
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Book Description
Don't miss B. A. Shapiro's new novel, The Collector's Apprentice, available now! “Vibrant and suspenseful . . . Like The Art Forger, this new story takes us into the heart of what it means to be an artist.” —The Washington Post “B. A. Shapiro captivated us in 2012 with her ‘addictive’ novel The Art Forger. Now, she’s back with another thrilling tale from the art world.” —Entertainment Weekly When Alizée Benoit, an American painter working for the Works Progress Administration (WPA), vanishes in New York City in 1940, no one knows what happened to her. Not her Jewish family living in German-occupied France. Not her artistic patron and political compatriot, Eleanor Roosevelt. Not her close-knit group of friends, including Mark Rothko, Jackson Pollock, and Lee Krasner. And, some seventy years later, not her great-niece, Danielle Abrams, who while working at Christie’s auction house uncovers enigmatic paintings hidden behind works by those now-famous Abstract Expressionist artists. Do they hold answers to the questions surrounding her missing aunt?
Author: Dominic Smith
Publisher: Sarah Crichton Books
ISBN: 0374714045
Category : Fiction
Languages : en
Pages : 304
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Book Description
“Written in prose so clear that we absorb its images as if by mind meld, “The Last Painting” is gorgeous storytelling: wry, playful, and utterly alive, with an almost tactile awareness of the emotional contours of the human heart. Vividly detailed, acutely sensitive to stratifications of gender and class, it’s fiction that keeps you up at night — first because you’re barreling through the book, then because you’ve slowed your pace to a crawl, savoring the suspense.” —Boston Globe A New York Times Bestseller A New York Times Book Review Editor's Choice A RARE SEVENTEENTH-CENTURY PAINTING LINKS THREE LIVES, ON THREE CONTINENTS, OVER THREE CENTURIES IN THE LAST PAINTING OF SARA DE VOS, AN EXHILARATING NEW NOVEL FROM DOMINIC SMITH. Amsterdam, 1631: Sara de Vos becomes the first woman to be admitted as a master painter to the city’s Guild of St. Luke. Though women do not paint landscapes (they are generally restricted to indoor subjects), a wintry outdoor scene haunts Sara: She cannot shake the image of a young girl from a nearby village, standing alone beside a silver birch at dusk, staring out at a group of skaters on the frozen river below. Defying the expectations of her time, she decides to paint it. New York City, 1957: The only known surviving work of Sara de Vos, At the Edge of a Wood, hangs in the bedroom of a wealthy Manhattan lawyer, Marty de Groot, a descendant of the original owner. It is a beautiful but comfortless landscape. The lawyer’s marriage is prominent but comfortless, too. When a struggling art history grad student, Ellie Shipley, agrees to forge the painting for a dubious art dealer, she finds herself entangled with its owner in ways no one could predict. Sydney, 2000: Now a celebrated art historian and curator, Ellie Shipley is mounting an exhibition in her field of specialization: female painters of the Dutch Golden Age. When it becomes apparent that both the original At the Edge of a Wood and her forgery are en route to her museum, the life she has carefully constructed threatens to unravel entirely and irrevocably.
