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Author: John Trenhaile
Publisher: Canelo
ISBN: 1800322003
Category : Fiction
Languages : en
Pages : 415
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Book Description
Beyond help. Beyond redemption? In a Soviet prison camp near Murmansk is an old man, bowed but not broken, identified only by a number. Were his name known, his fellow inmates would kill him. For this old man is Stepan Povin, former KGB general, now disgraced but kept alive for the sake of the secret that he has retained through two years of interrogation. Povin’s secret is the final link in a chain, the completion of which would make his former masters very happy indeed – a secret which draws British Intelligence ever closer to the camp in the Arctic Circle... The gripping conclusion to the General Povin trilogy, perfect for fans of Robert Harris, John le Carré and Martin Cruz Smith. Praise for John Trenhaile ‘Trenhaile has written a stunning and remarkable novel of treachery and betrayal... brilliantly conceived’ Booklist on The Man Called Kyril ‘Does for the KGB what le Carré does for the British Intelligence Service’ Philadelphia Inquirer on The Man Called Kyril ‘Kept me guessing to the very end...if you like Gorky Park you’ll like Kyril’ Newsday on The Man Called Kyril
Author: John Trenhaile
Publisher: Canelo
ISBN: 1800322003
Category : Fiction
Languages : en
Pages : 415
Get Book
Book Description
Beyond help. Beyond redemption? In a Soviet prison camp near Murmansk is an old man, bowed but not broken, identified only by a number. Were his name known, his fellow inmates would kill him. For this old man is Stepan Povin, former KGB general, now disgraced but kept alive for the sake of the secret that he has retained through two years of interrogation. Povin’s secret is the final link in a chain, the completion of which would make his former masters very happy indeed – a secret which draws British Intelligence ever closer to the camp in the Arctic Circle... The gripping conclusion to the General Povin trilogy, perfect for fans of Robert Harris, John le Carré and Martin Cruz Smith. Praise for John Trenhaile ‘Trenhaile has written a stunning and remarkable novel of treachery and betrayal... brilliantly conceived’ Booklist on The Man Called Kyril ‘Does for the KGB what le Carré does for the British Intelligence Service’ Philadelphia Inquirer on The Man Called Kyril ‘Kept me guessing to the very end...if you like Gorky Park you’ll like Kyril’ Newsday on The Man Called Kyril
Author: Jeffrey Kallberg
Publisher: Harvard University Press
ISBN: 9780674127913
Category : Biography & Autobiography
Languages : en
Pages : 322
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Book Description
The complex cultural status of Chopin--he was a native Pole and adopted Frenchman, a male composer writing in "feminine" genres--is the subject of Kallberg's absorbing book. Combining social history, literary theory, musicology, and feminist thought, this book situates Chopin's music within the construct of his somewhat marginal sexual identity.
Author: Pamela F. Phillips
Publisher: Taylor & Francis
ISBN: 1000862291
Category : History
Languages : en
Pages : 309
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Book Description
This volume brings together eleven case studies that address how the night became visible in the long and global eighteenth century through different mediums and in different geographical contexts. Situated on the eve of the introduction of artificial lighting, the long eighteenth century has much to say about night’s darkness and brilliance. The eighteenth century has been bound up epistemologically with images of light, reason, and order. Night and day, light and darkness, reason and mystery, however, are not necessarily at odds in the eighteenth century. In their analysis of narratives, poetry, urban spaces, music, the visual arts, and geological phenomena, the essays provide various frameworks to examine the representation, treatment, and meaning of the enlightened night. The transnational and multidisciplinary nature of the volume presents a survey of the research currently being done in the field of the long eighteenth-century night. This collection contributes to an ongoing exercise that questions the accepted definitions of the Enlightenment, and by bringing Eighteenth-Century Studies into dialogue with Night Studies, it enriches the critical conversation between these lines of research.
Author: Library of the Surgeon-General's Office (U.S.)
Publisher:
ISBN:
Category : Medical libraries
Languages : en
Pages : 698
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Book Description
Author: National Library of Medicine (U.S.)
Publisher:
ISBN:
Category : Incunabula
Languages : en
Pages : 1078
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Book Description
Author: Paul Cooke
Publisher: BRILL
ISBN: 900448986X
Category : Social Science
Languages : en
Pages : 280
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Book Description
Although internationally renowned as a novelist, journalist, and essayist, Nobel Prize-winning author François Mauriac (1885-1970) never established a reputation as a poet. Yet it was Maurice Barrès’s favourable review of his first collection of verse, Les Mains jointes, that launched Mauriac’s career in 1910. He went on to publish three further collections of poems and insisted to the end of his life that, despite critical neglect of his verse, he remained first and foremost a poet. This book offers the first ever in-depth exploration of the whole of Mauriac’s verse output. After a chapter tracing his general conception of poetry and comparing his ideas to those of other poets and theorists, each of Mauriac’s verse collections is analysed in turn, as are many of his poems that were published exclusively in literary journals. A final chapter explores the significant relationship between Mauriac’s verse and his novels, revealing the multiple connections between these two series of texts. This volume will appeal to those with an interest in twentieth-century French poetry and, more generally, to those interested in the relationship between verse and prose.
Author: Hélène Valance
Publisher: Yale University Press
ISBN: 0300224141
Category : Art
Languages : en
Pages : 272
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Book Description
A beautifully illustrated look at the vogue for night landscapes amid the social, political, and technological changes of modern America The turn of the 20th century witnessed a surge in the creation and popularity of nocturnes and night landscapes in American art. In this original and thought-provoking book, Hélène Valance investigates why artists and viewers of the era were so captivated by the night. Nocturne examines works by artists such as James McNeill Whistler, Childe Hassam, Winslow Homer, Frederic Remington, Edward Steichen, and Henry Ossawa Tanner through the lens of the scientific developments and social issues that dominated the period. Valance argues that the success of the genre is connected to the resonance between the night and the many forces that affected the era, including technological advances that expanded the realm of the visible, such as electric lighting and photography; Jim Crow–era race relations; America’s closing frontier and imperialism abroad; and growing anxiety about identity and social values amid rapid urbanization. This absorbing study features 150 illustrations encompassing paintings, photographs, prints, scientific illustration, advertising, and popular media to explore the predilection for night imagery as a sign of the times.
Author: Allan J. Wagenheim
Publisher: Xlibris Corporation
ISBN: 1469116219
Category : Music
Languages : en
Pages : 144
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Book Description
John Field is the most misunderstood composer in the history of classical music. The author, a former educator, classical pianist, and member of the Aldenori Piano Trio, finally sets the record straight. Pianists both professional and amateur, educators, teachers of piano performance, and musicologists who want to meet the real John Field and understand his finest creations, the nocturnes, will find this book indispensable.
Author: Paul Thomas Murphy
Publisher: Simon and Schuster
ISBN: 1639364927
Category : Art
Languages : en
Pages : 322
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Book Description
The untold story of the artistic battle between James Abbot MacNeill Whistler and John Ruskin over Whistler’s controversial, ground-breaking Nocturne in Black and Gold: The Falling Rocket. In November 1878, America’s greatest painter sued England’s greatest critic for a bad review. The painter won—but ruined himself in the process. The painter: James Abbot MacNeill Whistler, whose combination of incredible talent, unflagging energy, and relentless self-promotion had by that time brought him to the very edge of artistic preeminence. The critic: John Ruskin, Slade Professor of Art at Oxford University, whose four-decades’ worth of prolific and highly respected literary output on aesthetics had made him England’s unchallenged and seemingly unchallengeable arbiter of art. Though Whistler and Ruskin both lived in London and moved in the same artistic world, they had, until June, 1877, managed to remain entirely clear of one another. This was unusual because Whistler had a mercurial temperament, a belligerent personality, and seemed to thrive on opposition: he once challenged a man to a duel because the man accused the painter of sleeping with his wife. (Whistler had, in fact, slept with the man’s wife.) That November, John Ruskin walked into the Grosvenor Gallery’s new exhibition of art and gazed with horror upon Whistler’s Nocturne in Black and Gold: The Falling Rocket. The painting was Whistler’s interpretation of a fireworks display at a local pleasure garden. But to Ruskin it was nothing more than a chaotic, incomprehensible mess of bright spots upon dark masses: not art but its antithesis—a disturbing and disgusting assault upon everything he had ever written or taught on the subject. He quickly channeled that anger into a seething review. The internationally-reported, widely discussed, and hugely-entertaining trial that followed was a titanic battle between the opposing ideas and ideals of two larger-than-life personalities. For these two protagonists, Whistler v Ruskin was the battle of a lifetime—or more accurately, a battle of their two lifetimes. Paul Thomas Murphy’s Falling Rocket also recounts James Whistler’s turbulent but triumphant development from artistic oblivion in the 1880s to artistic deification in the 1890s, and also Ruskin’s isolated, befogged, silent final years after his public humiliation. The story of Whistler v Ruskin has a dramatic arc of its own, but this riveting new book also vividly evokes an artistic world in energetic motion, culturally and socially, in the last decades of the nineteenth century.
Author: Bruce Brubaker
Publisher: Pendragon Press
ISBN: 9781576470015
Category : Music
Languages : en
Pages : 290
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Book Description
World-renowned pianist and pedagogue Jacob Lateiner is a prime example of the performer as scholar. A member of the Juilliard School faculty since 1966, Mr. Lateiner is an avid collector of musical first editions, letters, and other rare materials, and a notable lecturer on the subject of textual authenticity and its relationship to musical performance. This collection of essays in honor of his 70th birthday includes contributions by Mr. Lateiner's friends and colleagues that illuminate his interests.
