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Author: Trav S.D.
Publisher: Macmillan
ISBN: 0865479585
Category : Performing Arts
Languages : en
Pages : 368
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Book Description
From 1881 to 1932, vaudeville was at the heart of show business in the UnitedStates. This volume explores the many ways in which vaudeville's story is thestory of show business in America.
Author: Trav S.D.
Publisher: Macmillan
ISBN: 0865479585
Category : Performing Arts
Languages : en
Pages : 368
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Book Description
From 1881 to 1932, vaudeville was at the heart of show business in the UnitedStates. This volume explores the many ways in which vaudeville's story is thestory of show business in America.
Author: Paul M Levitt
Publisher: SIU Press
ISBN: 9780809388219
Category : Humor
Languages : en
Pages : 488
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Book Description
Vaudeville Humor: The Collected Jokes, Routines, and Skits of Ed Lowry contains vaudeville jokes, skits, and routines from the first three decades of the twentieth century originally compiled by comedian Ed Lowry (1896–1983). Although occasionally found in bits and pieces in anthologies and in some period dramatic comedies, vaudeville humor has never before been available in one collection—performers rarely if ever kept a record of their jokes and routines. Fortunately, Ed Lowry was an inveterate collector. He kept copious notebooks of jokes and routines that he not only commissioned but also stole from other comics, clipped from newspapers, and copied from now defunct popular magazines of the day. Editor Paul M. Levitt has reorganized the material into categories that preserve some of the flavor of Lowry’s scrapbooks yet provide for finer distinctions. Part one, “Jokes,” is organized by subject matter and cataloged by genre, dialects, and wordplay. From “Accidents” to “Work,” this exhaustive catalog of humor features over one thousand jokes with topics that range from city slickers and country hicks through midgets and old maids to Swedes and tattoos. Part two, “MC Material: Biz, Jokes, Routines, and Skits” is germane to the job of master of ceremonies, routines, and skits. It features topics from fractured fairy tales to stuttering. Part three, an appendix, “Ed Lowry Laffter,”reproduces a privately published collection that is now a rare collector’s item. “Although some of the jokes can undoubtedly be found in other places,” explains Levitt in his introduction, “I know of no source as rich as this one for the twenties and thirties, a period so abundant in humor that for years afterward it fueled radio, cinema, and television.”
Author: Robert M. Lewis
Publisher: JHU Press
ISBN: 0801887488
Category : History
Languages : en
Pages : 399
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Book Description
Before phonographs and moving pictures, live performances dominated American popular entertainment. Carnivals, circuses, dioramas, magicians, mechanical marvels, musicians, and theatrical troupes—all visited rural fairgrounds, small-town opera houses, and big-city palaces around the country, giving millions of people an escape from their everyday lives for a dime or a quarter. In From Traveling Show to Vaudeville, Robert M. Lewis has assembled a remarkable collection of nineteenth- and early twentieth-century primary sources that document America's age of theatrical spectacle. In eight parts, Lewis explores, in turn, dime museums, minstrelsy, circuses, melodramas, burlesque shows, Wild West shows, amusement parks, and vaudeville. Included in this compendium are biographies, programs, ephemera produced by theatrical entrepreneurs to lure audiences to their shows, photographs, scripts, and song lyrics as well as newspaper accounts, reviews, and interviews with such figures as P. T. Barnum and Buffalo Bill Cody. Lewis also gives us reminiscences about and reactions to various shows by members of audiences, including such prominent writers as Mark Twain, William Dean Howells, Nathaniel Hawthorne, Carl Sandburg, Walt Whitman, Louisa May Alcott, Charles Dickens, O. Henry, and Maxim Gorky. Each section also includes a concise introduction that places the genre of spectacle into its historical and cultural context and suggests major interpretive themes. The book closes with a bibliographic essay that identifies relevant scholarly works. Many of the pieces collected here have not been published since their first appearance, making From Traveling Show to Vaudeville an indispensable resource for historians of popular culture, theater, and nineteenth-century American society.
Author: Charles W. Stein
Publisher: New York : Knopf
ISBN:
Category : Performing Arts
Languages : en
Pages : 486
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Book Description
Author: Groucho Marx
Publisher: Simon and Schuster
ISBN: 1416536035
Category : Biography & Autobiography
Languages : en
Pages : 324
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Book Description
Donated to the Library of Congress in the mid-1960s, Groucho Marx's correspondence was first crafted into this celebration of wit and wisdom in 1967. Reissued today with his original letters and humor intact, The Groucho Letters exposes one of the twentieth century's most beloved comedian's private insights into show biz, politics, business, and, of course, his illustrious personal life. Included are Marx's conversations with such noted personalities as E. B. White, Fred Allen, Goodman Ace, Nunnally Johnson, James Thurber, Booth Tarkington, Alistair Cooke, Harry Truman, Irving Berlin, and S. J. Perelman. To Confidential Magazine Gentlemen: If you continue to publish slanderous pieces about me, I shall feel compelled to cancel my subscription. Sincerely, Groucho Marx
Author: Anthony Slide
Publisher: Univ. Press of Mississippi
ISBN: 1617032506
Category : Performing Arts
Languages : en
Pages : 649
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Book Description
The Encyclopedia of Vaudeville provides a unique record of what was once America's preeminent form of popular entertainment from the late 1800s through the early 1930s. It includes entries not only on the entertainers themselves, but also on those who worked behind the scenes, the theatres, genres, and historical terms. Entries on individual vaudevillians include biographical information, samplings of routines and, often, commentary by the performers. Many former vaudevillians were interviewed for the book, including Milton Berle, Block and Sully, Kitty Doner, Fifi D'Orsay, Nick Lucas, Ken Murray, Fayard Nicholas, Olga Petrova, Rose Marie, Arthur Tracy, and Rudy Vallee. Where appropriate, entries also include bibliographies. The volume concludes with a guide to vaudeville resources and a general bibliography. Aside from its reference value, with its more than five hundred entries, The Encyclopedia of Vaudeville discusses the careers of the famous and the forgotten. Many of the vaudevillians here, including Jack Benny, George Burns and Gracie Allen, Jimmy Durante, W. C. Fields, Bert Lahr, and Mae West, are familiar names today, thanks to their continuing careers on screen. At the same time, and given equal coverage, are forgotten acts: legendary female impersonators Bert Savoy and Jay Brennan, the vulgar Eva Tanguay with her billing as “The I Don't Care Girl,” male impersonator Kitty Doner, and a host of “freak” acts.
Author: David Monod
Publisher: UNC Press Books
ISBN: 1469660563
Category : History
Languages : en
Pages : 286
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Book Description
Today, vaudeville is imagined as a parade of slapstick comedians, blackface shouters, coyly revealed knees, and second-rate acrobats. But vaudeville was also America's most popular commercial amusement from the mid-1890s to the First World War; at its peak, 5 million Americans attended vaudeville shows every week. Telling the story of this pioneering art form's rise and decline, David Monod looks through the apparent carnival of vaudeville performance and asks: what made the theater so popular and transformative? Although he acknowledges its quirkiness, Monod makes the case that vaudeville became so popular because it offered audiences a guide to a modern urban lifestyle. Vaudeville acts celebrated sharp city styles and denigrated old-fashioned habits, showcased new music and dance moves, and promulgated a deeply influential vernacular modernism. The variety show's off-the-rack trendiness perfectly suited an era when goods and services were becoming more affordable and the mass market promised to democratize style, offering a clear vision of how the quintessential twentieth-century citizen should look, talk, move, feel, and act.
Author: Steve Steinberg
Publisher: U of Nebraska Press
ISBN: 1496240235
Category : Biography & Autobiography
Languages : en
Pages : 369
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Book Description
Mike Donlin was a brash, colorful, and complicated personality. He was the most popular athlete in New York and was a star on the powerful New York Giants teams of 1905 and 1908. Though haunted by tragedy, including the deaths of both of his parents as a boy, Donlin was a charming, engaging, and kind-hearted man who also had successful careers on the stage and in film. One of the early “bad boys” among professional athletes, Donlin’s temper and combativeness—compounded by alcoholism—led to battles with umpires and fans, numerous suspensions from the game, and even jail time. In 1906, when Donlin married vaudeville actress Mabel Hite, his life changed for the better, and their love story captivated the nation. Donlin left baseball after his sensational comeback for the dramatic 1908 season and joined Mabel on the stage, likely losing a Hall of Fame career. Then in 1912, at the age of twenty-nine, Mabel died of intestinal cancer. After making a final comeback as a player in 1914, Donlin starred in baseball’s first feature film. He became a drinking buddy of actors John Barrymore and Buster Keaton and married actress Rita Ross. The couple moved to Hollywood, where Donlin became a beloved figure and appeared in roughly one hundred movies, mostly in minor roles. Despite his Hollywood career, Donlin stayed connected to the game he loved and was seeking a coaching job with the Giants when he died of a heart attack in 1933. At the dawn of the celebrity era of sports, Donlin was one of the nation’s first athletes to capture the public’s attention. This biography by Steve Steinberg and Lyle Spatz shows why.
Author: Gary Bohan Jr.
Publisher: State University of New York Press
ISBN: 1438487134
Category : Performing Arts
Languages : en
Pages : 431
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Book Description
Gold Winner for the 2022 Foreword INDIES Book of the Year Award in the Performing Arts & Music Category "Sharkey is the natural artist, performing his magic for nothing but love." — Wolcott Gibbs, the New Yorker Sharkey tells the compelling story of an unusually gifted, trained sea lion who shared the stage with practically every important performer of the first half of the twentieth century—from Bob Hope to Ella Fitzgerald, from Broadway to Hollywood and beyond. Readers follow Sharkey and his flippered colleagues as they travel the world with stops at the Ringling Bros. and Barnum & Bailey Circus, vaudeville houses, Manhattan during the Harlem Renaissance, burlesque nightclubs, movie palaces, Radio City Music Hall, and the legendary studios of early radio, movies, and television, meeting a who's who of showbiz entertainers, sports superstars, and even a US president. Meticulously researched and lavishly illustrated, Sharkey is a quirky slice of New York and entertainment history sure to delight fans of vintage pop culture and Americana, as well as animal lovers.
Author: Terry Gilliam
Publisher: Hal Leonard Corporation
ISBN: 9781557833488
Category : Performing Arts
Languages : en
Pages : 252
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Book Description
(Applause Books). Based on the novel by Hunter S. Thompson, this is the screenplay of the movie. Includes thoughts by both Tony Grisoni and Terry Gilliam. "Transferred to the screen by Gilliam with a fidelity to the author's imagery ... here it is in all its splendiferous funhouse terror; the closest sensory approximation of an acid trip ever achieved by a mainstream movie." The New York Times
