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Author: Iván Nyusztay
Publisher: Rodopi
ISBN: 9789042015401
Category : Drama
Languages : en
Pages : 210
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Book Description
This volume for the first time presents a systematic comparison of Greek and Shakespearean tragedy. By thematizing the common modes of the tragic, it measures their structural regularities against corresponding philosophical and ethical reflections. The comparative theory of tragedy evolves through a constant debate with the traditional views of Aristotle, Hegel, Schelling, Paul Ricoeur, and others.
Author: Iván Nyusztay
Publisher: Rodopi
ISBN: 9789042015401
Category : Drama
Languages : en
Pages : 210
Get Book
Book Description
This volume for the first time presents a systematic comparison of Greek and Shakespearean tragedy. By thematizing the common modes of the tragic, it measures their structural regularities against corresponding philosophical and ethical reflections. The comparative theory of tragedy evolves through a constant debate with the traditional views of Aristotle, Hegel, Schelling, Paul Ricoeur, and others.
Author: Nyusztay Iván
Publisher:
ISBN:
Category :
Languages : en
Pages : 168
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Book Description
Author: Nicoleta Corbu
Publisher: Cambridge Scholars Publishing
ISBN: 1443870285
Category : Social Science
Languages : en
Pages : 695
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Book Description
The search for identity is a continuous challenge in the global world: from personal identity to social, national, European or professional identities, each person experiences nowadays a multi-dimensional self-representation. Placing the topic against an intercultural background, with a focus on communication, this book addresses the complicated relationship between self, identity, and society, from an academic perspective. The authors of the chapters in this book offer a complex landscape of professional and scholar approaches and research, in various parts of the world, including Canada, China, Estonia, France, Greece, Israel, Romania, and the United States of America.
Author: Dympna Callaghan
Publisher: John Wiley & Sons
ISBN: 1118501209
Category : Literary Criticism
Languages : en
Pages : 656
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Book Description
The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. This is the explicitly political approach taken in the dynamic and newly updated edition of A Feminist Companion to Shakespeare. Provides the definitive feminist statement on Shakespeare for the 21st century Updates address some of the newest theatrical andcreative engagements with Shakespeare, offering fresh insights into Shakespeare’s plays and poems, and gender dynamics in early modern England Contributors come from across the feminist generations and from various stages in their careers to address what is new in the field in terms of historical and textual discovery Explores issues vital to feminist inquiry, including race, sexuality, the body, queer politics, social economies, religion, and capitalism In addition to highlighting changes, it draws attention to the strong continuities of scholarship in this field over the course of the history of feminist criticism of Shakespeare The previous edition was a recipient of a Choice Outstanding Academic Title award; this second edition maintains its coverage and range, and bringsthe scholarship right up to the present day
Author: Garry L. Hagberg
Publisher: Springer Nature
ISBN: 3031123301
Category : Philosophy
Languages : en
Pages : 342
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Book Description
This stimulating volume brings together an international team of emerging, mid-career, and senior scholars to investigate the relations between philosophical approaches to language and the language of literature. It has proven easy for philosophers of language to leave literary language to one side, just as it has proven easy for literary scholars to discuss questions of meaning separately from relevant issues in the philosophy of language. This volume brings the two together in mutually enlightening ways: considerations of literary meaning are deepened by adding philosophical approaches, just as philosophical issues are enriched by bringing them into contact or interweaving them with literary cases in all their subtlety.
Author: David Krasner
Publisher: John Wiley & Sons
ISBN: 1405140445
Category : Performing Arts
Languages : en
Pages : 610
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Book Description
Theatre in Theory is the most complete anthology documenting 20th-century dramatic and performance theory to date, offering a rich variety of perspectives from the century’s most prominent playwrights, directors, scholars, and philosophers. Includes major theoretical and critical manifestos, hypotheses, and theories from the field Wide-ranging and broadly constructed, this text has both interdisciplinary and global appeal Includes a thematic index, section introductions, and supporting commentary Helps students, teachers, and practitioners to think critically about the nature of theatre
Author: Leonard Moss
Publisher: Lexington Books
ISBN: 0739171224
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
How do an author’s techniques establish the recurring paradox raised by the tragic genre? I have called upon the valuable arguments offered by Plato, Aristotle, Hegel, and Nietzsche to help the student and lay reader understand the operation of basic literary languages. But fiction is not philosophy. My study focuses on the narrative sequence, im-ages, and rhetorical devices that embody a dilemma envisioned by prominent tragedians in both the ancient and modern worlds.
Author: Myron Stagman
Publisher: Cambridge Scholars Publishing
ISBN: 1443824666
Category : Drama
Languages : en
Pages : 430
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Book Description
To begin with, Shakespeare had a complete grammar school education, and Euripides, Sophocles and Aristophanes were assigned reading!! This book presents voluminous, striking, unmediated textual correspondences between the Greek and Shakespearean plays, and illuminating historical background. Not only should this prove the Shakespeare-Greek Drama connection, but that William Shakespeare became “Shakespeare” because of his mastery of the ancient Greek treasury of Drama. 3. “Pluck’d my nipple from his boneless gums” Many of us associate Lady Macbeth’s special temper with some of the most blood-curdling lines in literature: I have given suck, and know How tender ’tis to love the babe that milks me; I would, while it was smiling in my face, Have pluck’d my nipple from his boneless gums, And dash’d the brains out, had I so sworn As you have done to this. Shakespeare’s precise action image appears in Euripides’ Iphigenia in Aulis, from verses spoken by Clytemnestra. She says to Agamemnon: It was not of my own free will but by force that Thou didst take and wed me, after slaying Tantalus, My former husband, and dashing my babe on the ground alive, When thou hadst torn him from my breast with brutal violence. The derivation of Lady Macbeth’s dashing image cannot be in doubt.
Author: Seda Ilter
Publisher: Bloomsbury Publishing
ISBN: 135003116X
Category : Performing Arts
Languages : en
Pages : 239
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Book Description
This study explores the ways in which playtexts have evolved in relation to the sociocultural and cognitive conditions of a mediatized age, and how they, in form and content, respond to this environment and open up new critical possibilities in text and performance. The study combines theatre and media theory through the innovative concept of 'mediatized dramaturgy' and offers conceptual reflections on the ways in which a playtext negotiates the new reality of contemporary culture. The book scrutinizes the form of playtexts and works through the exchange between text and performance by exploring contemporary works such as Simon Stephens's Pornography, Caryl Churchill's Love and Information, and David Greig's The Yes/No Plays, and their selected productions. Offering a pioneering intervention that expands discussions about the mediatization of theatre, and new playwriting, Mediatized Dramaturgyproposes areas for discussion that appeal to researchers, audiences and practitioners with an interest in the sub-field of media and performance, and British and North American drama and theatre. Media technologies and their socio-cultural repercussions have increasingly influenced theatre, particularly since the ubiquitous prevalence of digital technologies from the 1990s onwards. Consequently, new modes such as digital and intermedial theatre have come to populate and transform the theatre practice and scholarship. In this changing theatrical landscape, what has happened to plays in the historically text-oriented British theatre? How has playtext changed in an age of theatre marked by mediatization and its possibilities?
Author: Vincent W. J. van Gerven Oei
Publisher: punctum books
ISBN: 1947447815
Category : Language Arts & Disciplines
Languages : en
Pages : 242
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Book Description
What do the bizzare etymologies of Jean-Pierre Brisset, made-up languages for literary fiction, The Dialectic of Enlightenment, Latin grammarians, Horace's Epodes, and the Papyrus of Ani have in common? Nothing! Taken together they provide an unusually coherent picture of a hitherto unacknowledged non-tradition of linguistic investigation. If pataphysics is the science of the singular, the unparallelled, the exception that has no rule, pataphilology is what gets it there, the singularity of singularities. It is the mode in which exceptions become exceptional, itself an unrepeatable intervention in the language. - Back cover.
