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Author: Benita Brown
Publisher: Scarecrow Press
ISBN: 0810892804
Category : Performing Arts
Languages : en
Pages : 174
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Book Description
Diaspora studies continue to expand in range and scope and remain fertile terrain for investigating multiple techniques of myth creation in dance performance, history as performance, dramatic narrative, and staged rituals in the field. Similarly, research in postcoloniality, gender/sexuality, intercultural, and literary studies, among others, all engage and feature core components of performance and myth in articulating and understanding their fields. This sharing of similar components also demonstrates the interrelatedness of these fields. In Myth Performance in the African Diasporas: Ritual, Theatre, and Dance, the authors contend that performance traditions across artistic disciplines reveal a shared—if sometimes varied—journey among diasporic artists to reconnect with their African ancestors. The volume begins with a historical and aesthetic overview of how dramatists, choreographers, and performance artists have approached the task of interpreting African myth. The individual chapters reveal how specific artists, dramatists, and choreographers have interpreted African myth and what performative approaches and traditions they have used. Focusing on theatre practitioners from the nineteenth century through the present, the authors examine performative traditions from Canada, the United States, the Caribbean, and Latin America. Drawing upon research in theatre, dance, and literary texts, Myth Performance in the African Diasporas will be crucial to academics interested in African performance viewed through the prism of myth making and spiritual/ritualistic stagings. Besides those interested in diasporic studies, this book will also be useful to scholars and students of history, drama, theatre, and dance.
Author: Benita Brown
Publisher: Scarecrow Press
ISBN: 0810892804
Category : Performing Arts
Languages : en
Pages : 174
Get Book
Book Description
Diaspora studies continue to expand in range and scope and remain fertile terrain for investigating multiple techniques of myth creation in dance performance, history as performance, dramatic narrative, and staged rituals in the field. Similarly, research in postcoloniality, gender/sexuality, intercultural, and literary studies, among others, all engage and feature core components of performance and myth in articulating and understanding their fields. This sharing of similar components also demonstrates the interrelatedness of these fields. In Myth Performance in the African Diasporas: Ritual, Theatre, and Dance, the authors contend that performance traditions across artistic disciplines reveal a shared—if sometimes varied—journey among diasporic artists to reconnect with their African ancestors. The volume begins with a historical and aesthetic overview of how dramatists, choreographers, and performance artists have approached the task of interpreting African myth. The individual chapters reveal how specific artists, dramatists, and choreographers have interpreted African myth and what performative approaches and traditions they have used. Focusing on theatre practitioners from the nineteenth century through the present, the authors examine performative traditions from Canada, the United States, the Caribbean, and Latin America. Drawing upon research in theatre, dance, and literary texts, Myth Performance in the African Diasporas will be crucial to academics interested in African performance viewed through the prism of myth making and spiritual/ritualistic stagings. Besides those interested in diasporic studies, this book will also be useful to scholars and students of history, drama, theatre, and dance.
Author: Paul Carter Harrison
Publisher: Temple University Press
ISBN: 9781439901151
Category : Literary Criticism
Languages : en
Pages : 436
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Book Description
An insider's view of Black theatres of the world and how they reflect their culture, concerns, and history.
Author: Isidore Okpewho
Publisher: Indiana University Press
ISBN: 9780253334251
Category : African Americans
Languages : en
Pages : 612
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Book Description
* How black people established their identities in the African diaspora.
Author: Kariamu Welsh
Publisher: University of Illinois Press
ISBN: 0252051815
Category : Performing Arts
Languages : en
Pages : 423
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Book Description
The popularity and profile of African dance have exploded across the African diaspora in the last fifty years. Hot Feet and Social Change presents traditionalists, neo-traditionalists, and contemporary artists, teachers, and scholars telling some of the thousands of stories lived and learned by people in the field. Concentrating on eight major cities in the United States, the essays challenges myths about African dance while demonstrating its power to awaken identity, self-worth, and community respect. These voices of experience share personal accounts of living African traditions, their first encounters with and ultimate embrace of dance, and what teaching African-based dance has meant to them and their communities. Throughout, the editors alert readers to established and ongoing research, and provide links to critical contributions by African and Caribbean dance experts. Contributors: Ausettua Amor Amenkum, Abby Carlozzo, Steven Cornelius, Yvonne Daniel, Charles “Chuck” Davis, Esailama G. A. Diouf, Indira Etwaroo, Habib Iddrisu, Julie B. Johnson, C. Kemal Nance, Halifu Osumare, Amaniyea Payne, William Serrano-Franklin, and Kariamu Welsh
Author: Martin Banham
Publisher: Boydell & Brewer
ISBN: 1847011462
Category : Drama
Languages : en
Pages : 264
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Book Description
Extends the study of China's soft power into theatre studies and looks more widely at syncretic traditions evolving in other long-term historic exchanges between Asia and Africa.
Author: Yolanda Covington-Ward
Publisher: Duke University Press
ISBN: 1478013117
Category : Religion
Languages : en
Pages : 216
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Book Description
The contributors to Embodying Black Religions in Africa and Its Diasporas investigate the complex intersections between the body, religious expression, and the construction and transformation of social relationships and political and economic power. Among other topics, the essays examine the dynamics of religious and racial identity among Brazilian Neo-Pentecostals; the significance of cloth coverings in Islamic practice in northern Nigeria; the ethics of socially engaged hip-hop lyrics by Black Muslim artists in Britain; ritual dance performances among Mama Tchamba devotees in Togo; and how Ifá practitioners from Mexico, Colombia, Venezuela, Trinidad, and the United States join together in a shared spiritual ethnicity. From possession and spirit-induced trembling to dance, the contributors outline how embodied religious practices are central to expressing and shaping interiority and spiritual lives, national and ethnic belonging, ways of knowing and techniques of healing, and sexual and gender politics. In this way, the body is a crucial site of religiously motivated social action for people of African descent. Contributors. Rachel Cantave, Youssef Carter, N. Fadeke Castor, Yolanda Covington-Ward, Casey Golomski, Elyan Jeanine Hill, Nathanael J. Homewood, Jeanette S. Jouili, Bertin M. Louis Jr., Camee Maddox-Wingfield, Aaron Montoya, Jacob K. Olupona, Elisha P. Renne
Author: Antonio C. Cuyler
Publisher: Springer Nature
ISBN: 3030858103
Category : Social Science
Languages : en
Pages : 335
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Book Description
This book centers people of African descent as cultural leaders to challenge the myth that they do not know how or care about managing and preserving their culture. Arts Management, Cultural Policy, & the African Diaspora also presents comparative case studies of the challenges, differences, similarities, and successes in approaches to cultural leadership across multiple cultural contexts throughout the diaspora. This volume disrupts the enduring and systemic global marginalization, oppression, and subjugation that threatens and undermines people of African descent’s cultural contributions to humanity. The most important distinguishing feature of the volume is its geographical use of the African diaspora to explore the subjects of arts management and cultural policy which, to date, no volume has done before. Furthermore, the volume’s comparative examination of ten critical, historical, practical, and theoretical questions makes it a significant contribution to the literatures in Arts Management, Cultural Policy, Cultural, Africana, African American, and Ethnic studies.
Author: Kene Igweonu
Publisher: Taylor & Francis
ISBN: 1040019919
Category : Drama
Languages : en
Pages : 811
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Book Description
The Routledge Handbook of African Theatre and Performance brings together the very latest international research on the performing arts across the continent and the diaspora into one expansive and wide-ranging collection. The book offers readers a compelling journey through the different ideas, people and practices that have shaped African theatre and performance, from pre-colonial and colonial times, right through to the 20th and early 21st centuries. Resolutely Pan-African and inter- national in its coverage, the book draws on the expertise of a wide range of Africanist scholars, and also showcases the voices of performers and theatre practitioners working on the cutting-edge of African theatre and performance practice. Contributors aim to answer some of the big questions about the content (nature, form) and context (processes, practice) of theatre, whilst also painting a pluralistic and complex picture of the diversity of cultural, political and artistic exigencies across the continent. Covering a broad range of themes including postcolonialism, transnationalism, interculturalism, Afropolitanism, development and the diaspora, the handbook concludes by projecting possible future directions for African theatre and performance as we continue to advance into the 21st century and beyond. This ground-breaking new handbook will be essential reading for students and researchers studying theatre and performance practices across Africa and the diaspora. Kene Igweonu is Professor of Creative Education at University of the Arts London, where he is also Pro Vice-Chancellor and Head of London College of Communication. An interdisciplinary researcher, Professor Igweonu has extensive experience of senior academic leadership in immersive and interactive practices and performance practice. His practice research and publication interests are in storytelling, theatre, and performance in Africa and its Diaspora, as well as the Feldenkrais Method in health, wellbeing, and performance training. A champion for arts and creative industries, Professor Igweonu is Chair of DramaHE, Council Member for Creative UK, and until August 2023, President of the African Theatre Association.
Author: Sandra Giddens
Publisher: The Rosen Publishing Group, Inc
ISBN: 9781404207684
Category : Juvenile Nonfiction
Languages : en
Pages : 52
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Book Description
Describes the role of mythology in African culture and religion and presents several myths.
Author: Emmanuel Twum Mensah
Publisher: GRIN Verlag
ISBN: 3668410542
Category : History
Languages : en
Pages : 4
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Book Description
Essay from the year 2017 in the subject African Studies, Kwame Nkrumah University of Science and Technology (Faculty of Social Sciences), course: History, language: English, abstract: The term “Diaspora” simply means a dispersion of a people, language or culture that was formerly concentrated in one place. But adding “Africa” to the term makes it complicated and difficult to define because of the way the African diaspora occurred and controversies among scholars in defining who an African is. This complexity raises questions such as is an African solely a black person, or is it someone who traces his descent to the continent and the ultimate question of whether Africans see themselves as one people or align themselves to their respective ethnic groups and to some extent their countries. The complications is further heightened by how various authors conceptualize the African Diaspora. The Atlantic model which dominates the African Diaspora popularized by Paul Gilroy tries to shift focus and attention on the forced migration of West Africans from 16th Century to the 19th Century as slaves to the new world. Scholars such as Zeleza therefore argues that there is the need to “de-Atlanticize and de-Americanize the histories of African diasporas” and identifies three main sets of African Diaspora namely the trans-Indian Ocean diasporas, trans-Mediterranean diasporas, and trans-Atlantic diasporas. These sets of African Diaspora have their own histories and their differences and similarities between them making it more difficult to conceptualize the African Diaspora as referring to one event. This essay therefore seeks to explain how the complications in conceptualizing the African Diaspora stretches across time, space, class and gender.
